LONGTABBER PE
Graduate Poster
- Joined
- Jun 28, 2008
- Messages
- 1,528
WP,
These people weren’t even sure how to measure stride length and/or stride interval, heel to toe, toe to heel, heel-to-heel, toe-to-toe, its fricking ridiculous.
One of the major problems I have with the whole tracking thing and these supposedly great impression tracks is that nowhere do I ever read any words that remotely suggest that anyone involved had any knowledge of tracking, animal or tactical. No mention of transfer, scuff marks, trail width/straddle, nothing, ever. I would expect some mention of the tracks at and around frame 352 something like “look it, you can see where it’s whole upper body turned”. To place any credibility what-so-ever in the words of those on site people is very, very difficult for me to do.
Like LT is trying to explain the pressure release for the foot digits is simply wrong as well as pressure ridges not being where they belong. Plain and simple the impression (photos) and/or impression casts that we see are not from a large moving bi-pedal subject. When a subject is in transit it moves a specific way and leaves specific marks/spoor. By analyzing this spoor one can decipher what the hell is going on, how fast, how heavy, how tall, how tired, is it nervous, does it have a handicap, which way was it looking, etc.
Post #62 for other stride crap http://www.bigfootforums.com/index.php?showtopic=19769&st=33&p=402372&#entry402372
m
Mangler, thank you for that illustration you posted in the BFF. ( everyone needs to look at that) its obvious to me you have a high degree of experience in this as well. ( his illustration shows a template of how forensic podiatry starts with the apex angles starting behind the heel and then centerlines the path)
The prints in the alleged trackpath could NOT have been made by a walking BF or man in a suit or even an unsuited man wearing BF shoes because everything about them is wrong compared to what we know about how mechanics operates.
You cant fool physics and that concept of "for every action, theres an equal and opposite reaction"
The leg motions of the film subject show it would be impossible for that walk to generate those prints. ( they dont just not match on "any" point- they dont match on EVERY point)
I cant tell you what did make them but i can tell you what did NOT make them.
( before i saw Manglers post with his illustration, i emailed some people to get some illustrations from manuals on how this is done- when i get them, I'll post them)
The funny thing is, you might could get away with it on a hard surface ( like a carpet floor) because the foot would slide and the skin would flex but when those prints SANK- that skeleton would simply HAVE to turn in order for the thing to locomote and the print would record that.