Pirates vs. America

The problem I have with all these arguments over copyright, and I harp on it like an old man as often as I can, is this notion that creators have some natural right to be compensated. The U.S. government protects ideas as "property" (theoretically for a limited amount of time) in order to generate the greatest good for the greatest number. The U.S. Constitution is explicitly utilitarian on this point. Many of the people who cry out behalf of aggrieved corporations on Internet forums -- your standard "natural rights" market fundamentalists, more or less -- fail to apply one of their favorite boogeymen to the situation: "intellectual property" is a government created monopoly for purposes of social engineering. It gives people an incentive to spend time, energy and money doing things they otherwise would not do. This whole notion about creators deserving to be compensated for their labor sounds more like Karl Marx than Adam Smith.

Copyright violations should not be viewed through the frame of harming some individual holy creator, or more likely some faceless conglomerate. That does not strike at the foundation. What matters is if it harms the creator so much that innovation and productivity decline in ways we find economically unacceptable.
 
What about when the US government coerced the Swedish government to take the computers belonging to The Pirate Bay, as well as a number of unrelated sites? Your exclusion of this incident and your inability to tell the difference between distribution of information and the stealing of cable lead me to believe you're viewing this through rose colored glasses.

I didn't "exclude" anything. In fact, I mentioned the US pressuring Sweden several posts back, and more than once. From the article Kilgore linked to, here is what their own State Secretary said:

"I know that the USA has opinions on the effectiveness in our system when it comes to copyright and that if Sweden and other countries aren't following their international agreements there are sanction mechanisms in the USA, which have been pointed out from their side."

And earlier in the article:

Both countries are members of the World Trade Organization (WTO), an entity that offers substantial trade benefits to member countries. A member country can impose trade sanctions against another for violationg specified rules of the WTO, including the failure to enforce global intellectual property rights.

So the US asked Sweden to enforce the very agreements it is a party to, and threatened to take appropriate actions in the trade body Sweden is a member of, which was has mechanisms that were designed to deal with exactly these types of issues. How presumptuous!

It's not like the US was threatening to go to war here. The US has lost WTO cases before, and if Sweden thought it had a leg to stand on, it could have defended itself in the WTO, probably with the backing of the EU. They chose not to.
 
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OMG!!!! A Oliver Thread that is solid and has a point!!! What happened over the weekend!!! Has the world gone mad!

Seriously, good thread.


*lol* I blame Lisa for my mistake - but I promise that my next thread will be more pointless again. :D

In the meantime I stay out of this thread until the general copyright-controversy is over. :popcorn2
 
Just my few points on ther topic.

If a $20 CD is pirated how much should the copyright owner be compensated ? The retail price of a CD or the Retail minus all the physical cost of producing the CD ?

When one purchases a CD they have the right to own and listen to those tracks? If you scratch a CD is it OK to pirate that missing track off the Internet ? I would say yes but the manufacturers wouldn`t agree.

Is there a time period when CD`s become public domain ?interested to know
 
I would also point out that people who get the product for free and then try it out may also be inspired to buy a product they would not have otherwise considered. In exactly the same way that radio gets people to buy CD's even though their music is free.

Which may be a good argument to try on the people that created the product . . . but does not seem like a good thing to force the creator to do by deciding that marketing strategy *for* him or her. IOW, it sounds suspiciously like an ad hoc jusitification that could be made by someone who wants free stuff.
 
Except all of this would rule out theft of services and identity theft. I suppose you could consider both a form of fraud rather than theft,
Fraud would be the most appropriate formal term for identity "theft". A case could be made that "theft", and possibly fraud as well, would apply to use of a service, depending on the circumstances, provided use of the service deprived a paying customer of access to the service, and the service provider lost some amount of a tangible resource in the process (eg. time, labour, bandwidth, etc.).
but the word "theft" is nevertheless used for the stealing intangibles.
Only as a colloquialism. Intangibles cannot truly be "stolen", they can only be copied, altered, or damaged (eg, slander/libel). Theft properly applies only to something tangible.
 
As an aside, theft of services in the sense of stealing cable or electricity is pretty concrete; you're diverting a signal with they are actively and continuously producing and charging for. If they close the spigot your flow turns off. It's close enough to a product for me to categorize similarly to.

Using electricity unauthorized is theft, because electricity is a tangible substance with a limited supply. Using it deprives a paying customer of a similar amount of electricty.

