No.
You just don't get it, do you.
Your cock up started BEFORE you put the image into Zeke. You created the artifacts prior to your use of the filter. You actually know ****-all about what you are doing with images, and if ever there were a case for the American expression "doubling down" you are making it here most beautifully. What you are doing would embarrass a 16 year old graphic arts student. But please, do carry on calling it science. You may as well try to trash the name of science at the same time as you trash your own.
Just a gentle reminder: all photographic images are artefacts, i.e. products of human making. The Shroud image is also an artefact, surprisingly photograph-like, at least in a negative tone-reversed sense, if one accepts the radiocarbon dating (which some reject, freeing them from the need to view the Shroud as artefact). But it's not a photograph, in which case: what is it?
Then we have the additional layers of 'artefactuality' for those of us who have never seen the Shroud close-up with our own eyes, far less a hand lens, who are totally reliant on secondary photographic images.
There are constant references in the Shroud literature to the attempts by photographers to improve the contrast and general photogenic appeal of the Shroud image (hardly surprising when you consider the body image is near invisible viewed close up) so one has a third layer of artefactual input, due to choice of (early) photographic emulsion by Pia, Enrie etc, or modern-day digital processing/reprocessing.
So yes, of course the Shroud images in the public domain are 'doctored' in one way or another, and one takes that for granted if one's been working for years, as I have, on Shroud imagery, not feeling a constant need to state the obvious.
But there's an important thing to bear in mind. If the Shroud image we are given has been doctored by digital means, e.g. altering its pixel composition in RGB terms, then those changes are potentially reversible, using photoediting software, professional or even freebies. That's what I did some years ago - discover that the washed-out looking Shroud Scope image, essentially a pinkish monochrome with virtually no discrimination between blood and body image, had clearly been subject to contrast-reduction, judged by its RGB mix. Adding back contrast in MS Office photoediting software (NOT free!) immediately restored a differentiation between blood and body image, one that made intuitive sense (body image tan, blood image totally different, a little more blood-like).
I say it's time you dropped the attempts to portray this wary hands-on investigator as a fumbling amateur. Or at any rate, acknowledge that we're all amateurs where the Shroud is concerned, groping for solutions, unable to study the real artefact with our own eyes, reliant on photoediting software to bring up detail, especially that which may have been removed, unwittingly or otherwise, by others.
Time maybe to reboot this thread?