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Bigfoot - The Patterson-Gimlin Film

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kitakaze wrote:
Is there some collective data that indicates sasquatch while making a human subject unreasonable?

Yes, there is an aspect of the "lift" part of the video....and it's quite clear....which points in the direction of an infant being lifted up.
That aspect is....in the short stabilized animated gif that I put together, and posted on the BFF, and SFB, it's very clear that the lifted object continues lifting up after the subject's hand has let go of it. A difficult feat for a mask to pull-off.

Since this isn't a MD video thread, I'm not going to post the animated gif, or get into a big debate over it.....I'm just answering your question.

I'll be happy to debate it with anyone over on the Mid-America board, though. :)


I'll respond to your other questions, kitakaze, later tonight...when I have time to do so.
 
kitakaze wrote:


Yes, there is an aspect of the "lift" part of the video....and it's quite clear....which points in the direction of an infant being lifted up.
That aspect is....in the short stabilized animated gif that I put together, and posted on the BFF, and SFB, it's very clear that the lifted object continues lifting up after the subject's hand has let go of it. A difficult feat for a mask to pull-off.
OK, in what way does it indicate a sasquatch while making a human subject unreasonable?

BTW, have you seen p.8 of this BFF Morgoth enhancement thread? It's pretty amazing, the work he's done.
Since this isn't a MD video thread, I'm not going to post the animated gif, or get into a big debate over it.....I'm just answering your question.
I'm not sure why you would say something like that when you are well aware that we discuss all manner of bigfoot evidence claims in this or any other of the large default BF threads.
I'll be happy to debate it with anyone over on the Mid-America board, though.
If you take the time to post here, why wouldn't you discuss that here? Does your evidence not stand on it's own merit?
I'll respond to your other questions, kitakaze, later tonight...when I have time to do so.
I truly hope so.
 
Disagree strongly. This is a complete reinterpretation of what Patterson said and what happened, imo.

Then you are wrong. The downfall trees were not backed up against the forest. They were in the middle of the creek itself, in the clearing where the creek/stream flows and near where the hard road is, according to Titmus' map. Nobody, to my knowledge who had been to the site, refuted Titmus' map of the general layout of the film site. Are you saying you know more than the people who were actually there investigating??? Wow, can't believe what I'm reading here.

If you watch the very first few seconds of the P/G footage and pause it you can actually see part of this downfall tree obstical. It's there on the left not too far from Patterson. These are the trees that have been referenced. This is what the creature was standing next to at the time of the initial encounter and these downfall trees are what blocked the creature from the view of P and G, and vice versa, until they were rounded.


I have seen the overhead shot, as well. Patty was between the creek and the woods, with her back to the woods. Roger is talking about the woods. Patty's quickest cover was a 180 to the woods.
Patty was right by the creek when they first saw her, right by the downfall trees. The overhead shot doesn't show the downfall trees. It does show what I can make out is a stream and (presumably) what looks like remains of the hard road Titmus talked about running parallel.

You didn't talk about Patty's back to the trees earlier. You talked about her being 'backed up against the trees'. That's a whole different thing. You were claiming Patty was backed up against the forest. She wasn't.

It still seems that Roger and Bob saw tracks recently in the area to me. Reading the accounts leads me to believe they saw tracks shortly before they shot the film.
It would seem that Patterson tried to cast what he thought were the tracks from August on the sandbar a few 100 yards from the film sight. It would also seem (conversely) that Gimlin didn't think they were tracks, just 'globs of mud'. He wasn't convinced of their authenticity in being bigfoot tracks at all. So to him, as far as he was concerned, (reading his quotes) they weren't tracks....'just globs of mud' that probably could have been anything.

Titmus was not able to find any tracks of Patty arriving, period.
Why should he have? If Patty came the way that was obvious to him then there wouldn't have been many, or any. The hard road was right next to the creek. In his opinion, Patty came down the hard road, crossed the creek and came onto the sandbar at the point P and G encountered her. He was there, you weren't. If you read what he wrote he actually said "I also spent little time in trying to backtrack bigfoot since it was obvious............" so he wasn't diligently searching for tracks on the other side of the creek to show where she arrived. You falsely claimed he was looking but could not find anything. The truth is, he didn't bother looking too much and he even said as much.

