So, what did you learn, Apathia? That's right, you need to underline your answers to get full credit!
And just to show you that I've learned, too: Answer: Safeway.
I'll never learn. I was just at Albertson's again.
The underline is our old friend The Line as representative of the qualitative, principle of Non-Locality.
Each number on the line is a separate, definite Locality.
So you know the deal.
Together they form a "complex."
Each of those "sets" is a "complex."
Doron's organizing principle for relation of complex to complex isn't common class identity, but being in the matrix (Epix's going to run with this.) of the conjunctive relation of Locality and Non-Locality.
But as an organizing principle, of itself alone, it merely gives us amorphous complexity, which isn't very useful.
Doron asserts that Local/Non-Local Linkage generates not just complexes of uncertain group identity, but ordinary groups and sub-groups of common classifications.
I have been totally unsuccesful in figuring out how this is supposed to happen, or how it's supposed to create the concept of counting and numbers.
Needless to say, Doron's expositions do not fit together. He makes a leap.
As I said before, It's like the jump of a chess knight. It turns a corner before it lands on the board.
Doron wishes to present a way of thinking with complexes (or fogs). He even offers a "logic" of such, though it fails to exhibit any rules or procedures.
I've offered a sense of "The Complex" I understand when I suspend analytic thinking and relate to my environment as presences in their own light that include me.
However this kind of consciousness is not what Doron is trying to present.
He wants something "scientific" and to some extent a quantifiable metaphysic. So is Organic Numbers that attempt to give measurability to the "Complex."
I base all this on the most repeated things he says, though there are always some statements that contradict and undercut these ideas.
If this isn't what he's about, then no one can have any idea of what's going on in his head.
But I dare say it's his a-ha that explains everything.
Alas to have a vision that no one else can understand.
