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Does the Shroud of Turin Show Expected Elongation of the Head in 2D?"

Those burns are the triangular ones produced by the molten silver, not the L shaped pattern of 4 holes in the shroud.

You have no evidence of when those were produced.
The point you're missing is that you don't have any evidence for when these "burn marks" were produced either, and you are the one who needs that evidence for them to prove anything. You can't say that they are "documented" as being the same as the ones on the Shroud when that is what you are trying to prove. You've put yourself in the position of claiming that these "burn marks" on the Pray Codex are evidence for it being the same thing as the Shroud and predating it, and your evidence that they even are burn marks is that they match the marks on the Shroud. As I've said before, you're using what you're trying to prove to prove what you're trying to use to prove it.
 
No, it is basically simple quality control, to insure accuracy and precision of the measurements.

You need to stop sawing that limb you are sitting on.
You really don't understand what the material you quoted actually refers to, do you?
:rolleyes: :boggled: :covereyes :eek:
 
They are as true, correct, and contemporaneous as any of the books in the real bible.
Sigh. You're the one desperately relying on the Big Book of Bronze Age Fairy Tales to support your worldview.
You know how the Church decided which books went into the bible?
Yes. Far better than you I suspect.

None of which in any way addresses the question, but that's to be expected from @bobdroege7.....
 
Those burns are the triangular ones produced by the molten silver, not the L shaped pattern of 4 holes in the shroud.

You have no evidence of when those were produced.
The 1532 fire in Chambéry.
The Pray Codex dates from approximately 1200.

That means the image in the Codex, which you and a handful of other shroudies claim is the Lirey cloth, was created at least three hundred years before the fire that caused the damage that you claim is shown.
For the hard of thinking that means that, barring precognition or time travel, it's simply not possible.
 
They are as true, correct, and contemporaneous as any of the books in the real bible.

First of all, which is the "real" Bible?
Secondly given your demonstrated lack of knowledge of the "real Bible" I hope you will understand why I view your claims about what is "....true, correct and contemporaneous as any of the books....." with some suspicion.

Which is a rather low bar.

Compared to claiming an atypical cloth from Jesus' burial survived unmentioned for over a thousand years?
You know how the Church decided which books went into the bible?
...snip...
I know of many of the routes that were followed over the centuries. Is there a particular one you think is somehow relevant?
 
Those burns are the triangular ones produced by the molten silver, not the L shaped pattern of 4 holes in the shroud.

You have no evidence of when those were produced.
That L shaped pattern of 4 holes (we're talking about the hole next to the thigh and hip of the person, aren't we?

What is you explanation that the length of those holes in all 4 of the patterns, is exactly in line with the other burn marks from the fire, if they weren't caused by that fire?
Additionally, assuming you're right, why do you think the makers of the Pray Codex would find this pattern so much more important than the projection of Jezus himself, given that they did go through the trouble of drawing a piece of cloth on top/next to the supposed shroud on the Codex?
Lastly. Given that the L shape of the 4 patterns is very obviously oriented length wise on the shroud of Turin, why is that same L shaped pattern (only one in that case) oriented to the width of the 'shroud' in the Pray Codex, if these are the same pattern holes?

Maybe you have answered these questions before, but I couldn't find that answer, so would be grateful to hear your thoughts concerning this.
 
That L shaped pattern of 4 holes (we're talking about the hole next to the thigh and hip of the person, aren't we?

What is you explanation that the length of those holes in all 4 of the patterns, is exactly in line with the other burn marks from the fire, if they weren't caused by that fire?
Additionally, assuming you're right, why do you think the makers of the Pray Codex would find this pattern so much more important than the projection of Jezus himself, given that they did go through the trouble of drawing a piece of cloth on top/next to the supposed shroud on the Codex?
Lastly. Given that the L shape of the 4 patterns is very obviously oriented length wise on the shroud of Turin, why is that same L shaped pattern (only one in that case) oriented to the width of the 'shroud' in the Pray Codex, if these are the same pattern holes?

Maybe you have answered these questions before, but I couldn't find that answer, so would be grateful to hear your thoughts concerning this.
Also, the image in the Pray Codex rather obviously isn't a shroud. Likewise the 'Three Marys' image doesn't match the burns on the Lirey cloth particularly well, even after "adjustments".

Allow me to illustrate matters:
Shroud & Codex.jpg
 
Also, the image in the Pray Codex rather obviously isn't a shroud. Likewise the 'Three Marys' image doesn't match the burns on the Lirey cloth particularly well, even after "adjustments".

Allow me to illustrate matters:
View attachment 66468
Thanks!
Then I had the correct holes in mind, when asking my questions. Always nice to know.
Never noticed these before on the Turin Shroud, by the way.

I'm curious what the thoughts of bobdroege7 in these are.
 

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