Sorry for the late answer, Bill. Work overload and many hours aboard planes...
There are issues of "degree of difficulty" but not issues of "posible/impossible", as long as you allow somebody to assist the person in the suit, dressing the wearer into and out of it. Training, skill, practice and talent do raise the odds for possible. Dumb luck leans more to "impossible".
At this point, we must remember that there are evidences that Patterson had some artistic skills; there are also evidences that he may have had some help from people used to build costumes.
From what can be gathered from PGF story and his involvment with bigfoot, he may also have had a lot of time to plan, project and practice. And, why not, make a number of runs before choosing and editing the final version. And at last but not least, whoever wore the suit also had at least one person to assist.
These facts, as well as many others, in my opinion, made the hoax option very possible and plausible. The best option, actually.
There would be tailoring seams on the suit any way you look at it, but tailoring seams can be blended reasonably well. Closure seams (used to get the person into or out of the suit, are harder to hide, but if the suit were custom designed to be filmed exactly as seen, you could put seams in the front, thus hiding them. It's very rare, but possible.
You are correct in that lines on the figure that some people call seams are highly subject to intrepretation, and the graininess of the film raises questions of whether lines are seams, shadows, or film artifiacts. All highly interpretitive.
Now, this is important, and I am glad to see you agree with me. I see many lines that could be interpreted as seams, depending, of course, on how I "project" the suit. The very same lines are interpreted by many proponents as natural features. In other words, looks like we are at dead end.
On the other hand, if you can't see such details due to the low resolution, this also casts doubts over other features of similar size (or smaller) quite often pointed as evidence of PGF subject not being a suit.
A head/neck seam would be perpendicular to hair lay, as would a waist seam (if the shirt and pants split), while a traditional "zipper up the back" would be a parallel seam, and would be vastly better if a zig-zag type instead of straight. This hypothetical back zipper is what the Disney people are reported to have looked for back in the time the film was first brought to Hollywood for appraisal.
Despite the presence of a line that can be interpreted as the cover for a zipper at Patty's back, the suit could have been built without a zipper, what brings us back to my previous considerations about resolution, interpretations and costume projects.
I think there are lines that could be the head/neck and the waist seams. But again, its my interpretation. The same lines, for other persons, are natural features. Once again, resolution, interpretations...
There should also be a tailoring seam down the inside of each leg, but only the left leg shows the inside surface. That would need to be extremely well hidden, because the walking motion ruffles hair in the inside leg surfaces, and ruffled hair tends to expose seams.
Such seams could also be present at the inner parts of the arms and at the sides (or at the front) of the waist. However, I really don't think that tailoring seams would be visible at that resolution. Seams at the unions of the costume's parts, in my opinion, quite possibly yes. OK, I do think I can see them.
The ideal way to try to find out how easy or hard it is to find a seam is to make a suit, and film it under the PG Film conditions of figure to frame size, same sunlight angle, same prime lens, perhaps hand held, duped twice and scanned, and look for the seams you know for a fact are in the suit you filmed. if you can't see any evidence of them in your test, you may assume there can be seams on Patty and you just can't see them because of the film grain, duping, etc. That's the kind of callibration test I mean, as one example.
I think more than a suit would be needed, in order to account for the possible variations on the costume bulding techniques and materials.
Personally, I think its most likely a waste of time and money, since the issue would not be settled, even if one of the reconstructions turns out to be nearly identical to the original. These divergences, despite on how small they would be, would be enough for many people to sustain the "it's not a costume" position. We saw it many times. Its not unlike the "God of the gaps" conception. I'll be back to this a bit later.
On to the breasts:
We agree to disagree on "looks real to me."
Now you take the human model as a direct comparison. But does Patty have a normal human skull or a bit of a sagital crest? Does she have a head/neck posture, hunched over, unlike a normal human. And of course, does a normal human have fur over it's body? If we say "she's not quite human", than the breasts could also be "not quite human" and still be real. So I see a little more range on "normal" than you do, because of this.
First point: I have not compared Patty's breasts only with human equivalent. I included gorillas, chimps, bonobos and orang-utangs also. Female breasts from these animals look nothing like humans or Patty's, or even with something in-between. The "not quite human" line resembles a lot the "its an unknown species" line. The problems with this reasoning were alreasy discussed many times here.
But let's go back to basics. Mammals have mammary glands in bilateral placement on the torso, generally, and always on primates, one pair on the upper torso, which is above the diaphram midline at the base of the lungs. So far, Patty is "normal." Human's tend to have the breast higher, but that is a tendancy moreso than an absolute, and it's specific to humans, not something like a human (which may have more variance). So my perspective is, based on these specifications, I do not see anything I call "unnatural" to the point I'd conclude "unreal". But this only pertains to form, the basic shape. Motion is a seperate element.