Unauthorized viewing of a cable signal, however, is not theft, since using it doesn't cost the provider, since the signal is available on the cable whether it's used or not, nor does it deprive anyone else from being able to use it equally. It's not a theft of the service, any more than viewing a broadcast signal is theft of the signal. At worst, one is creating a "copy" of the cable signal in a way that doesn't affect the signal received by anyone else. That is why most cable signals are encrypted.
 
Nobody ever went broke overestimating the vulgarity of the American public.
-H.L. Mencken


I know I like stealing crap off the internet.

Feh. I haven't pirated a single Metallica album since Black. I save my pirating for things that are worthwhile, but I can't afford yet, or stuff that's unfamiliar, to decide if i want to buy it. I've actually bought a lot of music, and some anime, because I was able to download it; whereas if I hadn't had that option, I wouldn't have risked the money on it.
 
Many of the people who cry out behalf of aggrieved corporations on Internet forums -- your standard "natural rights" market fundamentalists, more or less -- fail to apply one of their favorite boogeymen to the situation: "intellectual property" is a government created monopoly for purposes of social engineering.

None of the greatest works of art in history have been created in a copyright environment.
 
Which may be a good argument to try on the people that created the product . . . but does not seem like a good thing to force the creator to do by deciding that marketing strategy *for* him or her. IOW, it sounds suspiciously like an ad hoc jusitification that could be made by someone who wants free stuff.

Actually, there is strong evidence supporting this. I don't recall the study, but I read about it on The Register's website. Music sales have actually increased as music sharing/downloading has increased; particularly for indie and smaller labels. There was a dip in sales that the RIAA tried to claim was the result of piracy; but they neglected to mention that the dip corresponded closely to a similar dip in the economy (dotcom bust) and sales of all luxury goods.
 
Feh. I haven't pirated a single Metallica album since Black. I save my pirating for things that are worthwhile, but I can't afford yet, or stuff that's unfamiliar, to decide if i want to buy it. I've actually bought a lot of music, and some anime, because I was able to download it; whereas if I hadn't had that option, I wouldn't have risked the money on it.

Well wasting time, money, or hd space on any Metallica (I just threw up a bit in my mouth) is never advised, legal or illegal. Yowzas!
 
I don't think I'm moving the goalposts. I used your exact wording, in which you claimed that The Pirate Bay can't be accused of copyright infringement. Of course they can be accused. Heck, I can accuse you of being a scaly reptilian beast from the planet Xanax ;)
I see, you weren't moving the goalposts, you were merely being pedantic instead. Okay.

In any event, I was just pointing out that, as with arguing over "theft," whether or not they are legally infringing on copyright, I think they are certainly, practically speaking, infringing on copyright, and doing so knowingly.
I don't quite understand. Copyright infringement is purely a legal concept. What is "practically" infringing as opposed to "legally" infringing?

If their rationale for legality is legit, then I can't see how it wouldn't just as legitimately apply to, say, a child pornography bit torrent site. They're not hosting the child pornography, they're just facilitating its download!
Poor analogy. They faciliate downloads, yes. But not of actual illegal content. Downloading a movie or album torrent is not inherently illegal. I could be using Bittorrent to get an album I've bought, as a digital backup (hell, I've done it on some copyprotected albums I've bought), or a movie which DVD I own. Downloading the new Candlemass album might not be illegal. That depends entirely on the downloader.
On the other hand, downloading child pornography is always illegal.

I think that's a very narrow definition of theft. If I acquire the exclusive design of the new BMW (or any other nice car) and build an exact replica myself, and sell it for my own company thus taking profits from BMW, by your reasoning, it isn't theft. BMW still has their design. They haven't technically lost anything, since they haven't yet made any profits. Similarly, if I steal someone's entire book, put my name on it, and sell it, they haven't lost anything either. They still have their book.
That's more like plagiarism, and it not only involves stealing something (your word - the plans, their design), it also steals the credit, so I would not mind calling it theft. Something is definitely lost on one side, though it's not necessarily the actual property, but the ideas, and the credit toward its rightful original maker.


You seem to be suggesting that the people who take the third option are entirely from the category who did not value the music highly enough to pay for it when the only way to get it was to pay for it, rather than from the category who actually wanted it enough to pay for it but can now get it for nothing.

