The scene of the film was a logging area covered in slash and some seriously uneven terrain. No logging equipment seen so it was already gone or behind the camera.
I remember that well from the film.
It would be a feat of superior skill to walk through that while filming and keep it steady.
But to make it a bit worse just trying to walk fast would probably do the trick. The ape suit was just outside/on the edge of the slash area and walked on near level ground on a hillside.
Probably a good choice for somebody that can't see well for the costume.
I've been logging for 37 years. Felled over 50 trees this year, less than average. We cannot cut along streams. We have a setback. What you are seeing in the PGF is the normal wind blown, insect killed, or undercut bank falls. Not logging slash.
That's why there are no clean chain saw cuts. These are broken trees and limbs, not cut. The spring high water cleans all the sand bars off, and leaves branches and stuff in the eddys. That's why where you see that stuff collecting up there are depressions.
These are lazy guys who rode their horses on logging roads to film their fake documentary and there was a stream crossing right there. We use the easiest terrain for our crossings. I don't put my bulldozer or other logging equipment at risk.
The experiment I did was on far rougher terrain. Patterson is on a easy sand bar of a stream, not bushwhacking like I was in my experiment.
Am I really awesome - or is it that you just didn't do the experiment like before when I raised this point.
Patterson was this stud rodeo cowboy, a gymnast and performing tumbler that could walk upstairs on his hands. A boxing champion like me. But he can't hold a camera steady if he wanted to?
Was Patterson a genius level IQ to have Bob walk on clear sandy ground? Then the genius became a moron and choose the hardest ground for himself to walk on?
No sense in filming from sitting right there on his horse. Or having the horse move closer. Oh, but you want a perfectly steady hand, right? So you dismount and cause maximum chaos with the camera instead. In the name of steady shooting.