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Favorite Composers

I feel so pedestrian and common:

Johann Strauss II - Der Fleidermaus! The Blue Danube! Voices Of Spring! Tales From the Vienna Wood! I listen to classical music during the day at work (to keep from killing some of my customers) but the waltzes get me butt-dancing in my truck!

And Liszt always reminds of the Tom & Jerry cartoon.
 
Is anybody else familiar with David Holsinger? In high school we played Havendance, and it's an incredible piece.
I just had to react to this one even though I know it's near the beginning of an old thread and I haven't read the rest of it yet...

I did two by him in college, "The Deathtree" (apparently about Jesus's crucifiction) and "In the Spring--At the Time When Kings Go Off To War" (about King David). They're hard to play; I don't believe a high school band could have done them right at all, and I wouldn't want to guess what percentage of even college bands could. In terms of writing, "The Deathtree" was nearly ruined by a really cheesey sound effect he called for: women crying. That just doesn't fit in a music concert, at least not from performers rather than audience, and even if it did, band members aren't the people to do it. Even most actors can't do that convincingly. "In The Spring" is much better; while still sticking to his apparent obsession with ancient Jewish history, he managed to rein in his obsession with telling instrumentalists to vocalize; he still wrote in vocalizations in two places, but they fit in more subtly and were possible to actually do without that hokey unintentional-humor factor. And leaving that distraction out of the way freed up the rest of it to be an intense piece of jarring, semi-chaotic war music.
 
And Liszt always reminds of the Tom & Jerry cartoon.

Isn't there also a Strauss Tom and Jerry cartoon. Something to do with Jerry unable to not dance when a waltz is playing, so Tom learns to play the piano and hilarity ensues*.

* for once, that phrase is actually true ;)
 
Stravinsky

Philip Glass

Prokofiev. I think he's "the man behind the curtain" of classic Hollywood film scores. Listen to "Alexander Nevsky" and his 5th Symphony and you'll realize where John Williams gets all his inspiration from.

Scott Joplin

The neo-classic greats are noted:

Igor Stravinsky
Sergei Prokofiev

Phillip Glass has some cool minimalistic compositions; very appealing when a person is entranced by a non-ordinary state of consciousness

Swim found Stravinsky through the musical genius of Frank Zappa

Favorite composer has to be Zappa; FZ achieved the heights of his predecessors and flew to new heights; His Hot Rats not only established him as one of the greatest musicians and song writers of all time; this album and the compositions that are featured on it "define" Zappa as as an accomplished composer

Zappa mastered many genres of music, such as those of progressive rock, psychedelicia, funk, many forms of jazz, avant garde, and neo-classicism. He also orients satirical comedy into his music, which was unprecedented and prolly will never be touched

Frank Zappa is a one of a kind musician and composer
 
cool beans; kindly noted

I was thinking more along the lines of Titties and Beer by Zappa
http://video.google.com/videoplay?d...ties+and+beer+zappa&ei=5Vx3SJyTJ6iO4wKb6-mRCw

"A Musical Joke, (Ein Musikalischer Spaß,) K. 522 was published on June 14, 1787 by Wolfgang Amadeus Mozart. It was intentionally written to be funny, or, as assumed by some theorists, to mock mediocre musicians among the composer's contemporaries." -Wiki
 
The neo-classic greats are noted: Igor Stravinsky
A revolutionary genius.

Favorite composer has to be Zappa; FZ achieved the heights of his predecessors and flew to new heights
Zappa fans might appreciate Hermeto Pascoal, one of the greatest musicians/composers of this generation or any generation. Examples (starting with 2nd clip)
 
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A revolutionary genius.

Zappa fans might appreciate Hermeto Pascoal, one of the greatest musicians/composers of this generation or any generation. Examples.

Wow, that's funny you said that. I actually heard this tune by Hermeto Pascoal (I'm pretty sure it was called "Quiabo") and the first thing I thought was that it sounded like something Frank Zappa would do.
 
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Zappa fans might appreciate Hermeto Pascoal, one of the greatest musicians/composers of this generation or any generation.

I dig it man!
Hermeto Pascoal - Live at Montreux Jazz Festival (1979)
http://www.youtube.com/watch?v=W821bgUU_mY

Very reminiscent of Weather Report
Reminds me of Heavy Weather
http://en.wikipedia.org/wiki/Heavy_Weather_(album)

the bass line even sounds like the legend, jaco pastorius

Hermeto Pascoal is pretty phenomenal...
http://en.wikipedia.org/wiki/Hermeto_Pascoal
 
Beeksc1 beat me to Zappa, so I'll just mention his London Symphony Orchestra recordings, conducted by Kent Nagano. My mother loves them. I still can't get her to appreciate 'Penguin in Bondage' ;)
Zappa led me to Edgard Varese. I had the pleasure of seeing a selection of his works performed by the Orchestra of our Time in the 80s.
 
Mad Ludwig of Bonn.

Because...dammit, because he was crazy. (Possibly manic depressive in fact). He must have scared people to death.
Imagine being at the first performance of the 5th, or the Emperor , or the ninth- when he had to be turned to the audience to see the applause, because he was totally deaf.
Surely the cruelest of irony.

Oh and loads of others, most mentioned already.
 
Ralph Vaughn-Williams
Mozart
Tschaikowsky
Stravinsky
Shostakovich's film music (The Gadfly, among others)
Satie
Copeland
Gilbert & Sullivan (i.e., Arthur Sullivan)
Beethoven
Chopin
Rossini


I never formed a particular "image" when listening to Fantasia on a Theme by Thomas Tallis, just enjoyed the music per se, but after seeing Master & Commander, and the use of that piece when the sailor who went overboard was being left to drown, suddenly it just seems so achingly sad.
 