That seems a very, very questionable assumption.
Where did I say "only", please? I said "a lot". And I base this assumption on admittedly my personal experience and observations, but after spending years on several music forums, I start to notice some patterns. Namely, that people who pirate music they can, and would, otherwise pay for, are very, very few and far between. In my experience, music downloaders are either in the a) "I try before I buy", b) "downloading because I'm too poor, will buy when I get money because I love this band", c) "downloading because this CD is out of print and impossible to find anyway" or d) "this is worth listening, but not worth paying for" categories. A mere handful fell in the other category, and they were mostly little kids who never bought an album in their lives and apparently don't care for liner notes or artwork.

Has anybody else noticed that the companies that are most aggressive about defending their "intellectual property" are always the ones with the crappiest goods to begin with? Like Metallica all upset about pirating--who the hell would bother stealing Metallica songs? And Disney, making the same damn movie for how many decades now? Ooooh, "The Sims 2". Yeah, that's worth the effort of stealing.
:newlol I'll add that these aggressive folks also seem to be among the richest. Again, Metallica, Dr. Dre, the RIAA and other assorted @$$holes.

Presuming you are correct about the numbers, it's still irrelevant. The desire to have luxury items like entertainment movies and music drives this part of the economy. Civilized society has decided that, no, you don't, in fact, get to have them if you don't pay the creator. Hence, "I wasn't gonna buy it anyway, so I should get it for free" is an invalid position to take.
Where did I say it was a "valid position to take"? All I said was that it was wrong to call copyright infringement "theft" because nothing is actually stolen. That's really all I said.

If you want to improve your existence, per your own definition of that concept, as is every free person's natural right, then you should pay for that. If you don't think it's worth it financially, then you have chosen to do without, not chosen to get it for free, at your whim.
I'm going to assume that's an impersonal "you", because otherwise, my CD collection finds your preaching very funny.

I would also point out that people who get the product for free and then try it out may also be inspired to buy a product they would not have otherwise considered. In exactly the same way that radio gets people to buy CD's even though their music is free.
Absolutely.
 
I see, you weren't moving the goalposts, you were merely being pedantic instead. Okay.

I was pointing out that certainly, the accusation isn't being pulled out of thin air. It is a legitimate and reasonable accusation.


I don't quite understand. Copyright infringement is purely a legal concept. What is "practically" infringing as opposed to "legally" infringing?

Millions of people go to the Pirate Bay to download pirated DVDs, music, etc. The name of the site itself makes it pretty obvious. Downloading pirated DVDs and music is illegal. Very few of those millions of people could successfully find those pirated DVDs or videos without the Pirate Bay. The Pirate Bay, however, gets around this because they don't host the files on their own servers, they merely provide a convenient place for people to come to through which they can find the pirated DVDs. As I mentioned before, it would be like if I put up a bulletin board that said "call here for free heroin!" and listed the numbers of drug dealers. I might not be breaking the law just by posting phone numbers, but if someone called me a drug dealer, they wouldn't be innacurate.

OJ Simpson is also not legally a murderer. But I have no qualms about calling him one.


Poor analogy. They faciliate downloads, yes. But not of actual illegal content. Downloading a movie or album torrent is not inherently illegal. I could be using Bittorrent to get an album I've bought, as a digital backup (hell, I've done it on some copyprotected albums I've bought), or a movie which DVD I own. Downloading the new Candlemass album might not be illegal. That depends entirely on the downloader.
On the other hand, downloading child pornography is always illegal.

Irrelevant. The Pirate Bay is not arguing they are legal because the site could be used for legitimate purposes. Their argument has been that they do not host any illegal content themselves, they merely point to torrent trackers, therefore their site is legal. From a 2006 Wired article:

Viborg credits The Pirate Bay's seeming immunity to the basic structure of the BitTorrent protocol. The site's Stockholm-based servers provide only torrent files, which by themselves contain no copyright data -- merely pointers to sources of the content. That makes The Pirate Bay's activities perfectly legal under Swedish statutory and case law, Viborg claims

As such, my analogy was perfectly valid. By that same argument, any site that only points to bit torrent trackers that have illegal content can be considered legal -- including child pornography -- as long as they don't have any of the content on their own servers.


That's more like plagiarism, and it not only involves stealing something (your word - the plans, their design), it also steals the credit, so I would not mind calling it theft. Something is definitely lost on one side, though it's not necessarily the actual property, but the ideas, and the credit toward its rightful original maker.

They could "steal" the plans and designs by copying them to a disk. So no, they are not stealing a physical object. Regardless, the idea is certainly not lost to one side -- they still have the idea. They can still build their own weeble-wobble, or whatever product they are creating. Ditto for stealing "credit" -- the original author can still take credit for their work. They just might have to share it.