Bob Titmus never ever gave minute details of every single track he found, or where exactly each one was placed so how on earth do you know that he didn't find any tracks crossing the sandbar from the creek. He said it 'was obvious' where she came from, so that tells us that he must have found something to make him think that.

This heavy creature that leaves inches deep prints, prints deeper than a horse's hooves and much deeper than a human's feet....tracks so deep that big old BoB Titmus could not get anywhere near as deep jumping off a stump. Titmus merely invents a path which he thinks would have allowed Patty to arrive without leaving tracks to account for the problem of not being able to find out where Patty came from.
Invents a path?? It's a pretty logical assumption. Why are you trying so hard to find faults where there really aren't any? Oh I forgot, this is scoftic central. It's your job. You aren't happy unless you are doing that.

If P and G hoaxed it (which they didn't) and made all these tracks on the one side of the creek then you would expect it would have taken little effort to have also made up a trail to account for her entering the spot. Y'know, seeing as they put all this detail into the tracks, the suit, the timing etc etc. They must have spent MONTHS on the hoax. You really think, as hoaxers that spent months on the hoax, that they just 'forgot' to make up a Patty entry path, especially as they knew other investigators would or should come down to the scene to look? They just carelessly 'forgot' to do that?:rolleyes:



There are no tracks of Patty crossing the creek onto the sandbar, anyway. Bob is just supposing. He found no evidence of the path he suggested.
What do you mean he found no evidence for the path he suggested? He didn't even look too hard as he saw no point in going further back. It was a hard road all the way. And again, how do you know what he did or didn't find on the sandbar and creek? I repeat, there are no minute details from Bob Titmus showing every single track and their precise placements at the site. That would have taken a monumental effort.

This is a typical bigfoot trail, imo. It just starts and stops. Patty comes from nowhere, and goes nowhere.
Sigh...and animals are tracked the entire lengths of whatever journeys they on are they? All the time hey?? :rolleyes:


This would stick to anyone with wet feet then as well, including the feet of a suit.
Why on earth would anybody in a suit have walked through the stream making their fake feet all wet???

If this soil is loose enough to cause blockfoot, then the flooding rains would have left no tracks, imo. Bark wouldn't help much in heavy rain anyway.
So you are saying Green and McClarin were also lying when they said they could make out track depressions 8 or 9 months later?
 
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What part of NO are you having a problem with ?

Gimlin says he was watching Roger and his horse .. Nothing about being focused on the creature ..

Are you calling Gimlin a liar ?

Do you trully and honestly believe that Bob Gimlin was totally focused and rivited on Roger Patterson and his horse at that particular time and not looking at all at the huge bulky ape like beast not too far from him??


Bob Gimlin didn't mention that his heart must have been racing and that he was likely experiencing enormous excitement either. Didn't mention that at all. Just because he didn't mention that in the quote doesn't mean it wasn't so.:rolleyes:
 
Do you trully and honestly believe that Bob Gimlin was totally focused and rivited on Roger Patterson and his horse at that particular time and not looking at all at the huge bulky ape like beast not too far from him??

Bob Gimlin didn't mention that his heart must have been racing and that he was likely experiencing enormous excitement either. Didn't mention that at all. Just because he didn't mention that in the quote doesn't mean it wasn't so.:rolleyes:

Well, since I don't believe we are looking at a Bigfoot , I have no reason to believe Gimlim really saw what he says he did ..

I'm just arguing with the idea that Roger's horse fell and Gimlin didn't see it.

What part of NO, do you not understand ...

Either Roger or Bob are making stuff up.. Take your pick ..

I go with both ..
 
The downfall trees were not backed up against the forest. They were in the middle of the creek itself, in the clearing where the creek/stream flows and near where the hard road is

I'm well aware of the layout of the area.

Patterson says Patty was back up against the trees.

You are saying this means one thing, and I am saying it means another. There is no disagreement about the layout of the area.

