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Continuation - The PG Film - Bob Heironimus and Patty

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There is some evidence that his stompers match one of the 1958 tracks on the under-construction Bluff Creek Road—a crack in both. But Meldrum makes a good case against most of the 1958 track-hoax claims; see his Sasquatch—Legend Meets Science, pages 60–68. Those pages also discuss and dismiss most (but not all) other footprint-hoax claims, like the 1967 Blue Creek Mountain finds. John Green is quoted on page 68:

A lot of those prints match Wallace's stompers, and Meldrum is the absolute worst person to even ask for an opinion on it. Legend Meets Science is possibly one of the worst books I've ever read, and that includes David Icke! I remember the mid-tarsal nonsense, does anyone still champion that?

The last good case that Don Jeff Mormon made was when he admitted to being taken for a ride by the Russians in that pretend Yeti expedition they dragged him on, which was probably a front for doping of some kind now that I think about it... :eye-poppi
 
Heironimus on being compensated by Gimlin...
Gimlin’s forcing $100 on Heironimus isn’t necessarily an implicit acknowledgement of his role in the PGF. It could have been payment for his role in the documentary, or for some other work he did, or for money he loaned Patterson to make the trip to California.

My theory is that he was promised money for doing a pre-PGF Bigfoot-walk somewhere around Yakima, in his own gorilla suit. It would have gone into Patterson’s documentary, and was likely filmed shortly thereafter. May was when Patterson rented the camera—but he didn’t need it for the documentary, which was filmed by Fred Smith of KIMA, who presumably had his own camera. It would be nuts for Patterson’s documentary not to include a Bigfoot in it, so Patterson, knowing Heironimus already had a suit (used in roadside hoaxings) might well have asked him to participate. He rehearsed it at Patterson’s place in Tampico.

Nor was it an attempt to buy his silence. If he’d wanted to do that, he should have given him the $1000 he wanted. If he couldn’t afford to do so all at once, he could have given him $25 a month, or $300 a year.
 
That's the same hoaxer who was collaborating with the managing editor of the Times-Standard Laurence "Scoop" Beal as admitted by his wife after he passed away.

This is turned on its head in 'footer logic.

Admitting to a hoax means you can't be trusted, you dirty rotten liar, so even as you are holding up the stompers matching the famous prints we are going to disbelieve whatever you say. Bigfoot is real.

But the parallel with developments in Canada are striking. You need an editor/writer in the community in cahoots with the hoaxer in order to promote the story. The communities are trying to get on the tourism/visitor map with Sasquatch in Canada and Bigfoot in the USA.

So Harrison Hot Springs has John Green and it's Laurence Beal at the Times-Standard.

Dancing around the subject here with all this smoke blowing - to say Bob Heironimus is not in the suit is to say he is a big liar.

His lies make no sense. He was paid a thousand dollars for wearing the Hollywood rental suit basically in his own back yard? That's $7,216.71 in 2016 dollars.

It makes no sense for Patterson to pay him seven grand for posing in a gorilla costume, no hoax, just filling a role in a documentary. Did he pay anyone else seven grand? lol. I can't follow whatever logic is being insinuated. Did Bob Heironimus just do a different hoax nobody knows about? No problem with Bob H. wearing a suit and hoaxing, it just can't be the PGF?

So Heironimus posed in the suit in his back yard, with witnesses to contradict him. Then he lies about it, also knowing someone else wore the modified gorilla costume in the PGF - that person can contradict him too. He starts telling this lie at a remarkably coincidental time - right when the PGF is filmed.

Boy, when the real actor in the suit finds out about the $7K going to Bob for just being in a regular non-hoax gorilla suit - he is going to be really pissed off.

You have to go so far out of your way to call Heironimus a liar when there isn't even another reasonable candidate for the suit.
 
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Decades go by and not one self-professed "bigfoot researcher" sets foot in Yakima to meet the principles of the PGF hoax and ask around if people know about it.
First, what good would it have done for them to meet Bob Heironimus. He didn’t want his story spread around—that’s what he told Hammermeister and Bohannon. And he said in an interview that he promised Patterson especially not to tell “the media,” which presumably an interviewer who might file an article with a Bigfoot newsletter would be. Bob Heironimus was only likely to share his tale with friendly questioners, like Jim Gosney.

Second, what good would it have done to “ask around if people know about it.” That’s just hearsay. As for the asking the supposed suit witnesses at the Idle Hour about it, they’d likely have said they saw the suit on a date before (Merle Warehime) or after October 1967, as did the two I got to before they learned that the truth wasn’t helpful to Bob: Bernard Hammermeister and Gary Record.

Less than 10% of Bigfoot researchers in the nation live within easy enough driving distance of Yakima to able to make regular weekend trips there, unlike Greg Long, who lives in a Seattle suburb. In addition, Long was familiar with Yakima, and may have had friends there with whom he could dine or sleep overnight, owing to his lengthy UFO research there in the 1980s. His book on his findings, Examining the Earthlight Theory: The Yakima UFO Microcosm, was published in 1990 by the J. Allen Hynek Center for UFO Studies.

Greg Long nevertheless complains about the inaction of Bigfoot researchers on page 14 of his book. But what he complains of is not that they didn’t locate a hoax, but that they didn’t investigate Patterson’s character and background. He suggests that they were willfully blind.

