I don’t have time to individually reply to all the posts here but I will make some general comments.
I want to make one thing absolutely clear at the outset. I have
never claimed that the objects under discussion below somehow represent ET or “aliens in spacecraft from other worlds” or
anything of the kind. They are merely UFOs. Anomalous objects for which no plausible mundane explanation has so far been forthcoming.
Apollo 10 (22 May 1969)
(
http://history.nasa.gov/ap10fj/as10-video-library.htm - Magazine K)
There has been a lot of unfounded assertion about “artifacts” (compression, digitisation, etc). Nothing specific mind you, just the general assertion of the possibility. However, until UFO debunkers can point out
specifically what they refer to here and how their alleged “artifacts” have specifically affected the film/images, then their claims will remain mere unfounded assertion and as such we are entitled to dismiss them without further consideration.
I on the other hand have demonstrated
specific artefacts in the film. For example there are definite artefacts causing brightness variations in the images. This was determined by comparing the brightness fluctuations of the object with fluctuations in the known objects (which should have been stable) such as the CSM. There are also other artefacts such as the “smearing” of the object image across frames (and its complete disappearance in a few of them). These are caused by a combination of low resolution and the video frame rate.
It is also clear that we are able to resolve the object down to a resolution of about a 5x5 grid of pixels (and thus not a “point source” as some have claimed) and this is entirely adequate to observe the shading/brightness patterns on the image to determine that the object is spherical. I have demonstrated this here:
([QIMG]http://www.internationalskeptics.com/forums/picture.php?albumid=501&pictureid=3135[/QIMG])
And have also shown this is a legitimate conclusion based on the fact that we
can determine variations in shading pattern at the specified resolution by showing the images here: ([QIMG]http://www.internationalskeptics.com/forums/picture.php?albumid=501&pictureid=3149[/QIMG]} in comparison to the original Vesta photos here (
http://nssdc.gsfc.nasa.gov/image/planetary/asteroid/hst_vesta.jpg)
What the UFO debunkers have NOT been able to show is that
any other shaped object (other than a sphere) could have produced the shading patterns observed.
As for the object being something small and inside the LM: Certainly it was not dark inside the LM, but the light illuminating the inside was coming from the
outside (as evidenced in this video: (
http://history.nasa.gov/ap10fj/as10-video-library.htm - Magazine L), meaning any object between the camera and the window would have been illuminated from the opposite side to the camera and thus could not display the bright spot in the central region (as observed). In fact it would have a
darkspot there. Simple applied physics.
One thing that does seem apparent is that Astrophotogrpaher is probably correct when he asserts that:
“ …I think I figured out the "dark shape" that appears on the right side of all the LM window shots. According to this website:
http://history.nasa.gov/ap10fj/as10-video-library.htm
Right Angle Mirror. This accessory, when attached to the bracket-mounted 16-mm camera and lens, facilitates photography through the spacecraft rendezvous windows along a line of sight parallel to the CM X-axis with a minimum of interference to the crewmen. It adapts to the 18-mm and 75-mm lenses by means of bayonet fittings.”/I]
THIS would also explain why the images are reversed back and forth in various incarnations of the film (NASA documentaries, YouTube footage, etc). No-one is any longer quite sure of which way round it should be presented!
However, the conclusion that the “light patches” most apparent in the upper and lower right corners of the film (but also present in the other corners) are from internal LM lighting is erroneous.
I agree that the interior was not dark, because there was a great deal of reflected light from outside lighting the scene, and this light obviously overwhelmed whatever interior light there might have been – as is evidenced in Magazine L video (where incidentally it has
still not been pointed out where the alleged internal lighting is originating from). The “light” patches at (especially) the right hand corners of the video are then obviously from something else entirely - and this can easily be proved by looking at the frames between 5:48 – 6: 05. Here the image is completely black (no mirror, no window, no scene whatsoever), yet the light patches in the corners remain – and it becomes apparent they exist in
all four corners as well and critically with a “shaded” band extending horizontally
between the corners. This “band” is obviously an artefact and I suggest directly related to the “light patches” artefact.
Interestingly at 5:30 - 5:40 one CAN see internal reflections in the LM window and these indicate specifically the level of light inside the LM at the time.
But most importantly, the final thing to note that directly refutes the “internal light” hypothesis are the scenes from about 00:59 on. If you notice there is some minor movements in the mirror (watch the top right corner carefully), but the actual light patches remain
exactly as they are: perfectly stable. They do NOT move with the mirror.
This fact is supported by the fact that the “light patches” appear on
every frame of the film, unmoved, unchanging, no matter what the camera does in terms of movement or focal length changes.
Thus they are not external “objects”, but internal artefacts.
Skylab 3 (20 Sep 1973)
(
http://brumac.8k.com/Skylab3/SL3.html)
Jocce and Frying Dutchman demand greater detail on the camera specifications, but to what purpose? What would knowing the specific model of the Nikon camera, or the specific model of the 300mm lens add to our knowledge of the case? Or the specific f-stop… more or less light… so what?