If you watch the very first few seconds of the P/G footage and pause it

Yeah, maybe I ought to look at that... :rolleyes:

Sigh...and animals are tracked the entire lengths of whatever journeys they on are they? All the time hey??

Not all the time, no. It's only Sasquatch that can never be tracked anywhere. Animals are often tracked from their bedding areas to their feeding areas, etc. They are often tracked down and photographed or hunted. The paths they travel are found and staked out.

Save the childish sighs for high school, please.

Why on earth would anybody in a suit have walked through the stream making their fake feet all wet???

There's no evidence that Patty walked through the stream, is there? I merely suggested an alternative explanation for your remark about sand on the feet.

Why are you trying so hard to find faults where there really aren't
any?

Stop trying to dictate what I see and think. I'll decide where I see faults, thank you. Why I am trying "so hard" has been explained already.

The truth is, he didn't bother looking too much and he even said as much.

Yeah, it wasn't that important a site or trackway. Bob musta' been bored out there.

Bob was certainly interested in where Patty went, though...

Where she came from could be far more important than where she went. She could well have just come from where she lived, for example. She could, like some animals will do, have been trying to draw the threat away from her area where her family might be. That could explain her stroll. By not researching where she came from, critical info may have been abandoned in the field. How hard could it have been to find her tracks if she came from nearby? Even if the last part of her trek there was obscured by terrain, a little effort may still have discovered where she was previously? What if she came from close by, in fact?

Y'know, seeing as they put all this detail into the tracks, the suit, the timing etc etc. They must have spent MONTHS on the hoax. You really think, as hoaxers that spent months on the hoax, that they just 'forgot' to make up a Patty entry path, especially as they knew other investigators would or should come down to the scene to look? They just carelessly 'forgot' to do that?

Did Patterson speak to Titmus about the encounter before Titmus went out there? Did they possibly discuss where Patty might have come from?

We don't even know when the film was actually shot, that the trackway was made by Patty during the filming, etc. No one came down to look at all, in fact. Laverty happened to be in the area, right? Otherwise no one bothered with the site until Titmus showed up. By then, anyone could have made a trackway. Anything could have been done at the site.


So you are saying Green and McClarin were also lying when they said they could make out track depressions 8 or 9 months later?

Why couldn't they be mistaken? Green was clearly mistaken about fake tracks before, imo.

Look at the Laverty photo of the MTB track, and then look at how deteriorated it is when Titmus casts it.

Are we considering track depressions tracks now? What is a track depression? Can you tell it from an ordinary depression? Did Gimlin see tracks or track depressions prior to the PGF filming?
 
Is that so? If so then my apologies for being mistaken. How was that established? Do you have any links that will help me get to the bottom of it?

Do a search on BFF for DDA's posts, especially on the more recent MDF threads. The voice on LMS is Lines' and the voice in the background of the unedited version is Lines' too. It doesn't take an audio analysis to establish that, but it would be interesting if someone did one. Fred was in ill health at the time and there's nothing to link him to Lake Chopaka besides Larry Lund's imagination. It's a shame anyone, especially Daniel Perez, would take this allegation seriously.

Why do you think the MDF is legitmately a video of a real sasquatch? Is there some collective data that points to sasquatch and makes a man in a suit unreasonable? Does it move the way sasquatches are said to move or does it move like a man? Do you know of any information that points to a hoax or conversely rules one out?

There's much to support its authenticity and no evidence it was a hoax.

But getting back to the PGF, this is what Bob said in November, 1967:

"B: I was directly behind Roger, mounted on the horse that I was riding on and . also when this creature . we sighted this creature, my horse frightened kind of too but he was an older seasoned horse and I controlled him quite well because I stayed in the saddle, and I did
cover Roger the time he told me to cover him
and I .

W: What do you mean 'cover him"?

B: I took my rifle from the scabbard in the saddle and in the event that this creature
would attack I thought that I could protect him somewhat.

W: Did you have your eyes on the creature all the time?

B: Most of the time, when I didn't have them on the ground where I had to . trying to control the horse kind of, it was a little bit unlevel and .

W: What was the creature then doing, when you first saw it?

