Coming into this narrative, I hardly knew anything about Douglas Preston. And invariably when his name popped up, it had to do with a separate case [The Monster of Florence], and an ongoing spat with Mignini.
The point was, Preston seemed irrelevant to the Knox narrative.
But in researching Douglas, and in searching [often fruitlessly] for hard to find online residues and artefacts, the other Douglas would invariably pop up. Each time he did I closed the article in frustration. And then I noticed something.
See if you notice it too.
Of all the praise, John Douglas chose only one to fly across the banner space of his own book. That’s right, Douglas Preston. Not Patricia Cornwell [who appears on the blurb at the rear], or
James Patterson [whom Stephen King described as “a terrible writer but very successful.”]
So why Preston? Going through his bio, Preston is fairly prolific. He’s produced 35 books, a bunch have around 1000 reviews, one over 2000. Not bad for a former editor at the Museum of Natural History, but what does Preston have to do with Amanda Knox? Well, a lot actually.
If you were David Marriott, Preston was arguably a silver bullet just as good as John Douglas, perhaps even better. Because of Preston’s massive readership, his ability to shift sentiment in the Knox case amongst his American faithful was enormous. The McCann’s had [and used] J.K. Rowling to the same purpose, Oscar Pistorius had John Carlin [who briefly liaised with me, or I with him however you wish to see it]. The Ramseys had Lawrence Shiller, and so did O.J. More recently, convicted criminals have gained more traction out of television documentaries, as Steven Avery did through the Making a Murderer Apologia, but that was hardly the first time television changed minds across America when it came to a criminal case. The Paradise Lost series effectively won Damien Echols huge PR points, which led to his and the remainder of the West Memphis Threes’ acquittal. If you think the effects of Making a Murderer were bad [and most apparently don’t], then Paradise Lost had at least three times the effect. It even roped in celebs like Johnny Depp, Peter Jackson and rock musicians like Pearl Jam’s Eddie Vedder.
Being part of this PR conveyer can be exceedingly good for one’s exposure in the media. One simply gets onto the train and one’s profile is raised tenfold, then a hundredfold, then a thousand…
Which is why, on the day Knox was acquitted, Douglas Preston was back to hog the “I told you so” and “I knew she was innocent” headlines. Perhaps one of the best examples of Preston’s impact on the narrative, is this scathing tabloid piece from the
Daily News in New York.
The Prosecutor of Perugia is a balding, portly Italian who has a thing for conspiracy theories involving Satanic sects.
That says it all, doesn’t it? Knox is innocent because the prosecutor is a screwed up *******, seems to be the gist of the argument. Forget the evidence against Knox, who even knows why there was a trial, the prosecutor is the real scumbag here.
Really? Was the prosecutor ever a suspect in a bloody murder, where someone in his own home had her throat cut and she drowned in her own blood?
Giuliano Mignini, the 60-year-old magistrate who oversaw the failed Amanda Knox prosecution, has put forth wild and bizarre hypotheses about the murder of [Knox’s] roommate, Meredith Kercher.
Wild and bizarre – is this really a description of Mignini or Knox?
[Mignini’s] actions, according to many observers, not only laid the groundwork for Knox’s Monday acquittal by an Italian appeals court-but were outright unprofessional and bordering on the criminal. He was even censured last year for abusing his office.
This cuts a little closer to the bone. As sneaky as the argument is, it’s a nonstarter. Mignini didn’t “lay the groundwork” for Knox’s acquittal, her scheming defense did that. The PR did that. The contrived theatrics in court did that. The crooked DNA report, fielded by questionable experts and cheerled every step of the way by a cleverly orchestrated media, and the right pundits at their beck and call from the first leak, was half of why the defense won. The other half was Judge Hellmann. I dealt with him and the two checkers in his career as a criminal court judge in
Foxy Knoxy Fights Back.
One wonders whether the hysteria against Mignini wasn’t meant to divert inquiring minds and straying curiosities from the true source of the acquittal – Gogerty and Marriott. Once again this was controlling the narrative away from any cogent analysis of the verdict. Instead there is [and very ironically] a histrionic rush to judgement that it’s all the prosecutors fault within hours of the verdict.