But they were aware of Patterson’s flaws in general. Dahinden, Green, and Perez made cautionary statements about him, calling him shady (Perez), a used-car salesman type, irresponsible, etc. They were aware of his mistreatment of Gimlin, at a minimum. Others too: Byrne discovered P&G had had both had brushes with the law. Although he didn’t print anything to that effect, he may have passed on the word privately to others. (He wrote a letter to an employee of the American Museum of Natural History about it, though.) Most of those I mentioned visited Yakima at some point, as did others.

Long realizes this and complained elsewhere, in interviews, that they should have been more outspoken. But there were two good or goodish reasons why leading Bigfoot researchers didn’t make a big stink about what they knew:

1. They thought the film was the main thing and that it couldn’t have been hoaxed, based on studies by Krantz, Dahinden, Bayanov et al., Glickman, etc., and the opinions of various Hollywood experts. Therefore, the character of the filmer was inconsequential.

Long’s opinions to the contrary are mostly bluster (TMoB, pp. 377–78 & 430–32), such as that he could easily match the Bigfoot walk (let’s see a video!) and that “When it comes to the truthfulness of a fantastic story . . the character of the witness . . . are [sic] absolutely paramount.” That’s a non sequitur as applied to the PGF, because Patterson doesn’t have just a story, as Long suggests, he has evidence, which puts his character in the background. Long’s response? In an interview he said that “the film isn’t evidence.” (Take that, Zapruder!)

2. They wanted continued cooperation from and access to Mrs. Patterson and Gimlin. This was helpful in obtaining information that came out over the years, and photo permissions for books and articles.

As for asking around and “meeting the principals of the PGF hoax,” Bigfoot researchers probably presumed that the hoax claimant was a phony. (Chris Murphy mentions three hoax claims that got some publicity and fizzled, associated with: John Chambers, Harry Kemball, and Clyde Reinke. See his Know the Sasquatch/Bigfoot, pp. 100–01.) They were aware of members of the public claiming to be involved in famous events without any evidence. There was a famous case of a person who briefly fooled the media into publicizing his claim, with lots of ingenious supporting detail, that he was the mime inside King Kong in the original movie, although the creature in that movie was a 14-inch-high flexible doll. For all we know, his character was impeccable, as was the character of the person who misled the author of a recent best-seller on Hiroshima with his tale of being deeply involved in the event (which he wasn’t, it turned out) and having lots of new information, which he didn’t.) So they didn’t bother checking out rumors about Bigfoot Bob.

Well, that’s not exactly true, In the aftermath of lawyer Barry Woodard’s 1998 announcement, René Dahinden arrived in Yakima in 1999, checked around, and advised not bothering to counter his claims. I presume that was because he thought they we're flimsy.
Once a real journalist, a real investigator goes to Yakima, he gets the whole story, Bob Heironimus in the suit, everyone at his work and around town know it's him.
Long was never a journalist in the sense of working for a media organization. He was an author who wrote the UFO book I mentioned and occasionally wrote articles. He was employed as a technical writer for a technology firm.

He assuredly didn’t get “the whole story” about Heironimus and his claims. Those claims often weren’t checked rigorously, or even casually in many cases, for error, self-contradiction, or plausibility. (For instance, Heironimus’s last-minute claim that he permanently glued an artificial eye into the Bigfoot mask was eagerly swallowed (TMoB, pp. 402–04) without realizing that if it had been there, the Opal’s-place suit-witnesses and head-wearers would have mentioned it.)
DeAtley's business was in trouble. He is right that half a million sounds like a lot. But you are committing huge amounts of capital, binding yourself to labor and suppliers, Murphy's law prevails and you can lose money instead of making it. So to DeAtley, investing six hundred bucks into a gorilla suit for Patterson is chump change.
To DeAtley, mooching from his fridge gets a relative kicked out of the house (TMoB, p. 246). He distrusted Patterson (he fired him from a job with his company (TMoB, p. 243)) and his schemes. He was a hardass tightwad. He didn’t view $600 of his money (about $4500 in today's money, by your calculation in another comment) as something to hand over to a feckless relative he disliked.
He has a million dollars of business credit line.
Citation needed. (To put it mildly—Dun & Bradstreet probably knew of the weak financial condition of his company, so his credit line was likely small and was dependent on signed contracts for construction deals. It was likely doled out in stages, too.)

And whatever loans Superior Asphalt got was the company’s money. It would have been illegal for DeAtley to use the company’s money for Patterson’s venture. His firm was likely audited; it definitely employed a chief accountant. DeAtley wasn’t in the position of Scrooge McDuck gamboling among a pile of gold coins. Personally things were tight for him, he claimed. It seems reasonable to believe him, if his company was in trouble.
He has been watching Roger, his brother-in-law, film a rented gorilla suit out of Hollywood.
You have no evidence for saying DeAtley was watching Patterson’s film of a rented suit—it’s just willful supposition. It’s willful because, as far as you know, that occurred in 1961, according to the timeline seemingly implicit in Harvey Anderson’s story (TMoB, pp. 389–92). If so, there was no recency to it, as suggested by your wording.