B: When I first saw it it was standing, looking straight at me."

http://www.bigfootencounters.com/interviews/radiopatterson.htm

<emphasis mine>

Sounds to me like he had the rifle out of the scabbard as soon as Roger told him to cover him.
 
Those tracks are clearly fake to me, Lu. They were clearly made by Ray Wallace's wooden feet. I don't think they were made by pulling anyone behind a truck.

I've seen the demonstration, and I wouldn't bother doing that. However, there need not be any tire tracks visible, imo. I can easily see how you could pull a man off to the side, like a water skier, keeping the vehicle on the road, and making bigfoot tracks on the side.

My guess is that the Wallace family didn't know how Ray made the tracks, and that idea was the best they could come up with.

Hey maybe Ray had a giant steel wheel with feet on it that he rolled along the roadway? Maybe he used a helicopter? How about a pogo stick, Lu? I know! A trained Kangaroo!

Let's come up with the hardest, most ridiculous ways for anyone to fake bigfoot tracks, and then laugh at the ideas.

How about a small pile driver with a fake foot on it?

The Wallace family came up with sillier scenarios than that. Don't forget the high-lead.

So, do you think that you, viewing Rene Dahinden, Don Abbott and John Green's photos on a monitor nearly 40 years after the event, are better qualified to judge than the men who examined the trackways and took the pictures in the first place?

Ray was living in Toledo, Washington, in 1967, and John had been on to him since 1965.

Geez.
 
The Wallace family came up with sillier scenarios than that.

No Rule8 Sherlock. So have you. Wallace copied the track in the photo, remember? That was how you explained the match, Lu. That's right. You agreed that they matched.

So, do you think that you, viewing Rene Dahinden, Don Abbott and John Green's photos on a monitor nearly 40 years after the event, are better qualified to judge than the men who examined the trackways and took the pictures in the first place?

Oh! I'm arrogant eh? I should keep my trap shut, then? Just accept what they say and be quiet? Bigfoot is real, now go away?

You'd like that, wouldn't you?

Sorry, I'm entitled to my opinions, just as John Green is. That's all they are, opinions.

I suppose I should break out my time machine and get a first hand look. Sorry, I can't. Gotta' run with what I have available.

There's more and more of this attempted muzzling going on.

A sure sign of a lack of confidence in one's belief, imo.
 
Fair enough. Some questions. You're of the opinion that you think this is a video of a small mother sasquatch sprinting across a field with a baby on it's back, correct?

Yes, that's pretty accurate.

This flopping around on the back, is it supposed to be visible throughout the video? Also, do you think you can see bouncing breasts?

The object on the subject's back can be seen flopping around throughout the entire run, until the subject disappears behind the hill in front of it.

As for breasts....no, I've never noticed anything in the stills that looks like breasts.

Very importantly, do you find anything in this video to be incongruent with sasquatch as it's commonly described?

Well, as far as it's height is concerned...I don't think that means anything. All Bigfoots...that eventually grow to over 6' tall...have to be the height of the subject in the video at some point in their lives.

I haven't paid much attention to the way it ran...I don't know what a Bigfoot's running gait is usually reported to look like.

I don't see anything about the subject that's significantly different from what's reported about them.

And since you are being good enough to discuss this with me, I'd like to try again and ask you a couple of non-MDF questions.

What is it about answering 'if the fingers bend what must we pretend?' that causes you to evade/avoid/ignore it?

I'm only avoiding debating that issue, because I'm simply avoiding debating any issue on this board.
I've explained why that's the case before.

I'll be spending the vast majority of my time discussing Bigfoot evidence over on the Mid-America board....with anyone who wants to discuss it.

Are you interested in starting a thread on your Mars claims?

Yeah, I'm considering doing that.
Although, if I do, I won't spend much time here at all, debating and discussing the evidence.
I'll just post some images, and some info to go with them....and leave it at that. Other members can discuss them, if they want.


There are other very interesting anomalies on Mars, some of which appear to have a connection with some ancient, and mysterious, man-made formations in Avebury, England....such as Avebury Circle, and Silbury Hill.
 
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It is Roger Patterson saying that it was 3:30, not Sanderson.

