Speaking of Frank Sfarzo/journalists who got it right in real time, he relates the following article by an Italian magistrate which concludes that we may be "
consola un poco" that "our courts of last instance have been able to get rid of the loud noise created around the death of Meredith Kercher and have looked at the reality for what it was", but that this nonetheless occurred only after "a real investigative and evaluative disaster".
http://www.filodiritto.com/articoli...zioni-sullassassinio-di-meredith-kercher.html
One must remember that Sfarzo started out rubbing shoulders with all the early tabloid writers. Even though Sfarzo got his stuff into Oggi periodically, his real contribution was being an English-language blogger. The English language world was otherwise at the mercy of the tabloids or Vogt or Nadeau.
As Simone (the Nadeau character) in Winterbottom's film tells Thomas, "We'd all have to read Edoardo's blog every morning just to keep up." Edoardo was the Frank-character, in composite with others. They even got the trade-mark Frank-snark correct when Simone introduces Thomas to him, with Edoardo looking straight at Simone, but saying to Thomas, "Be careful of this one; she's nice enough when you meet her, but when she writes she's a real bitch."
Sfarzo's early entries in Perugia Shock had his trademark snark aimed directly at Amanda and Raffaele, as like the rest he was being fed police leaks. But unlike Nick Pisa's own admission in the Netflix documentary ("If you fact-checked, you'd lose the story and someone else would get the headline") Sfarzo started asking questions.
From what I remember when accessing Perguia Shock through the WayBack service, was that it didn't add up for him that the police admitted not even trying to search the forested area below the cottage for a knife. He blogged that he'd been told, "Why search, we already have the knife from the boy's apartment."
Then at the 2009 trial, the two-knife theory had been floated by the prosecution, to explain why the large kitchen knife could not have made all the wounds, and did not match the blood outline of a knife on the sheet. It began to occur to Sfarzo that the police/prosecutor were busy manufacturing a case, rather than be led by the (lack of) evidence.
For the second trial, Mignini (IMO) went to war against Sfarzo, and managed the almost unprecedented feat of getting Google (I believe it was Google) to have Perugia Shock pulled. The Committee For the Protection of Journalists protested that act!, to no avail.
But in the beginning it was as nearly ALL the early writers said - incl. Sfarzo - there'd be a leak from the police, and they'd all go to the wine-bar at night to argue their theories or brag about who'd had a paycheque from a headline back in Britain or America. To all appearances their friendships are still fairly intact - Andrea Vogt has circled back from actively feeding the guilt websites, to now criticisizing them for extending the Kercher's pain, by not accepting the March 2015 exonerations.
Someone should do a documentary on the journalists - Winterbottom's film was partly that, but it was such a miserable failure at the box office.
This documentary, though, is a gamechanger. It was heartening seeing Mrs. Kercher basically say that the Italians botched things, and one can only imagine the heaviness in her heart when she says that.