Also, if DeAtley was watching the first filming for flaws, it’s odd that he apparently didn’t want Heironimus’s practice walks filmed for his review, as I pointed out above.
But it looks too much like a gorilla suit. They can't modify a rental. So they have to buy one from Phillip Morris.
The first sentence is mere supposition again. As for the rest, why couldn’t they have bought the suit from the rental place in LA? Most rental places will sell their costumes if asked—and often at a discount, because they’re used.
After this story breaks and effectively ends doubt about the hoax, suddenly bigfooters are out there to make sure that Bob Heironimus is exactly 7.3 blocks from Bob Gimlin and not 1 block, or whatever it is. To flood the very simple narrative with all manner of inane red herring.
That sounds like a snarky attack on my correct (accepted by Kit) correction, above, of Kit’s claim that the two lived nearby each other since 1967, instead of about ten miles apart. “7.3 blocks” is a strawman. “To flood the narrative” is another snarky strawman. I haven’t commented on Bigfoot online for five years.
Of course, one isn't saying that somehow any of this contradicts the simple story of Bob Heironimus being the guy in the suit. Is the great weight of the non-evidence the same as bigfoot sightings, where the greater the amount of non-evidence, the more likely bigfoot is to exist? If we can nitpick enough on Greg Long, then Bob Heironimus must not be in the suit? Just clouds of billowing smoke.
Most criticisms of Heironimus’s tale have not been primarily of Greg Long, and where they have been, they haven’t been just of his nits—although he has made too many of those (minor errors). If you are referring to my criticism of Long for apparently not asking Opal relevant questions, that’s very relevant to the overall reliability of his book. I.e., he might have avoided asking similar probing questions of others, or of printing their answers, if inconvenient. The credibility of Heironimus’s story is to some (large, IMO) extent dependent on the reliability of Long’s book. Or do you disagree and think that the first-glance appeal of Bob’s “simple story ” forecloses criticism of its supporting witnesses?

You mistakenly wrote in an earlier comment, “Long might have had the wrong address for Bob Gimlin in 1967.” As I made clear, that was Kit’s mistake, and there was no “might” about it—I cited Polk’s city directories. (It’s an important correction rather than a nit, and the map I posted is important, because I claimed that it would have been more convenient for Patterson, not to mention safer, for Heironimus to have dropped the suit off there than to leave it in the trunk of his mom’s car. This makes Heironimus’s story implausible on this count. Kit disputed my claim back in the day, and probably will do so again, so this is relevant to my main purpose here—to thrash things out with him.)

My own criticisms have been substantial, not just picky. Here’s one I wrote in 2008, “Herroneous vs. Herroneous,” that contains 43 criticisms, half of them important: goo.gl/aqc6SW (You can access it by merely putting that “goo” item in your browser’s URL line and hitting Return.)

But please let’s not get involved in what I wrote there, at least not on this thread. I’m busy with other writing on this subject, and on other subjects, and also I don’t want to get burned out again.. What I’m here to do is to correct some of Kitakaze’s claims, especially the ones he’s made about me. I’ve responded to everything he’s posted so far, except his Gary Record claim, for which I’m awaiting his response to my request for the names of Heironimus’s six Idle Hour suit-witnesses.
DeAtley of course never admits directly to fraud. So he has to say he was not a part of planning the hoax, funding the suit beforehand and planning the whole announcement, marketing, and so forth.
Correct—If he was a before-the-fact hoaxer, he’d surely deny it. But that’s a big if.
But he certainly funded the suit, the film development, etc.
Funding the suit is not “certainly” something he did, and it’s very different from funding the film development, etc., which is an after-the-event item.
Roger could not even afford gas money.
That’s why he let Gimlin pay for the gas, and let the Radfords supply the $700 for other expenses. If DeAtley had been funding him in a major way, he wouldn’t have needed their money, or the bad publicity from not paying them back, or the bad publicity from not returning the camera. (His arrest or the warrant for it was in the local paper.)
 
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1. They thought the film was the main thing and that it couldn’t have been hoaxed, based on studies by Krantz, Dahinden, Bayanov et al., Glickman, etc., and the opinions of various Hollywood experts. Therefore, the character of the filmer was inconsequential.

Well, if we're being honest, the reason is because they were all Bigfoot believers and the PGF was the holy grail.

Many FX people had already chimed in and called the PGF for what it was, a bit of a joke.

Let's not pretend like any of these believers were swayed by the comments of a few FX people.
 
Long’s response? In an interview he said that “the film isn’t evidence.” (Take that, Zapruder!)

Well, there's a big difference between JFK getting shot and killed and there being footage, compared to a two-bit Bigfoot-prankster claiming he's filmed a creature that only seems to reside in the world of fiction and has never been found anywhere on earth before or after said filming.

Neither are honestly comparable.

Dead President...

Bigfoot-hoaxer desperate for a few quid...

Body on a slab...

Body nowhere to be found...
 
Dancing around the subject here with all this smoke blowing - to say Bob Heironimus is not in the suit is to say he is a big liar.
If it’ll make you happy, in item 23 of my “Herroneous vs. Herroneous” article that I cited above, I wrote:
“This failure [of Heironimus’s] to correct an interrogator’s misperception is deliberately misleading, and therefore counts as lying.”
But that’s about the only time I used the L-word, and only in its weaker sense. Calling someone “a liar” (its strong sense) implies they’re bad through and through, rather than just playing a prank, or telling a white lie for a greater good, as Heironimus probably rationalizes what he’s doing to himself. A person can be guilty of lying without being a congenital liar.

And maybe Heironimus has some noble purpose in mind for the money he wanted for his story, like paying medical or nursing home bills for a member of the family, or making a big donation to ISF. In that case it wouldn’t be fair to insult him with the L-word. Calling him a hoaxer is enough to get the point across.