Variances within species apart, I don't think Patterson would make a costume with three breasts or breasts located at the back...
Breasts are soft tissue, not muscle, so they have no capacity to tense up rigidly as tensed muscles can. So they tend to move as a female walks, runs, etc. And large breasts do tend to move quite a bit. For the size of breasts in the film, I think more movement would generally be expected. Some people say they see a lot of movement, some say little, some say none. But the breast movement is in part an occillation, a responsive wave-like reaction to an action, and so how smooth the walk, keeping the torso steady, may impact on "bounce".
See? Whose perceptions should we follow?
...snip...I personally am not trying to prove they are not real. I know everything in the film can be faked, if need be, for the breasts. So you are welcome to use any of the anatomical studies and physiological aspects to argue for "not real", but as other's have said of me, "you can't prove a negative". So you have a formitable task to prove, if you use the breast as your object of proof.
Carefull with the "can't prove a negative" line... Its far from being such an absolute! Can you prove there is not a tea pot orbiting the Sun just beyond Mars' orbit?
Not to mention the same would apply to anyone who says it can't be a costume...
A skeptic can simply say, have you studied every woman's breasts in the world to say none can have that shape and exhibit that movement (or lack of, as you prefer to word it)? If you say "no", because if you embark on this noble cause, at least one woman will surely say "no", then the skeptic can say you haven't arrived at "absolutely no women have such breasts." So you go to probability, and then you open the door for your opponent to use probability against you as well.
Bill, you are following a line similar to the "God of the gaps" reasoning. Lets suppose there are say, 1% of human (and other great apes also) females with breasts equal to Patty's. This increases the odds of Patty being real? I don't think so... If they looked like humans or other great apes, or if at least is they looked like Gimlim (or Paterson- can't remember right now) described them, maybe it would not be an issue.
The fact that we are not sure of what it was like before the big bang (or even about the big bang, some would say) is not an evidence that there may be (or maybe there was) a god. For some, there is where lies hope. I think a similar thing happens with most bigfoot enthusiasts. Bigfoot lives in the gaps. Are they big enough? I don't think so. See how similar to the "its an unknown species" line it is?
And I would agree. Small odds. My opinion, just for the record, the breasts will never settle it eaither way. Other parts of the body will, if it is settled. This becomes a research judgmental call, something like "fight the wars you can win". Put your research effort into the issues and arguments you think you really have a good chance to prove, and direct less research resource to the issues that may be the hardst to win. That's why I tend to keep saying things don't matter to me. I have a limited amount of time and resource and want to put it to best use, by setting aside the things I feel just don't impact strongly on my hypothesis.
I understand your position -I may not fully agree- but I understand. I hope you understand my position; there are two separate issues- the possibility of building it and the propper and correct anatomy (or anatomic plausibility) of the figure. Both must be taken in to account when examining PGF - and bigfoot as a whole. Reductio to the absurd: A centaur costume can be built; but is a centaur anatomically plausible?
On Gimlin hoaxed, I don't want to accuse the man, because I know nothing about him. I will just say, with all I know about suits and what it takes to film them, if a suit was filmed, I cannot imagine anybody on the scene who would be unaware of a hoax being filmed.
I understand that you may have reasons for not being explicit on some issues. I think, however, the conclusions are clear for anyone.
In respect to someone being haxed
in situ, I agree. Within those conditions, very few would be fooled. At night, or at a greater distance, things could certainly change. And if all you have is a short shaky footage with relatively low resolution, many more can be fooled...
I emphatically agree. I happen to admire people who simply choose to educate themselves, learn all they can, try things, and develop fine skills, even when they are classified as "amateurs". Some of the most masterful people in the world are "amateurs".
The "professional vs amateur" is a generalization, all presumption the pro knows more. Every so often, an amateur comes along and defies the presumption. I applaud them when they do.
Bill
I am again glad to see you agree with me, believe this is something really important to stress.
Many proponents say Patterson -or anyone else not involved with FX tech- would never be able to make anything vaguely resembling Patty. Many repeat the old worn-out "simple cowboy" line. They usually underestimate the talents of amateurs.
Most of the times, I really do not try to change anyone's position. My main objective is just to remove the bad arguments (or at least the worse ones) from both sides. Some proponents reading our interchanges by now must have realized that a number of lines of reasoning, such as the above cited, must be dumped. Either because they are dead ends or because they are just flawed.