westprog
Philosopher
- Joined
- Dec 1, 2006
- Messages
- 8,928
Do you mean me or RD?
I was generalising about the tendency to make unsupported claims which pervades this topic generally. I don't think you've made any so far.
Do you mean me or RD?
Assume A is actually impossible.
Assume B cannot prove whether or not A is occurring.
But even without complete knowledge we can know some things are impossible. In particular, mathematical statements that are untrue can never, ever, ever describe reality.
That was why I brought up incompleteness -- we know we have imperfect knowledge, but we also know many things are impossible.
Thus all I need to do is find a way to describe simulations and the act of determining if one is in a simulation, mathematically. Then if "determining one is not in a simulation" ends up being a provably false mathematical statement we know with 100% certainty, even without "complete knowledge," that it is impossible in reality.
But you made a mistake -- you can't lump the positive and negative proof of A into a single statement. It needs to read:
1) assume A is actually impossible
2) assume B cannot prove that A is not occuring
3) assume B cannot prove that A is occuring
Now look what happened -- the truth of 1) implies the truth of 3). But it still has no bearing on the truth of 2) . The truth of 2) is completely dependent on the ability of B. It has nothing to do with whether or not A is impossible.
Even if A were possible, and in fact occuring, and B didn't have the ability to prove it, statement 2) would still be true.
Ah I see what people are getting at. Let me change the argument:
1) It is impossible to prove that we are not in a simulation.
2) We are alive and conscious.
3) Therefore it is impossible to prove that life and consciousness cannot exist in a simulation.
Better?
But I don't see how this is much more than a technicality because people here have been specifically saying that anything in a simulation would not be alive. My argument still refutes that claim.
When a simulation contains all real space variables it's no longer a simulation, so simulations never contain all real space variables.
Oh, really. I'm jest a simple old country Skinnerian behaviorist, but I can tell that you have no evidence for that.
Not so imo. It means a simulation -- simulations certainly are done -- may be lacking variables and/or relationships needed to actually model what is being theoretically simulated.my_wan said:When a simulation contains all real space variables it's no longer a simulation, so simulations never contain all real space variables.
Ok, I'll accept that as a valid definition, even though equally valid definitions could disagree. But if we accept that definition, it means there is no such thing as a simulation.
I'd only say a simulation may, or may not, be correctly mimicking the reality under study.If the variables used to create a simulation aren't real, they can't be used to create a simulation. Since they must be real it means the simulation is real, not a simulation per the definition you provided.
Actually, no, you seem to have forgotten what you asked me if you think I am insisting that the simulation has Sofia.
Let us say the simulation doesn't have Sofia.
But it does very adamantly insist that it does have Sofia and even mocks anybody who suggests they don't.
So while the science behind the model does not explain the Sofia, it would clearly explain why we claim to have a Sofia.
Which suggests, as I said, that the reason you claim to have a Sofia has nothing to do with the fact that you have a Sofia.
So if the reason we cry out in pain is because we actually feel pain, and the simulation of those same brain processes does not actually feel pain - then why does it still let out a simulated cry in pain?
But if it does claim consciousness then it can only be through the neural processing since that is what is being modelled.
So if it does claim consciousness then we know that neurons are enough to explain why we claim consciousness.
The point being that until our deep thinkers who believe substrate is irrelevant to consciousness sort that out, what are they doing?
No, they don't seem to believe a computer simulation of life is "alive". Why not, since they believe a non-biologic simulation of the highest expression of life will be conscious?
So add the variables and/or relationships needed for a better model. The variables are still just as real.Not so imo. It means a simulation -- simulations certainly are done -- may be lacking variables and/or relationships needed to actually model what is being theoretically simulated.
I would be more apt to say life is possible in a simulation. Life as we define it has many properties other than intelligence. Evolution, reproduction with mutation, etc. A simulation is nothing more than an environment, which is physically real even for a simulation. You can't after all make a simulation without physically real equipment using real physical laws.
1) It is impossible to be certain that we are not in a simulation.
Well, a bowl of soup cannot function as a switch.
So if the exact same machine with the exact same intellectual content had sensory input about the world as you perceive it, then it would be a real intelligence? But if that exact same intelligence instead perceived a computer generated world as primary input, suddenly the exact same intelligence is no longer real because it doesn't see the world you call real?This is a fundamental conflation error.
The physically real environment for the simulation is not the space where the simulation takes place.
So if you were a blind deaf paraplegic, wired in so this racecar world was the world you could interact with, race the car, etc., is your sophia somehow lost just because you can't perceive the real world as I know it?If I simulate a racecar on a track, and the oil pressure drops, the pressure inside my computer does not drop. If the simulated car crashes and catches on fire, my computer does not stop working and burst into flames.
As a matter of fact your sense of qualia is a simulation your brain creates for you. This is why certain illusions work so well. This is why your senses can be tricked into an out of body experience, while you watch your real self as it is over there. What you call your sense of consciousness is itself part of the qualia modeled in your head for you.If you examine the physically real operations of the device which allows the simulation, you will not find the simulation.
Your consciousness, the OP subject, is contained in your skull. All the sensory data that feeds it outside information is modeled in your skull. What you see is that model you have made of it, not what it actually is. Hence some pretty awesome illusions are possible. Your brain will even ignore, and not see, what your senses are telling it if it doesn't match the model in your head. What you think are your senses are actually only a model created from a subset of those senses, and the model is all you see.If you do examine the physically real device and find all the properties of the thing being modeled, then it is a true model. If the thing being modeled catches on fire, there is a real fire in front of you which needs putting out.
So if your brain is transplanted, kept alive, and your senses, touch, smell, sight, hearing, and taste are feed from a simulated environment it means your not really conscious? But if those same senses were provided with access to the world as we perceive it it is conscious?Simulated life is not life, because it exists only in simulated space, not real space.
What makes something real is that it is impossible to represent it to completion
It's easy to forget that the very idea of a digital expression involves a trade-off with metaphysical overtones. A physical oil painting cannot convey an image created in another medioum;it is impossible to make an oil painting look just like an ink drawing, for instance, or vice versa. But a digital image of sufficient resolution can capture any kind of perceivable image_or at least that's how you'll think of it if you believe in bits too much.
Of course, it isn't really so. A digital image of an oil painting is forever a representation, not a real thing. A real painting is a bottomless mystery, like any real thing. An oil painting changes with time; cracks appear on its face. It has texture, odor, and a sense of presence and history.
Another way to think about it is to recognise that there is no such thing as a digital object that isn't specialised. Digital representations can be very good, but you can never foresee all the ways a representation might need to be used. For instance, you could define a new MIDIlike standard for representing oil paintings that includes odors, cracks, and so on, but it will always turn out that you forgot something, like the weight or tautness of the canvas.
The definition of a digital object is based on assumptions of what aspectsof it will turn out to be important. It will be a flat, mute nothing if you ask something of it that exceeds those expectations. If you didn't specify the weight of a digital painting in the original definition, it isn't just just weightless, it is less than weightless.
A physical object, on the other hand, will be fully rich and fully real whatever you do to it. It will respond to any experiment a scientist can conceive. What makes something fully real is that it is impossible to represent it to completion.
A digital image, or any other kind of digital fragment, is a useful compromise. It captures a certain limited measurement of reality within a standardised system that removes any of the original source's unique qualities. No digital image is really distinct from any other; they can be morphed and mashed up. That doesn't mean that digital culture is doomed to be anemic. It just means that digital media have to used with special caution.