Daniel Perez visited him (unannounced) a few years back and discovered that Heironimus was incensed because he’d heard that someone online called him a liar. Elsewhere, in an interview, he’s said that if someone called him a liar he’d punch him in the nose. In other words, using that phrase is using “fighting words.” One is deliberately trying to goad someone. That’s not necessary. It’s rarely used in civilized debates. Some sites ban use of the L-word in either its weak or strong forms—BFF does, for instance. That’s a good rule. I follow it 95% of the time.
His lies make no sense. He was paid a thousand dollars for wearing the Hollywood rental suit basically in his own back yard? That's $7,216.71 in 2016 dollars.

It makes no sense for Patterson to pay him seven grand for posing in a gorilla costume, no hoax, just filling a role in a documentary. Did he pay anyone else seven grand? lol. I can't follow whatever logic is being insinuated. Did Bob Heironimus just do a different hoax nobody knows about? No problem with Bob H. wearing a suit and hoaxing, it just can't be the PGF?
1. “He was paid a thousand dollars for wearing the Hollywood rental suit . . .?” No, he was paid—mostly—for his silence. I read online somewhere that Heironimus acknowledged that.

2. We can’t be sure that Heironimus’s claim for $1000—assuming it’s valid—is based on acting in the PGF. It could have been for other things, such as for acting in the documentary, loaning Chico, or even lending money. In one of his interviews Heironimus said he wanted his “money back,” which implies that he’d loaned Patterson some money. Heironimus presumably was paid well at Boise-Cascade and had few expenses as a bachelor living at his mom’s home. He might have had enough to lend the importunate Patterson a few hundred for the return of his money plus a share of the film’s profits. (In one of his interviews, Patterson implied that there’d be more than $1000 coming if the film were a real moneymaker.)

3. “basically in his back yard” is a strawman (distorted) version of my “somewhere around Yakima.” The pre-PGF film had to be shot in a private location. That could mean a dozen or dozens of miles away. It might have required loading horses (if they were needed to get to the spot) and traveling to somewhere wild with them, if Patterson had a really private setting in mind.
So Heironimus posed in the suit in his back yard, with witnesses to contradict him. Then he lies about it, also knowing someone else wore the modified gorilla costume in the PGF - that person can contradict him too.

Boy, when the real actor in the suit finds out about the $7K going to Bob for just being in a regular non-hoax gorilla suit - he is going to be really pissed off.
1. Since he didn’t pose in his back yard, there were no witnesses to contradict him.

2. There was no risk of contradiction by the real guy in the suit, because he was being paid for his silence—i.e., for not taking credit—and wouldn’t have said boo to Heironimus.
He starts telling this lie at a remarkably coincidental time - right when the PGF is filmed.
So he says. I don’t believe in the validity of either suit-witness event having occurred on October 20 or 21, 1967, or of the witnesses having observed a suit at all resembling the one Heironimus described in Long’s book. I don’t want to go into detail until I’ve heard from Kit on the names of the Idle Hour suit-witnesses.
You have to go so far out of your way to call Heironimus a liar when there isn't even another reasonable candidate for the suit.
That’s only a problem for a disbeliever in the authenticity of the PGF, not me. And it’s not really a problem for them either. A skeptic has no obligation to provide an alternative explanation for one he’s debunked.
 
Well, if we're being honest, the reason is because . . .
Don’t imply that I’m being dishonest. That’s a sure way to get a discussion to the shouting stage. Use a more circumspect phrase, like, “Well, another way of looking at it is that . . .” If you have to eat your words (see below), it’s easier if they’re soft and gentle. Don’t be harsh unless you’re absolutely sure you’re right.
. . . they were all Bigfoot believers and the PGF was the holy grail.
That conclusion only holds if your next paragraph is true, which it isn’t.
Many FX people had already chimed in and called the PGF for what it was, a bit of a joke.
Debunking FX people had not “already chimed in.” The first one known to me occurred eight years after the supportive experts had spoken, and what he said was fairly mild.

The Wikipedia entry for the Patterson-Gimlin film states that the first Hollywood costume and technical experts to comment on the PGF did so in positive terms. They were Dale Sheets and Universal Studios (in 1967, although that is not stated) and Disney executive Ken Peterson in 1968.

These opinions were quoted in the early Bigfoot books from 1975 on. There’s no good reason to believe the authors weren’t sincere, and that their readers were credulous believers who lapped it up despite expert opinion to the contrary. It’s likely that most readers were merely curious and mostly neutral at that point, and that they were sincerely influenced by those experts’ opinions. I was.

Wikipedia cites these debunkers, who opined later: The Guenettes, in their 1975 book, The Mysterious Monsters, quoted Ellis Burman as saying that he could duplicate the Patty suit for $10,000. Rick Baker told Geraldo Rivera's "Now It Can Be Told" show (in 1992) that "it looked like cheap, fake fur.” Debunker Chris Walas wasn’t heard from until after the turn of the century.
Let's not pretend like any of these believers were swayed by the comments of a few FX people.
It wasn’t just “a few FX people”; it was top executives of two big film companies, in one case speaking on behalf of his whole technical team.
“Pretend.” Gee, ignorant and arrogant too—what a surprising combination (Not).
==============

Well, there's a big difference between JFK getting shot and killed and there being footage, compared to a two-bit Bigfoot-prankster claiming he's filmed a creature that only seems to reside in the world of fiction and has never been found anywhere on earth before or after said filming.
Nevertheless, the PGF is evidence of a sort, and Long’s attempt to say it’s isn’t and rule it out of court is preposterous.

