Kaosium
Philosopher
- Joined
- Oct 12, 2010
- Messages
- 6,695
Kaosium,
You've made a Kipling fan of me.
I can relate to giants of his era more than to the people of this era. Perhaps the giants of this era will be found someday.
Here's one for Raffaele and Amanda, it's a sad one as befits their tragic fate, but it is hopeful, more so than what Kipling had left when he wrote it, as everything he believed in was fading away like he foresaw a generation previous when he feared he saw 'the Captains and the Kings depart.'
Perhaps Mignini, fearful of his own hidden impulses, has projected them onto Amanda and Raffaele.
Perhaps Mignini, fearful of his own hidden impulses, has tried to protect the world from his own dark side as reflected by his aberrated persecution of Amanda and Raffaele.
Perhaps the persecution of Amanda and Raffaele is due to the fact that Mignini and others aren't masters of their dreams as in the Kipling poem.
I wonder sometimes if he still believes it. Frank Sfarzo thinks he's mostly a victim of his faith in the police in Perugia, that he basically just did his job. But from what I can tell, his mind is all over that theory, and he prosecuted it knowing how empty the case was.
From Frank's piece on him, which is the most complete picture I've found of him, you get the impression he sees himself as Gandalf, riding the countryside battling evil. He has the wrong Istari though, it looks like in the end he's the one who 'studied too long the ways of the Enemy' instead.
According to that article I saw Halides post or comment on a month or so ago, Mignini believes two of the most important items in the conviction were the DNA 'evidence.' Were those to be thrown out, would he rethink it? Or will it be better if eventually someone gets to tell him it ends:
'When you hang from a gibbet at your window for the sport of your own crows.'