At three-thirty on the twentieth of October (1967) we were packing our horses back into one of the last remaining great wilderness areas, northeast of Eureka, California. Our saddlebags contained on one side rifles and grub and, on the other, ready-loaded movie- and still-cameras and other equipment. We were following a creek which had been washed out two years previously in the terrible floods that devastated most of northern California. This was some twenty miles up the access-road for logging, and about thirty-five miles in from the nearest and only blacktop road in this vast and as-yet-not-fully-mapped area of National Forest.

http://www.bigfootencounters.com/biology/chapters.htm

Has the actual interview from which the Argosy article was written. Has the words of Patterson, rather than Sanderson's interpretations. Slightly different than the Argosy article.

I don't think you'll see it in the film, but the soles of her feet were definitely light in color."

How the hell can Patterson say that? What film is he talking about? Again we have these odd comments as if Roger has not seen his own film.
 
Dr. Bernard Heuvelmans. His comments are as follows:

In all furry animals the hair has a definite pattern, that is, on each area of the body the hairs are oriented in a certain direction. For instance, on a chimpanzee's arm, or even on a man's if he is hairy, they go down from the shoulder to the elbow, and up from the wrist to the elbow. This definite hair pattern can be seen even on photographs of animals from the way the light shines on their fur.

On the creature shown on Patterson's film there is nothing of the sort. As can be seen from the way the hairs shine, giving the fur a speckled appearance, they point in all directions (compare the blowups of the film with photographs of gorillas or, better, of certain bears, which have 'short, shiny, black hair', and you will see that in the latter, the shine on the fur shows that on each part of the body the hairs all point in the same direction).

The aspect of the hair of the creature in the film is exactly what should be expected from artificial fur--whether thick velvet or nylon fur--in which all threads (not actually hairs) are attached uniformly on some canvas base. When you stroke this material in different directions, the artificial hairs get bent in these directions and remain so until you brush them all carefully in the same direction.

Patterson adds--which is also seen in the film-that 'even her big, droopy breasts' are covered with short shiny black hair. This would of course be possible in some unknown species of man, but it would be rather improbable to say the least. In all larger apes the breasts have a slight tendency toward swelling, and even dropping a little, when the female is nursing its baby or if it has been nursing many of them, but even in such hairy primates the chest is almost naked.

I want to add that this (to me) obvious hoax does not shake at all my firm conviction that some large unknown human-like primate lives in the northwest of the United States and in the western provinces of Canada, not to mention of course certain mountain ranges of northeastern and central Asia."

Interesting...

My own arms don't seem to agree, but I think he just means that areas of natural hair always align in the same direction.
 
I'm well aware of the layout of the area.

I would dispute that. It's clear that you most certainly aren't otherwise you wouldn't be insisting the downfall tree pile was up against the forest. It was in fact in the middle of the stream.

Patterson says Patty was back up against the trees.

You are saying this means one thing, and I am saying it means another. There is no disagreement about the layout of the area.
Of course there is. The trees Patterson spoke of were those in the downfall pile. This what both Patterson and Gimlin refer to time and time again. Not once did Patterson or Gimlin ever say the creature was backed up against the forest. No, she was by a hunk of downfall trees. This is where the sasquatch was located, right by the stream, when they rounded part of this downfall system.

Yeah, maybe I ought to look at that... :rolleyes:
Well here it is then. This is the very first second or two of the P/G footage. This hunk of fallen trees on the left is the end part of the downfall pile of trees that Patterson and Gimlin talk about. This are the trees Roger Patterson mentions the creature being backed up against.

P7190050.jpg



If you then follow on from these frames the subject is moving in a direction away from these trees and not the trees of the forest. The forest is the dark background which continues at the same distance away to the left.

Tom Steenburg brought the downfall tree pile to my attention. I never noticed it until a few months ago. Additionaly, we can see the reason why Patty and P and G were obscured from each other until the very last moment. This tree pile downfall was substantial and offered cover for Patty, in the middle of a clearing, where she could probably drink from the stream.

No wonder nobody else has had the 'luck' that Roger Patterson had in filming a sasquatch. I don't suppose anybody else armed with a movie camera at hand has ever surprised and come right upon a sasquatch in the middle of a clearing like this where the creature has to come out in the open to walk away. It's an encounter that is unlikely to ever be repeated. The chances are minute.