In one way the PGF is better evidence, because its original (all Kodachrome II originals can be identified as such, distinct from copies ) was examined in various photo labs when Patterson was copying it and found not to have been spliced (or shortened, I presume). That eliminates the possibility of certain sorts of darkroom monkey business. OTOH, there is some suspicion that the Zapruder film was altered by having frames removed when it was in the possession of Life magazine.
Neither are honestly comparable.
There’s that word again. It implicitly denigrates and enrages your opponent by implying he’s not acting in good faith. You can’t be sure of that right off the bat. Strongly implying publicly that he’s dishonest because he disagrees with you is bad form, unless he’s said something really outrageous—ideally more than once.

The two films are comparable in certain ways. For instance, photogrammetry can be used to get a handle, to some degree, on what’s where in relation to what, and to estimate the speed of moving objects in the film. (Unfortunately, the lens used in the PGF has not been nailed down, nor have the exact locations of filmer and subject. The Zapruder film is superior in these respects.)

The PGF is nevertheless evidence that, at a minimum, can be used as a standard that re-creations must match—not perfectly, of course, but well enough. In that role it is very valuable. For instance, Philip Morris didn’t dare to let the video of his Cow Camp recreation with Bob Heironimus be shown on a National Geographic special because it fell ludicrously short of the bar set by the PGF. Without the PGF—with only Patterson’s word about what he saw—Morris would have been able to fool many in a TV audience into accepting his dud.
 
Don’t imply that I’m being dishonest. That’s a sure way to get a discussion to the shouting stage. Use a more circumspect phrase, like, “Well, another way of looking at it is that . . .” If you have to eat your words (see below), it’s easier if they’re soft and gentle. Don’t be harsh unless you’re absolutely sure you’re right.

I'm quite clearly implying that if we think about it honestly, none of those people were swayed by the suggestion of a few FX people, considering how many have come out of the woodwork to call the PGF for what it is. That's why I used the word we, rather than you, Roger, I thought you'd take that and run with it, but you seem to be taking everything personally around here.

It's true enough, that those names you mentioned were already in the Bigfoot-camp, regardless of any supposed studies, or comments from FX people. That is my point, and it's a hard one to swot away.
 
That conclusion only holds if your next paragraph is true, which it isn’t.

Debunking FX people had not “already chimed in.” The first one known to me occurred eight years after the supportive experts had spoken, and what he said was fairly mild.

The Wikipedia entry for the Patterson-Gimlin film states that the first Hollywood costume and technical experts to comment on the PGF did so in positive terms. They were Dale Sheets and Universal Studios (in 1967, although that is not stated) and Disney executive Ken Peterson in 1968.

I find the whole Disney story to be quite laughable, tbh. I highly doubt that any serious FX people were sought out, other than the cartoonists from Disney, mainly because some praise from any artist is better than none from the right places.

My point was more to do with the fact that you said these believers were swayed by the positive thoughts from FX people, hence my comment that they'd be swayed regardless, because they were already believers, hence why they've not changed their minds on it since despite us having the more rational and technical thoughts from a wider range of FX people on the subject since then.
 
It wasn’t just “a few FX people”; it was top executives of two big film companies, in one case speaking on behalf of his whole technical team.
“Pretend.” Gee, ignorant and arrogant too—what a surprising combination (Not).

Two people who didn't really have much of a clue about monster-suits, then? Okay. So yeah, "pretend" is rather apt, Roger. Compare that to the many people who actually did have a clue, and claimed it was exactly what we know it was: a suit. None of these Bigfoot-advocates were swayed by them, I guess because all of the technical expertise they got from some Disney artists was sufficient enough, lol.
 
Nevertheless, the PGF is evidence of a sort, and Long’s attempt to say it’s isn’t and rule it out of court is preposterous.

In one way the PGF is better evidence, because its original (all Kodachrome II originals can be identified as such, distinct from copies ) was examined in various photo labs when Patterson was copying it and found not to have been spliced (or shortened, I presume). That eliminates the possibility of certain sorts of darkroom monkey business. OTOH, there is some suspicion that the Zapruder film was altered by having frames removed when it was in the possession of Life magazine.

You attempted to compare the Zapruder film to that of the PGF, and to use one of your lines, that is disingenuous.

On the one hand, you have an event witnessed by many many many many people, in public. You have the dead guy, the body, and everything in between.

Compare that to the PGF, in which a known prankster who is out to make a Bigfoot movie and already has a bunch of suits, films the unimaginable, and then we have nothing else even remotely usable as evidence for such a creature ever again.

How are they comparable, Roger?

How on earth is the PGF "better evidence?" We don't even have the original copy, odd that, ain't it? It's almost like someone didn't want the original to be seen...
 
There’s that word again. It implicitly denigrates and enrages your opponent by implying he’s not acting in good faith. You can’t be sure of that right off the bat. Strongly implying publicly that he’s dishonest because he disagrees with you is bad form, unless he’s said something really outrageous—ideally more than once.