In any event, in both cases we are talking about intangible objects. If you're claiming that stealing credit, or ideas, is theft, then so would stealing the right to decide how one's works are distributed.
 
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Me too, Pirate Bay rocks!

Still isn't a decent copy of the new Harry Potter flick though, dammit.

Millions of people go to the Pirate Bay to download pirated DVDs, music, etc. The name of the site itself makes it pretty obvious. Downloading pirated DVDs and music is illegal. Very few of those millions of people could successfully find those pirated DVDs or videos without the Pirate Bay. The Pirate Bay, however, gets around this because they don't host the files on their own servers, they merely provide a convenient place for people to come to through which they can find the pirated DVDs.

Pirate Bay is not the only torrent site out there, and far from the best.

I remember it used to be the best, about 5 years ago, when only Scandinavians with 10-100Mbit lines used it, but the ultrafast speed Pirate Bay was known for droppen when 'everyone else' discovered the site. Pirate Bay is only the most famous because of it's 'in your face' attitude towards copyright holders.

Personally, I prefer Mininova and Torrentspy.

As for the latest Harry Potter movie, you'll probably have to wait until it's out on DVD before a decent version is released, just like with all the other top mainstream movies that are released these days.
 
IAnd I base this assumption on admittedly my personal experience and observations, but after spending years on several music forums, I start to notice some patterns. Namely, that people who pirate music they can, and would, otherwise pay for, are very, very few and far between. In my experience, music downloaders are either in the a) "I try before I buy", b) "downloading because I'm too poor, will buy when I get money because I love this band", c) "downloading because this CD is out of print and impossible to find anyway" or d) "this is worth listening, but not worth paying for" categories. A mere handful fell in the other category, and they were mostly little kids who never bought an album in their lives and apparently don't care for liner notes or artwork.

I am deeply unsurprised that people claim there downloading is for "good" reasons and only other nasty people are really doing anything wrong.

I choose to remain sceptical.
 
It's not easy at all here. I've had to reevaluate my opinions on copyright law a lot in recent years (as I have on a lot of my stances). I no longer think laws forbidding people from getting around copyright protection mechanisms in order to make otherwise legal backups is wrong, for example. My thinking is now that if you own a copy of something, you can alter it in any way you want short of turning it into a bomb. To that end I've hacked my PSP to bejesus and back to get features I otherwise wouldn't have, and I still use it only for stuff I legitimately own (for example, ROMs of SNES games I own).

Whatever your opinion of it, let's make absolutely sure of one thing. Copyright theft is different from normal "take the thing" theft. The different is this. You made an illegal copy. You didn't actually deprive someone of a physical object.

Anyone who says "it's the same morally as taking a candy bar right out of a store" needs to alter their analogy to "it's the same morally as copying a candy bar and taking the copy with you but leaving the original candy bar". Again, this could be considered still immoral, as if you decide to hand out all those copies of a candybar people are less likely to buy that guy's candy bar, but that guy STILL has his candy bar and it wasn't taken.

I'm basically saying let's not be intellectually dishonest in arguing for or against copyright law. It IS a markeddly different sort of crime than literal theft, and there's no denying that.
 
You didn't actually deprive someone of a physical object.

I tend to agree.

However if I was being difficult I might point out that you DID deprive them of the phsyical notes and coins which you should have handed over to acquire the object. On the other hand those physical notes and coins would then be deposited in a bank and become virtual objects again reflected as an increase in the balance held electronically.
 
I'm basically saying let's not be intellectually dishonest in arguing for or against copyright law. It IS a markeddly different sort of crime than literal theft, and there's no denying that.

You're basically saying that you disagree, therefore it's intellectually dishonest. I don't particularly like bringing "honesty" into this debate. I generally respect the opinions of everyone on here, even in heated debate, and I assume that they are being intellectually "honest" in their opinions.

Nobody is saying that copyright infringement is the exact, 100% same as stealing a candybar, just as embezzlment isn't the same as stealing a candybar, nor is stealing cable TV the same as stealing a candybar, though all could be considered stealing. The question of whether or not copyright infringment is a form of stealing, however, is certainly a valid and "honest" one.
 
Which may be a good argument to try on the people that created the product . . . but does not seem like a good thing to force the creator to do by deciding that marketing strategy *for* him or her. IOW, it sounds suspiciously like an ad hoc jusitification that could be made by someone who wants free stuff.

Conceptually true but it is relevant to claims of harm. If they are not harmed financially by it, how much should we listen to their whining?
 

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