For me it is: Edvard Grieg and Richard Strauss.

This may surprise some, but I have never been impressed by Wagner.
 
Stravinsky
Copeland
Chopin

James P Johnson?
http://en.wikipedia.org/wiki/James_P._Johnson

+++

Jaco Pastorius
is
the world's greatest bass player.
http://www.jacopastorius.com/

+++

Victor Wooten gives Jaco "a run fo' his money"

Vitctor Wooten
http://en.wikipedia.org/wiki/Victor_Wooten

+++

Live performance by Jaco Pastorius:
http://video.google.com/videoplay?docid=-3642343082130910414&q=jaco&ei=Dud-SKTQCKSK4wKG78CSCw

Jaco is top-notch

Edvard Grieg

Edvard Grieg - Peer Gynt - Morning Mood
http://video.google.com/videoplay?d...=Edvard+Grieg&ei=y-p-SMuQPIXA4QKf8ZmJCw&hl=en

Melodic?
Definitely peaceful

Edvard Grieg
http://en.wikipedia.org/wiki/Edvard_Grieg
 
Mahler has always been one of my favorites because he can go from deep, violent anger or strife to complete serenity in a few bars.....and he does those both better than any composer I've ever heard. Also his second symphony ("Resurrection") is my favorite musical work. I have yet to hear a piece that gives me more emotional connection, satisfying structure, or sheer awe than this 'un. I tear up for the last two minutes every time, never fails.

Reshpigi because he bases his work on actual circumstances or things (rather than abstract ideas or musical structure), which I find very interesting, and he has brilliant orchestration to back it up. Also has pieces that blow me away every time. Also he is Italian.

I've actually heard this piece performed in an aircraft hangar, and it was quite impressive.
 
I also forgot to add two film composers not previously mentioned:

Franz Waxman (esp. his film score to The Bride of Frankenstein)
Wolfgang Korngold (ex. The Sea Hawk)
 
most of the posts on the first page concern classical/neoclassical composers; and some more modern composers have been added, which can be described as jazz (or jazz-like)

compared to the breadth of classicism, jazz compositions usually cannot convey the same magnitude of expression; but still it's pretty close. The difference prolly lies in versatility of the violin

Hierarchal organization of musical breadth (or this is how I conceptualize music)

Compositions
- complex theory, complex progressions,
--- extended (length of a symphony)
--- not so lengthy (length of a tune)

Arrangements
- theory; less complex chord progression; typically around the length of a tune

Tunes
- basic theory shapes chord progressions
---pure instrumental
---instruments and vocals

Songs
- simple chord progressions
---lyrics

Melodies
- "catchy" ordering of musical notes

---

Rhythms and beats
- the backbone of music

+++

Classicism
- involves in-depth theory, many instruments, very complex progressions

Jazz
- involves circle of fifths and other subsequent theory; many brass instruments, pretty complex progressions

Progressive (Synphonic) rock
- very similar to jazz (composition-wise); can have quite complex progressions

Reggae & Funk
- based on blues, jazz; guitar is usually simple; but the horns can get pretty funkadelic and def use theory

the Blues
- generally 12 & 16 bars blues; used circle of fifths; obviously Hendrix entirely transcends these typifying characterizations

Rock
- (alot of variation here); 8, 12, & 16 bars for chord progressions; also can be a 4 chord progression or even I - IV - V (or I - V - IV )

Country; folk
- usually 4 chord progression; I bet Willy Nelson does not hold himself to this; but traditionally country and folk are considered simple forms of music

Pop
- most modern pop tunes are a 4 bar chord progression

(These are just characteristic elements of the music. Just as everything does, music evolves.)
---

Tribal chants!
Niyabinghi
http://en.wikipedia.org/wiki/Niyabinghi_chants

+++

Notable jazz composers that have not been mentioned:

Miles Davis
Duke Ellington
John Coltrane

Progressive rock:

Rush!
2112 epitomizes the genre of symphonic rock

Reggae:

there are so many greats
there is this one band from Southern California who is internationally-known and has collaborated on a tune with the reggae-legends of the Congos
~ Groundation ~ mixes reggae with jazz; arrangements often include improvisation

Funk:

Tower of Power

Saying that Hip hop involves musical composition is being pretty broad-minded; but tribal chants and hip hoppers (in at least one way) compose rhythm. And rhythm is just as complex as melodic theory. Melody can be learned through studious endeavors; yet, rhythmic comprehension is most fully understood through experiencing and feeling the music.

A tribe called quest featured Ron Carter in at least one album; so they are included
http://en.wikipedia.org/wiki/A_Tribe_Called_Quest
http://en.wikipedia.org/wiki/Ron_Carter

And back to classicism...

Terry Riley
has some pretty far-out-there sounds

Terry Riley - A Rainbow in a curved air - 1969
http://video.google.com/videoplay?docid=-8263344839456830332&q=Terry+Riley&ei=St1_SLyXI5DA4AKBgNWOCw

A person can bet that Riley's compositions are going to be trippy :); the appearance of the experienced fella says it all
 

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Ah, Terry Riley. Actually, my favourite piece of his is In C.

Anecdote Alert! :rolleyes:

I remember a performance once on Radio 3. They interviewed the leader of the ensemble about to perform it. He pointed out that there might be a slight problem, in that they couldn't guarantee to finish it before the programme ended - their bassist found one of the fragments particularly beguiling and sometimes got stuck on it, with the result that their performances varied from 20 to 40 minutes in length! :jaw-dropp
 
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