Andy_Ross
Penultimate Amazing
- Joined
- Jun 2, 2010
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If the dam breaks open many years too soonThere is no dark side of the moon, really. As a matter of fact, it's all dark.
I'll meet you on the...
If the dam breaks open many years too soonThere is no dark side of the moon, really. As a matter of fact, it's all dark.
The LLTVs and LLRVs also made around 900 combined flights.It's amazing what googling "Soviet space program" and "US space program" will throw up, isn't it.
And BTW, the lunar module trainer(s) - cue the famous footage of Armstrong's ejection just prior to ground collision - were entirely different from what ended up being the lunar module itself (not least because the real LM operated in 1/6 Earth gravity). So, as so very often, you don't know what you're talking about.
ETA NInja'd by Jay.....![]()
A former colleague is related by marriage to Michael Collins (aka)I was in boot camp. We "watched" the landing on a TV with rabbit ears in our company lounge. Didn't see ◊◊◊◊, but we knew we'd landed on the Moon.
Lunatic trivia: The "computer screens" Mission Control was watching were actually the same kind of board they used to use for menus at my high school. Plastic letters stuck on the board. The guys in MC were looking at TV screens, computer screens. The number crunching was often done by sliderule or early calculators.
And her mum has a photo from the Apollo 11 families briefing room.the third guy who stayed inside the capsule
If only NASA had recruited people with a proven track record of handling tricky gadgets (like, say, test pilots and/or engineers who had astronauted before), and then had them train and practice with said gadgets...The moon's surface is actually very bright so simply taking a camera designed for earthly parameters - depth of field, focal point, contrast, etc., - is going to be extremely tricky on the moon,
Vixen said:It's not hard to see why Allen was curious about the Apollo photography. Hardly makes him a scoundrel.
The problem is as I see it from Allen's POV is that the debunking explanations re his queries about shadows, lighting and dark skies seem to be on a level of insulting the intelligence of a primary school class. For example, Dr. Tony Cook in the OP video brushes it off by showing us pix of shadows going every which way in a local street and then we are given the facile, oh try taking a pic of the night sky whilst standing under a street lamp, as if the average photographer doesn't understand how lighting and apertures work. Please! I've taken pics of the night sky. No problem in catching the stars.If only NASA had recruited people with a proven track record of handling tricky gadgets (like, say, test pilots and/or engineers who had astronauted before), and then had them train and practice with said gadgets...
No, but *pretending* to be curious while making scurrilous accusations does make him one. Allen isn't actually curious. Had he been, he would have quickly found out that film had been regularly used in space by both the Americans and the Soviets throughout the '60s, for example.
How about the day sky?Please! I've taken pics of the night sky. No problem in catching the stars.
Try taking one of the stars in bright sunlight without overexposing the actual subject of the picture.The problem is as I see it from Allen's POV is that the debunking explanations re his queries about shadows, lighting and dark skies seem to be on a level of insulting the intelligence of a primary school class. For example, Dr. Tony Cook in the OP video brushes it off by showing us pix of shadows going every which way in a local street and then we are given the facile, oh try taking a pic of the night sky whilst standing under a street lamp, as if the average photographer doesn't understand how lighting and apertures work. Please! I've taken pics of the night sky. No problem in catching the stars.
Allen's idiotic questions are insulting to the intelligence of a primary school class.The problem is as I see it from Allen's POV is that the debunking explanations re his queries about shadows, lighting and dark skies seem to be on a level of insulting the intelligence of a primary school class.
No.The moon's surface is actually very bright...
Rubbish. There is no such thing as "earthly parameters" when designing cameras. Depth of field, focal length, and film response curves work just as well on the Moon as they do on Earth.so simply taking a camera designed for earthly parameters - depth of field, focal point, contrast, etc., - is going to be extremely tricky on the moon,
Did you watch the film? I explained how all those problems were solved.especially with thick gloves, limited head movement, resulting in limited field of vision - seems rather optimistic in 1969.
Irrelevant.Who remembers compact cameras? Awful! Absolutely awful.
If he were merely curious he could have easily found out the answers to his questions. Instead he pretended they were unsolved and unsolvable so that he could entertain his audience with lurid tales of hoaxes.It's not hard to see why Allen was curious about the Apollo photography.
Hardly makes him a scientist or a journalist.Hardly makes him a scoundrel.
If only NASA had recruited people with a proven track record of handling tricky gadgets (like, say, test pilots and/or engineers who had astronauted before), and then had them train and practice with said gadgets...
No, but *pretending* to be curious while making scurrilous accusations does make him one. Allen isn't actually curious. Had he been, he would have quickly found out that film had been regularly used in space by both the Americans and the Soviets throughout the '60s, for example.
Rubbish. There is no such thing as "earthly parameters" when designing cameras. Depth of field, focal length, and film response curves work just as well on the Moon as they do on Earth.
It wasn't night-time when they were on the moon. It was very much daytime. And they were concerned with getting the correct exposure for the lunar surface, not for the sky.Please! I've taken pics of the night sky. No problem in catching the stars.
Even Mitchell & Webb are calling you out on that one:Again, the argument, 'it would have been easier to actually do it than fake it', is a weak one,
Allen's point of view never rose above saying, "I don't believe it, I don't believe it." His questions were based on ignorance of basic principles. When you display the depth of understanding of a primary school student (or pretend to), the explanations to restore those basic principles necessarily sound elementary.The problem is as I see it from Allen's POV is that the debunking explanations re his queries about shadows, lighting and dark skies seem to be on a level of insulting the intelligence of a primary school class.
Some people don't know how cameras work. Marcus Allen assures us he does, but then demonstrates he doesn't....we are given the facile, oh try taking a pic of the night sky whilst standing under a street lamp, as if the average photographer doesn't understand how lighting and apertures work.
Post them, then, along with your ISO and shutter speed settings. Then take a picture of a sunlit object with those same settings and see what you get.Please! I've taken pics of the night sky. No problem in catching the stars.
The problem is as I see it from Allen's POV is that the debunking explanations re his queries about shadows, lighting and dark skies seem to be on a level of insulting the intelligence of a primary school class. For example, Dr. Tony Cook in the OP video brushes it off by showing us pix of shadows going every which way in a local street and then we are given the facile, oh try taking a pic of the night sky whilst standing under a street lamp, as if the average photographer doesn't understand how lighting and apertures work. Please! I've taken pics of the night sky. No problem in catching the stars.
Funny story. So we're out in the desert at night with the camera. This was the same location, by the way, as the God Planet in Star Trek V. I have the Apollo-modified Hassy, which was one of the backup cameras for Apollo 14. The lens cap was connected to the body by a little chain and screw. The cap kept swinging around and hitting the camera body, and the sound guy said it was wrecking the audio. So we went to take off the cap and chain and we dropped the little screw! Imagine trying to find a tiny little screw on the desert floor with nothing but a single studio light. We thought we had lost part of a priceless historic artifact. Luckily the grips had a screw in their truck that was the right size.