Not all the time, no. It's only Sasquatch that can never be tracked anywhere.
Actually they have been apparantely tracked for miles. Read the reports.

Animals are often tracked from their bedding areas to their feeding areas, etc.
Ah you mean populous abundant animals where the trackees also know a hell of a lot more about the animals they are tracking than anybody does about the sasquatch???

They are often tracked down and photographed or hunted. The paths they travel are found and staked out.
See above. Sasquatch is likely to be a hell of a lot smarter than the average deer, bear or mountain lion....and there are far fewer of them to boot.

Save the childish sighs for high school, please.
Why? You are frustrating to try and debate with. You even falsely accuse Titmus of 'not being able to' find where Patty arrived and won't back down on the fact that Patterson was refering to the trees in the downfall pile.

There's no evidence that Patty walked through the stream, is there?
Yup. She was right by the stream when first encountered by P and G so it's a two in one chance she came over the stream or she didn't. There is evidence her feet were wet by the reasoning that the loose soil/dirt seems to be stuck to her soles, seeing as they appaear to be the same colour and tone as the surrounding substrate. Titmus also must have had his reason for saying she crossed the creek.

Stop trying to dictate what I see and think. I'll decide where I see faults, thank you.
When I see you falsely accuse somebody who is dead of failing to do something that he in fact is on record not doing, then I'll dictate what I like, thank you very much.

Why I am trying "so hard" has been explained already.
Yes, because you are a scoftic who will try any game to discredit the P and G footage, even when you try and make scenarios up.

Yeah, it wasn't that important a site or trackway. Bob musta' been bored out there.
He got 9 or 10 consecutive prints, looked around the whole area and made notes of other things. You ever bothered trying to find tracks you know aren't going to be there?? Titmus was more concerned with the tracks he found on the left side of the creek. He explained he spent hours just examining the tracks in situ. Then he followed those tracks for a while.

Honestly, what is the big problem in Patty coming along the hard road on the right side of the creek, crossing the creek by the downfall log to rest and probably drink water sheltered by the fallen tree pile then retreating back on the left side of the creek after she encountered Patterson and Gimlin???? She couldn't cross back over to the creek onto the hard road again the way she likely came because P and G were on that side so she retreated via the left side of the creek.

Bob was certainly interested in where Patty went, though...
Of course he was.....because the substrate on the left hand side of the creek was more suitable for tracking whereas the substrate on the right side of the creek (the hard road) was not. This has already been explained to you and was explained by Bob Titmus.

Makes far more sense to follow tracks you can find rather than those you know aren't going to be there because the substrate precludes it.


I'm beginning to think you trully believe tracks should be left in all and every kind of substrate and all and every kind of terrain. It doesn't quite work like that. There can be a number of tracks in soft ground, then when the soft ground ends and the hard ground begins they aren't going to be there anymore. There's no mystery to it.

Where she came from could be far more important than where she went. She could well have just come from where she lived, for example. She could, like some animals will do, have been trying to draw the threat away from her area where her family might be. That could explain her stroll. By not researching where she came from, critical info may have been abandoned in the field. How hard could it have been to find her tracks if she came from nearby?
See above. Titmus gave us a hell of a lot of information, particulary the consecutive print series....and it still isn't enough for armchair debaters like you.

Even if the last part of her trek there was obscured by terrain, a little effort may still have discovered where she was previously? What if she came from close by, in fact?
Titmus concentrated his effort on the trackway on the left side of the creek and those tracks he could follow on the left side of the creek. If Patty had come down the hard road on the right of the creek as Titmus thought then it most likely would have taken more than a 'little' effort to discover the tracks. He was a one man show remember? He was on his own. We are lucky he got what he did. He was more concerned with examining and casting what was in front of him and probably not thinking that 40 years later some scoftic on the JREF forum was pulling his hair out complaining that he didn't pull out all stops to examine every minute bit of ground (including the hard road) on the right hand side of the creek to try and find where Patty came from.

