What I always wish we had but don't are early photographs taken in the area of the logjam. Dahinden climbed the hill to photograph the big open space but it doesn't include the logjam which is the area where the story and Patty begin. It seems that he only had to pan the camera slightly to his left and then the logjam area would then be in the frame. Really he should have taken several photos from his hillside vista to create a sort of panorama. Maybe he did and we don't see those.
P&G told a story about the initial encounter with Patty. That story needs to match the landscape (including the logging road that they were riding on) around that logjam. They said that they suddenly saw Patty because prior to that she was concealed behind the logjam. I want to know if that claim actually does coincide with the landscape. But without any old photos of that area we can't analyze it.
A spectacular lie about the logjam layout wouldn't surprise me because of all the other obvious lies that were told. The 3-mile Patty tracking lie is both obvious and bold.
This issue troubles the more thoughtful believers as well. There seem to have been two woody entities and one imaginary one. What we see in the first frame of the Patty footage (“the “logjam”) seems to be small, without logs or a sizable rootball, though we can’t see more than the upstream edge. NB: No one who later visited the site ever remarked on it. Richard Henry did not put it in his sketch. Nor did Titmus. Nor did Green. Or Dahinden. No one ever photographed it, though many went there with cameras: McClarin, Green, Dahinden, Haas...or even Patterson himself.
Downstream about 75-100 yards is a truly memorable monstrous rootball, some 8 feet high, which fits the “room-size” description, on the same side (Northwest)as the filmsite. This is the single most impressive feature in that stretch of creek bed. It is memorable. A Sasquatch could easily hide behind it. However, its
location is not compatible with Patty crouching behind/next to it. It is way too far from the terrain seen on the film.
Krantz, who never visited the site seems to have added to the confusion by drawing a fallen tree spanning the creek on his diagram, in the position seen on the film, with the roots on the opposite side (southeast). This is largely imaginary as far as anyone knows.
The giant rootball of the story is (like the bent stirrup) an authentic-sounding detail/explanation for how they got so close: one cannot credibly see (and be seen by) a Sasquatch 75-100 yards away and reasonably ride up to within a few dozen feet of it. It works as a story. Until someone locates the actual filmsite and you go there. It is in the the wrong place.