The two films are comparable in certain ways. For instance, photogrammetry can be used to get a handle, to some degree, on what’s where in relation to what, and to estimate the speed of moving objects in the film. (Unfortunately, the lens used in the PGF has not been nailed down, nor have the exact locations of filmer and subject. The Zapruder film is superior in these respects.)

The PGF is nevertheless evidence that, at a minimum, can be used as a standard that re-creations must match—not perfectly, of course, but well enough. In that role it is very valuable. For instance, Philip Morris didn’t dare to let the video of his Cow Camp recreation with Bob Heironimus be shown on a National Geographic special because it fell ludicrously short of the bar set by the PGF. Without the PGF—with only Patterson’s word about what he saw—Morris would have been able to fool many in a TV audience into accepting his dud.

Yes, there's that word again, and Roger wasn't an honest man. The fact that you think I'm being hoodwinked into thinking Roger was a villain is what I personally find to be nothing less than silly. Roger's history is well-known.

Neither film is comparable in the manner that you attempted to compare them, as I've already said, one was a much publicized event, witnessed by many, and the body was on a slab. The other was a silly film of a fictional creature, filmed by a known hoaxer, and never ever seen again, not to mention the countless errors in the stories of the supposed witnesses. To even bother comparing the PGF with the Zapruder is laughable at best.

On the subject of Morris, Bob. H and Long, I'm not very high on any of it, and I frankly don't automatically believe that Bob. H was Patty, nor do I think Morris made the suit in question, although I believe he could've given Roger another suit. I've posted my thoughts about this on the "PGF part 5" thread. I don't look at the Making of Bigfoot as some sort of bible.

What I know to be true is this: the PGF is a hoax, clearly, I mean, let's stop lowering ourselves for a moment, it's a joke.

Someone was in the suit, it's just that Bob has been the better candidate, but that's not to say it was definitely him.

Roger was already known for pulling Bigfoot pranks, he'd already ripped off other peoples material and used it for his own money-making attempts at writing, he'd been all but obsessed with the idea of making Bigfoot and making money.

Above all else, neither Roger nor Gimlin could even hold their story straight for one day, seemingly. That's likely why Roger gave poor Gimlin the boot and found another rummy to don the Indian wig that Gimlin is now famous for.

So, all in all, comparing the very real footage of a very real death with a very real corpse to the very ludicrous footage of a known hoaxer filming a creature of legend that was never seen again and oddly matched the drawing he'd put into his book, (ripping off Roe in the process) is about as disingenuous as one can get.
 
So, all in all, comparing the very real footage of a very real death with a very real corpse to the very ludicrous footage of a known hoaxer filming a creature of legend that was never seen again and oddly matched the drawing he'd put into his book, (ripping off Roe in the process) is about as disingenuous as one can get.
A legendary creature that has no substantiation in the fossil record nor the natural history of North America. It is a figment.
 
Roger draws a female Bigfoot for his book , in fact, he clearly rips off the drawing from another guy who oddly has an encounter very similar to that which Roger filmed.

Roger, a known huckster and hoaxer, and a guy who is making a fictional Bigfoot movie, then films a female Bigfoot matching the one in his book, and also matching the one spoken about in the Roe encounter.

This "creature" (complete with obvious diaper) is oddly never searched for again and never seen again, in fact, no creature of this description is ever seen again, nor filmed, nor found.

Roger and Gimlin can't keep their stories straight, and it becomes apparent that Roger is all about milking this film for whatever money he can get, which was quite obviously the point all along for this man with cancer and a wife to look after.

And yet this is comparable to the Zapruder film?

Can I have a toke of that joint? Maybe I'll see a Tulpa.
 
I'm quite clearly implying that if we think about it honestly, none of those people were swayed by the suggestion of a few FX people, considering how many have come out of the woodwork to call the PGF for what it is.
1. I just told you that I was swayed.

2. I just told you that “It wasn’t just ‘a few FX people’; it was top executives of two big film companies, in one case speaking on behalf of his whole technical team.”

3. I just told you that “Debunking FX people had not “already chimed in.” The first one known to me occurred eight years after the supportive experts had spoken, and what he said was fairly mild.”
That's why I used the word we, rather than you, Roger, I thought you'd take that and run with it, but you seem to be taking everything personally around here.
I took it your “we” to mean “you and I,” not something more nebulous. That implies I was being dishonest.
It's true enough, that those names you mentioned were already in the Bigfoot-camp, regardless of any supposed studies, or comments from FX people. That is my point, and it's a hard one to swot away.
Sure, the authors were in the Bigfoot camp, but, as I said, the readers weren’t, or weren’t as strongly; I wrote: “It’s likely that most readers were merely curious and mostly neutral at that point, and that they were sincerely influenced by those experts’ opinions.” The books by Byrne and Green sold hundreds of thousands of copies in the mid-seventies and thereafter. Back then the readers were mostly blank slates—they had hardly read anything on the topic. It stands to reason that they weren’t dyed-in-the-wool believers at the time that they read those books, as you charge.

Even if most readers were inclined to believe in the possibility of Bigfoot, as I was, those initial positive evaluations moved them toward stronger belief.