By the way, I'm still interested in if you think that after months of meticulously planning and carrying out this 'hoax', that P and G simply forgot or didn't bother to include Patty's arrival tracks??? Let's see, they bother to include breasts which we can't see too much, but 'didn't bother' making a convincing arrival trackway for Patty? LMAO!!!
 
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Well, since I don't believe we are looking at a Bigfoot , I have no reason to believe Gimlim really saw what he says he did ..

I'm just arguing with the idea that Roger's horse fell and Gimlin didn't see it.

Well seeing as you don't think we are looking at a Bigfoot, and considering P and G went to all this trouble of hoaxing it, which would have been months in preparation, don't you think they would have made sure they got their stories straight???? Don't you think they would have made a stern effort to NOT be seen to be disagreeing with each other?

What part of NO, do you not understand ...

Either Roger or Bob are making stuff up.. Take your pick ..

I go with both ..

Explain why they didn't get their stories straight, when they went to all this meticulous trouble and effort in other ways?? They come up with a suit that nobdy to this day can match, much less better, they meticulously choose the appropriate site and dissapear for weeks, making all these great tracks on top..........but they can't even work out how to get the story about the horse correct?????

The hoax scenario brings up far more problems than it explains.
 
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"""
Dr. Bernard Heuvelmans. His comments are as follows:

In all furry animals the hair has a definite pattern, that is, on each area of the body the hairs are oriented in a certain direction. For instance, on a chimpanzee's arm, or even on a man's if he is hairy, they go down from the shoulder to the elbow, and up from the wrist to the elbow. This definite hair pattern can be seen even on photographs of animals from the way the light shines on their fur.

On the creature shown on Patterson's film there is nothing of the sort. As can be seen from the way the hairs shine, giving the fur a speckled appearance, they point in all directions (compare the blowups of the film with photographs of gorillas or, better, of certain bears, which have 'short, shiny, black hair', and you will see that in the latter, the shine on the fur shows that on each part of the body the hairs all point in the same direction).

The aspect of the hair of the creature in the film is exactly what should be expected from artificial fur--whether thick velvet or nylon fur--in which all threads (not actually hairs) are attached uniformly on some canvas base. When you stroke this material in different directions, the artificial hairs get bent in these directions and remain so until you brush them all carefully in the same direction.

Patterson adds--which is also seen in the film-that 'even her big, droopy breasts' are covered with short shiny black hair. This would of course be possible in some unknown species of man, but it would be rather improbable to say the least. In all larger apes the breasts have a slight tendency toward swelling, and even dropping a little, when the female is nursing its baby or if it has been nursing many of them, but even in such hairy primates the chest is almost naked.

I want to add that this (to me) obvious hoax does not shake at all my firm conviction that some large unknown human-like primate lives in the northwest of the United States and in the western provinces of Canada, not to mention of course certain mountain ranges of northeastern and central Asia."
Interesting...

My own arms don't seem to agree, but I think he just means that areas of natural hair always align in the same direction."""

Bernard Heuvelmans seems to have been a bit of a dreamer. Remember his 101 different varieties of sea serpents? :rolleyes:

Grover Krantz and Dmitri Bayanov did a sound thumping of Heuvelman's biological knowledge and observations concerning the P/G footage. Krantz, for example, points out that nobody else has confirmed what Heuvelmans supposedly saw regarding the hair flow on the subject, other than Sanderson. I can't make the hair flow out clearly either. Gawd knows what fantastic equipment Heuvelmans was using when he wrote the above observations in the late 1960s but I can't see what he sees even on the LMS version.

What is interesting is that Heuvelmans' criticisms of the P/G footage stem from a time where he was promoting his own fabulous Minnesota Ice-Man 'discovery' along with Ivan Sanderson. The fact that the Ice-Man soon faded from the spotlight and is not taken seriously by many sasquatch/crytozoology proponents, while the P/G footage goes on and on and never fades from the crypto spotlight, might have caused a great deal of consternation to Heuvelmans. Heuvelmans for sure had a bee in his bonnet about the P/G footage getting all the limelight, perhaps this was because his Ice-Man did not and it then became largely forgotten.

