Since I have some free time, and it's unlikely that
@bobdroege7 will be back to seagull us for a while, let's look at what is known in shroudie circles as the 'Edessa Hypothesis'.
- A good title for a technothriller involving a hidden nazi base?
Loosely the Edessa Hypothesis can be summarised as:
The shroud exhibited in Turin is the same dubious relic exhibited for centuries in Edessa as the Mandylion or Image of Edessa.
It is claimed that the burial cloth of Jesus meandered around western Asian for a few centuries, in various hands, performing the occasional miracle. And seeming splitting a few times....
The immediate problem is that the Mandylion only showed the face of the supposed crucified person, but the shroudies explain this awkward fact away by claiming the cloth was folded several times was folded to expose only the face. Why this was done is a subject they tend to avoid.
Likewise they tend to avoid addressing the descriptions of Mandylion bearing little resemblance to the Lirey cloth.
Another problem, demonstrating the general historical ignorance of shroudies, is the fact that many believers claim that the magic facecloth was simultaneously in Edessa (send shortly after the "resurrection") while also being touted around Asia Minor by Sts. Peter and Paul, who look it to Antioch (but the 'Antioch Hypothesis' is for another time).
BTW, the story that Paul had the magic cloth is based on a single reference from the fourth century alleging that Pilate (yes, him) and his wife visited the tomb of Jesus and that she acquired the cloth. From her it passed to St. Luke (that's Luke the Evangelist,, not any other saint of that name)
Of course other early xian sources claim that "Joseph the Senator" (him who provided the tomb) took the cloths.
- Interestingly, for those who are interested in historical minutiae anyway, those writings specifically mention multiple cloths, which accords with Jewish burial customs. Unlike the Lirey cloth.
Along it's supposed travels the magic cloth stopped off in Beirut where it bled after being mutilated by some passing Jews, who naturally converted to xianity on the spot.
- Curiously in that case the magic cloth was acquired by an unnamed xian, who nailed it to his bedroom wall but forgot it when moving.....
Now, the xian writings don't mention any interesting burial cloths in Edessa as late as 384CE, but from about 544CE there are mentions of an 'Image of Edessa'. This is where the shrouding favouring the 'Antioch Hypothesis' split from the 'Edessa Hypothesis' followers. The former claim the magic cloth was resident in Anrioch but briefly visited Edessa in the 540s.
Now on to a recap of the 'Hymn of the Pearl'
As I mentioned previously when
@bobdroege7 trotted it out, this is an odd but of hero-epic verse, where a prince leaves his parents on a mission to rescue a pearl from a serpent, gets distracted, then reminded, achieves his goal and returns.
- Pretty much straight out of Tylor and von Hahn. Or the fantasy section of any bookstore.
From the hymn it's not exactly clear if the prince is Jesus, an apostle, or (and I rather like this one) a metaphor for some kind of evangelistic mission. The story is oddly filled with references to clothing, starting with the prince's "glittering robe and purple mantle", which is taken away from him at the start of the quest. Later a letter from his parents reminds the prince of his mission.
- Trying to read this as a reference to a burial cloth is rationally impossible. Not that certain shroudies don't try....
Curiously, there re actually very few known depictions of Jesus before the middle of the fourth century. It wasn't until the eighth century that such artworks became remotely commonplace.
- These depictions were discussed at Nicea in 737CE, regarding whether they should be encouraged or not. An earlier church council, the Council of Trullo in 692CE, had decided that Jesus should always be depicted as a human rather than symbolically
- Later over-enthusiasm for the veneration of such images (to the point of breaking the second commandment) led to a period of iconoclasm.
- The attribution of the Santorini earthquake (also eruption and tsunami) to an act of divine anger didn't help. Icons were very much out of favour.
Oops, got to go. I'll leave you with a new idea; what if the Mandylion was genuine but the rest of the cloth is a fake, created in the middle ages, and carefully sewn together....?