Byrne, Green, and Patterson are to be commended for seeking expert opinion that could have contradicted their own.
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I find the whole Disney story to be quite laughable, tbh. I highly doubt that any serious FX people were sought out, . . .
I assume that the Bigfoot authors wrote to the film companies and asked to make a presentation of the film to their technical people for evaluation. If so, that means serious FX people were implicitly sought. It may be, indeed it’s likely, that other film companies were also asked to evaluate the film, but declined. There’s no reason you can cite to suspect that Byrne et al. sought a biased or lower quality sample of experts.
other than the cartoonists from Disney, mainly because some praise from any artist is better than none from the right places.
More agnorance. Disney was approached because of its expertise in animatronics (machines that mimic humans or animals, like the talking Lincoln at one of Disney’s parks). Disney was asked if it could build something animatronic to mimic Patty.
My point was more to do with the fact that you said these believers were swayed by the positive thoughts from FX people, hence my comment that they'd be swayed regardless, because they were already believers, hence why they've not changed their minds on it since despite us having the more rational and technical thoughts from a wider range of FX people on the subject since then.
There was one set of people who were impressed by the positive FX appraisals in the seventies. There’s another set who still believe in the PGF 30+ years later despite the mostly negative appraisals of subsequent FX designers since. They are not necessarily all in the same set of people, so you can’t (logically) retroactively attribute the “believerhood” of the second set to the first. Many in the first set may have been moved toward or into skepticism as a result of what subsequent skeptical FX people said. You don’t and can’t know what happened, as ought to be obvious to you, but you carry on as though you do, in order to smear the good faith of the other side.
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Originally Posted by Roger Knights
It wasn’t just “a few FX people”; it was top executives of two big film companies, in one case speaking on behalf of his whole technical team.
“Pretend.” Gee, ignorant and arrogant too—what a surprising combination (Not).
Two people who didn't really have much of a clue about monster-suits, then? Okay. So yeah, "pretend" is rather apt, Roger.
I just told you that “It wasn’t just ‘a few FX people’; it was top executives of two big film companies, in one case [Dale Sheets at Universal] speaking on behalf of his whole technical team.” In the other case, Disney, Green interviewed executive Ken Peterson, who (quoting Wikipedia) “asserted ‘that their technicians would not be able to duplicate the film.’ I think it’s safe to assume that he knew what he was talking about.
Compare that to the many people who actually did have a clue, and claimed it was exactly what we know it was: a suit. None of these Bigfoot-advocates were swayed by them, . . .
You don’t know that “none” were swayed, so you shouldn’t say that as though it were a fact. It’s an exaggeration for rhetorical effect.
. . . I guess because all of the technical expertise they got from some Disney artists was sufficient enough, lol.
No, because they, including myself, were put off by the apparent uninformed arrogance of those subsequent FX debunkers. They hadn’t apparently, studied the film in any detail. And their collective failure to put their money where their mouth was and produce anything matching a Patty suit soured me and other Bigfooters on them. Few even attempted it, that we know of. All their suits have that phony shag-rug look, not the more sparse and body-revealing look of Patty.

And not all later FX experts were negative. Wikipedia says,
“Janos Prohaska (noted for his work in the late-1960s television programs “Star Trek” and “Lost in Space”) concluded the film's subject looked real to him. When asked if he thought the film was faked, Prohaska replied, "I don't think so . . . to me it looks very, very real." If the film was hoaxed, Prohaska thought, it was remarkably realistic and sophisticated, . . .”

“’Barry Keith’ (pen name), ‘an experienced make-up and costume artist,’ accused ‘the Hollywood costume industry’ of making "bravado claims of how easy such an event would be to fake." He said that their "cheats and shortcuts" are not detectable in ‘Patty.’”
[Footnote: “Relict Hominoid Inquiry,” 1:93–114 (2012), ISSN 2165–770X, a university-hosted online magazine edited by Jeff Meldrum.”]
Keith’s 20-page article, half of it illustrations, can be found in only one googling, and is worth reading as a reality-check by those who accept the claims of Baker, Walas, etc. as gospel.

Here’s another POV that also undercuts the presumed objectivity of the Hollywood naysayers; it’s from When Roger Met Patterson,” pages 100–101, by Bill Munns:
”. . . you were invariably asked, “how was that done?” And if you answered, “I don’t know,” you didn’t get the job. You had to answer with some authoritative reply . . . even if it was a fabricated bluff. You had to give the impression that nobody could fool you or create something you couldn’t analyze and explain. . . . makeup artists would be hesitant to say the [PGF] film might be real, fearing that it might be proven a hoax after they said that, and then they’d look like the fool who couldn’t figure it out. . . . The real mystery became harder to solve, with this false bravado passing for analysis polluting the discussion.”
================
Originally Posted by Roger Knights
There’s that word again. It implicitly denigrates and enrages your opponent by implying he’s not acting in good faith. You can’t be sure of that right off the bat. Strongly implying publicly that he’s dishonest because he disagrees with you is bad form, unless he’s said something really outrageous—ideally more than once.

The two films are comparable in certain ways. For instance, photogrammetry can be used to get a handle, to some degree, on what’s where in relation to what, and to estimate the speed of moving objects in the film. (Unfortunately, the lens used in the PGF has not been nailed down, nor have the exact locations of filmer and subject. The Zapruder film is superior in these respects.)

The PGF is nevertheless evidence that, at a minimum, can be used as a standard that re-creations must match—not perfectly, of course, but well enough. In that role it is very valuable. For instance, Philip Morris didn’t dare to let the video of his Cow Camp recreation with Bob Heironimus be shown on a National Geographic special because it fell ludicrously short of the bar set by the PGF. Without the PGF—with only Patterson’s word about what he saw—Morris would have been able to fool many in a TV audience into accepting his dud.