It's also worth noting that Heuvelmans downgraded the P/G footage and claimed Tim Dinsdale's Loch Ness footage was much more convincing and would not consider extensive ISC analysis of the P/G footage at fellow ISC member Bayanov's request. Heuvelmans was much more taken with the Dinsdale footage. Er, then it was established that the Dinsdale footage showed nothing more than a small fishing boat, while the P/G footage lives on and is still shown in serious documentaries to this day. I am reminded of John Napier, who also wasn't convinced by the P/G footage but was convinced that a picture of a rock was a Yeti. So what then, are we to conclude about the merits of Heuvelmans' observations, when we consider the possible reasons for his antagonism regarding the P/G footage and that he was probably suckered in by a carnival trickster with the Ice-Man?????
 
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"In all furry animals the hair has a definite pattern, that is, on each area of the body the hairs are oriented in a certain direction. (...) On the creature shown on Patterson's film there is nothing of the sort."

Interesting...

My own arms don't seem to agree, but I think he just means that areas of natural hair always align in the same direction.

Basically, yes. (For the 'up' part he means it flows up towards the elbow on the outside of the forearm, not the side you usually look at on your own arms in a typing posture.) This was what I meant in my post a few days ago when I said Patty's fur doesn't lie naturally enough to see much musculature. Knowing the way a given animal's fur typically lies is a huge HUGE part of creating good animal illustrations. It's how an artist knows where to put the shiny hilights on a horse or where to put the cowlicks on a portrait of a dog.

The fur in the film does not even begin to look natural.

I recall someone here asking for a workup of how skeptics think the suit was put together. If I ever get the time I will happily provide one. The talk of visible zippers just cracks me up. Pro suits aren't from Spencers. An example setup might be a fibreglass shell for the mass of the main body that hooks together inside on one side and clasps shut inside on the other (the sleeves permanently attached). The shell is made by carving the shape you want out of foam or something, painting it with a release agent, and laying strips of fibreglass over it like making a cast. Once set, the inside can be reinforced and padded for wearing; the outside can be painted with glue and your flexible foam and fur fabric or heck even real hide can be stuck down to part of it. Just like taxidermy, only you need the skills to make it light and flexible in the right places. The main bulk of the body, the back, might be done like this, with another piece for the butt, attatched beneath the fur and a layer of flexible foam. Any seams or joins, you would hide with longer fur as best you could get away with it. any musculature you want could be sewn into flexible foam or cut into inflexible foam and fur fabric glued down to it. And this is just how a hobbyist might do it: I have a cursory 80's Fangoria-reading knowledge of this stuff.

The suits that proponents point to are all purposefully shaggy. It's the look the directors wanted and/or it would help maintain the illusion for film. It's not because it's somehow impossible to make a short haired suit. The problem with filming a short haired suit is you end up having to brush it down all the time. (Just look at the early stop-motion King Kong stuff and watch that hair squirm. Every frame, they touched it, the hair would get messed up and they'd have to brush it down or let it slide.) And lighting is another HUGE factor - none of the suits I've seen posted here are shot in natural daylight.

I do agree the armpit looks nice but I don't see anything impossible to fabricate about it.
 
It is Roger Patterson saying that it was 3:30, not Sanderson.

It's Sanderson citing Sanderson:

"Subsequent events have made it clear that there are a lot of what one must call "ins-and-outs" to this story, and I therefore feel it best and only fair that I give Patterson's story first, and verbatim from my first interview. This went as follows [Footnote 36--Sanderson, Ivan T., "First Photos of 'Bigfoot', California's Legendary 'Abominable Snowman'", Argosy Magazine, February 1968; "More Evidence that Bigfoot Exists", Argosy Magazine, April 1968.]:"

http://www.bigfootencounters.com/biology/chapters.htm
 
And lighting is another HUGE factor - none of the suits I've seen posted here are shot in natural daylight.

Er, this one was. There were no lighting rigs. They tried to get the same conditions as the P/G footage:

packham1.jpg


""Stomp, stomp, stomp. I'm bigfoot. Grrrrrrrrrrrrrrrrrr!!""

Er no you aren't mate. You're just an actor in a crummy furball suit.
 
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