There has been some speculation about how I know certain details not stated in the article - but I have already indicated that I did contact the authors and have obtained clarifying detail confirming the chain of custody of the photos, etc (I even directly quoted such a clarification in a previous post). That’s just basic research – nothing startling in it.
Much has been made of possible “distortions” in the copying or development process. Given that no other photo from the same roll displays “distortions”, it is unlikely then that the single contentious frame (2141) would be the result of distortions.
As for camera shake: One of the best known “UFO photos” of direct relevance can be seen here (
http://www.mercuryrapids.co.uk/ufofiles-blackboxsecrets/Image11.jpg). This is a single frame taken from a video of a UFO and was the result of camera shake of the type we are discussing here. Other exemplar photos that prove the erroneous nature of some of the comments in this regard can be found here (
http://samgraphicdesign.wordpress.com/2008/08/11/avoiding-camera-shake/) or here (
http://www.flickr.com/photos/iansand/73651158/)
The bottom line is that when I stated:
“You are simply incorrect here. If it was a simple “shaky long exposure”, there would be no blobs – just a (perhaps convoluted) continuous steak of light. To get a blob (or blobs), one needs to hold the camera steady. Moreover, in the previous photos in the series there is absolutely no evidence of any shakiness whatsoever – there is none in the photo of interest either (2141).
In a "normal" squiggly image due to hand vibration, when the total image is concentrated near the centre of the photo - as in this case (i.e., when the squiggle lines do not go off the edge of the photo) - there are only two ends - one of which corresponds to the image location on the focal plane when the shutter opened - and the other end which corresponds to where the image was when the shutter closed. The image in the fourth photo appears to have three "ends" of red lines.
Further: the camera with a 300 mm lens had considerable inertia, resisting hand vibration and the shutter speed was probably faster than 1/100 sec (other photos were taken at 1/250 to 1/500 sec). There were no vibrations of the Skylab 3 so any such vibration would be due to hand holding the camera, but in free fall (in orbit) the cameraman was not fighting the weight of the camera, so this would reduce hand vibration.”
Not only do I have the photographic expertise of Dr Maccabee to support that:
“Bruce spent his early year in Rutland, Vt. After high school he studied physics at Worcester Polytechnic Institute in Worcester, Mass (B.S. in physics) and then at The American University, Washington, DC (M.S. and Ph. D. in physics). In 1972 commenced his long career at the Naval Surface Warfare Center, presently headquartered at Dahlgren, Virginia. He has worked on optical data processing, generation of underwater sound with lasers and various aspects of the Strategic Defense Initiative (SDI) and Ballistic Missile Defense (BMD) using high power lasers.” http://www.ufoevidence.org/researchers/detail23.htm)
I have the evidence of actual photos as well.
It is worth reiterating that in a zero G environment, the inertia of the heavier 300mm lens will mitigate against hand held camera shake.
In regard to the accuracy of the timing. It is quite obvious that over a 5-6 second interval, the error margin is utterly insignificant. For example research cited here (http://en.wikipedia.org/wiki/Sense_of_time), for the appropriate age group, means the error is about +/- 0.08 seconds.
The “assumption” that is was the 300mm lens? If it WAS the 55mm lens then the calculated size for the object would have been much larger and most definitely not relatable to anything anyone had up there at the time.
In relation to “error” generally. In all the authors calculations, they used the most conservative data and measurements – that is they used the “lower bound” of any error margins - and thus the final result factored in the types of errors discussed by the UFO debunkers and is thus a conservative result that in all likelihood understates the case. And this is right and proper for any truly scientific analysis.
Mind you, the UFO debunkerss are never specific about their measurement “errors”. They cannot point to what they might have done differently. They cannot point to where the authors calculations were in violation of error bounds or have not taken into account measurement error. Instead they make a general unfounded assertion that the “errors” were “enormous” without ever being able to specify what they mean by that.
Regarding the astronaut’s observations, it must be remembered that they observed the object over a period of ten minutes and that they were in daylight for that period. They were thus able to determine that the object was trailing them in a similar orbit and at a similar speed and that at the end of the period it trailed them into darkness after a 5-6 second interval. What they could not know was the distance/size relationship, however, given the photo and the astronaut’s specific timing, that calculation can be performed and the resultant size was too large for anything up there at the time – even accounting for measurement error!
As for where the authors of the article obtained some of the information it must also be noted that: “(Sparks spoke to Garriott in October, 1973, soon after the mission had been completed.” (http://brumac.8k.com/Skylab3/SL3.html)
As for the author’s conclusions: The authors titled their article “ANALYSIS OF THE PHOTOS OF AN UNIDENTIFIED OBJECT OBSERVED BY THE ASTRONAUTS OF SKYLAB 3” and concluded their article with “Based on the available information, these authors conclude that there was no man-made satellite that could explain this sighting and hence the object was truly anomalous” (http://brumac.8k.com/Skylab3/SL3.html). NOWHERE in their article is the word “alien” mentioned. No “extraterrestrial”, no “ET”, nothing.