Yes, there's that word again, and Roger wasn't an honest man. The fact that you think I'm being hoodwinked into thinking Roger was a villain is what I personally find to be nothing less than silly. Roger's history is well-known.
You’re fantasizing, or mixing me up with someone else. I never said or implied that you’d been fooled into thinking Patterson was a villain.
Neither film is comparable in the manner that you attempted to compare them, as I've already said, . . .
Here’s what I wrote about the way they are comparable:
The two films are comparable in certain ways. For instance, photogrammetry can be used to get a handle, to some degree, on what’s where in relation to what, and to estimate the speed of moving objects in the film.

one was a much publicized event, witnessed by many, and the body was on a slab. The other was a silly film of a fictional creature, filmed by a known hoaxer, and never ever seen again, not to mention the countless errors in the stories of the supposed witnesses. To even bother comparing the PGF with the Zapruder is laughable at best.
None of that is relevant to whether photogrammetry can be used to estimate what’s where and how fast things are moving.
On the subject of Morris, Bob. H and Long, I'm not very high on any of it, and I frankly don't automatically believe that Bob. H was Patty, nor do I think Morris made the suit in question, although I believe he could've given Roger another suit. I've posted my thoughts about this on the "PGF part 5" thread. I don't look at the Making of Bigfoot as some sort of bible.
Good. So why are you diverting discussion away from the subject of this thread (Was Heironimus Patty?)? That’s what I came here for, not to be battered with sneers about the authenticity of the PGF.
What I know to be true is this: the PGF is a hoax, clearly, I mean, let's stop lowering ourselves for a moment, it's a joke.
It’s clear to you; it’s not clear to me. Your certainty that your opponents cannot sincerely differ with you on this matter (e.g., your implication that your opponents are “lower”) is very offensive to me and forecloses further discussion with you.

Moderator(s) (or Parcher):
Is there an Ignore button? (I don’t see one.)
Please tell Gilbert Syndrome—and anyone else who might think of diverging far from the Heironimus topic—to stop derailing threads.
Also, is there a way to turn off the viewing of signature lines?
 
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This "creature" (complete with obvious diaper) is oddly never searched for again and never seen again, in fact, no creature of this description is ever seen again, nor filmed, nor found.
...
:biggrin: That might not be totally true. Former Benedictine monk and Bigfoot provocateur Matt Moneymaker™ has apparently seen hundreds of such creatures, many of them while filming his TV show. The cameras only catch his sincere reactions though, never the actual beast because it's not very interesting. He's far more photogenic. He doesn't care about all his HATERS either; as he put it earlier this year when accepting the Nobel Prize™, "Technology is just a tool of the devil, praise gawd, and besides it would just blow the surprise, thank you Jesus praise gawd!. That "surprise" of course being an authentic glimpse of Bigfoot that paying customers of Moneymaker™ Amalgamated Tour Industries® LLC get when they go on a MATI Bigfoot Tour™. They're that outfit known for running Bigfoot ragged all over the country and then laughing about it. Don't they know Bigfoot are people too?!
 
Roger Knights...

Please provide details of Dale Sheets' experience and knowledge in the world of animatronics, fur costumes and/or make-up.
My research indicates he has none. He was a TV marketing executive and agent and because of the buyout of MCA by Universal Studios in 1962 - he accidently became movie executive. He left that job in 1969 and formed International Ventures Inc., (a talent management company) with his wife.

Please provide details of J. Kenneth Peterson's experience and knowledge in the world of animatronics, fur costumes and/or make-up.
My research indicates he had none. He was an award winning animator for Disney. Period.

Please explain - in detail - what expertise a marketing executive turned agent and an animator could provide regarding whether or not a major motion picture studio and its team of special effects people could "duplicate" the PGF.

Thank you.
 
Good. So why are you diverting discussion away from the subject of this thread (Was Heironimus Patty?)? That’s what I came here for, not to be battered with sneers about the authenticity of the PGF.

It’s clear to you; it’s not clear to me. Your certainty that your opponents cannot sincerely differ with you on this matter (e.g., your implication that your opponents are “lower”) is very offensive to me and forecloses further discussion with you.

Moderator(s) (or Parcher):
Is there an Ignore button? (I don’t see one.)
Please tell Gilbert Syndrome—and anyone else who might think of diverging far from the Heironimus topic—to stop derailing threads.
Also, is there a way to turn off the viewing of signature lines?

First of all, you took it upon yourself to reply to my line of commenting, lol. Did you forget that? You knew what I was talking about, and it wasn't Bob. H, and yet you replied, so I'm not sure why you're now claiming that I'm diverting away from the topic.

A thread kind of works like this: people post things, you can either choose to reply, or you can choose not to. You chose to reply, Roger.

On the subject of the PGF, it should definitely be clear to anyone in their 70s that it's a hoax, imho.

So, my sincerity in my opinion is bothering you? That seems to be a weird trend among Bigfoot-believers, and it really does baffle me.

The "ignore" button is pretty evident, it's right there when you click my name, and yet you've not pressed it, so I think it's time to stop throwing your toys out of the pram, Roger.

Btw, on the subject of derailing, do you remember bringing up the Zapruder film? That film that literally cannot be compared to the PGF in any way other than it being a film? Good times.
 
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