Well, Truth finally came to the PRC (i.e. People's Republic of Cambridge). I saw the 11:15am showing today at the Kendall Square Cinema. As my wife bagged out on me at the last minute, I went stag, which is the first time I've gone to a movie alone since the summer of 1987, when I saw a double feature of Dragnet and Spaceballs (and literally walked out of Spaceballs in the middle because it was so unbelievably bad).
Anyway, the truth is I really enjoyed the movie. The dialogue was a bit hokey at times, but otherwise it was a fascinating look into the business of investigative journalism. It was also fascinating to see the story from Mary Mapes' and Dan Rather's perspective and to see how the truth about the memos dawned on them, and, in particular, how Mapes came to realize that she had cut so many corners she was left with nothing but circular logic to defend.
I honestly don't know if the director meant to create a movie like this, but I think it does actually tell the truth at a sort of meta level. For any moderately discerning viewer, it comes across very clearly how utterly shoddy the journalism was. Gross negligence would be too weak a description. Almost all of the logical fallacies that we accuse each other of here at the ISF were on display - confirmation bias, most of all.
Perhaps I just know too much about the story, or perhaps I am too accustomed to thinking about things critically, but I thought Mary Mapes and Dan Rather came off very, very poorly in the movie. They must be completely delusional to think that they didn't. Sure, their avatars give hackneyed speeches about the importance of asking questions and finding out the truth and fighting the power and doing their duty to the American public. Blah blah blah. But to me at least, it just comes off as sanctimonious blather to cover up their base motivations. Maybe the director thought he was making them look good, but I like to think he put one over on Rather and Mapes, and managed to communicate the truth with their enthusiastic permission.
There were many enjoyable moments in the film for me, and not just for their schadenfreude aspect. I think they were dramatic and meaningful. The reaction of higher-up CBS executives as they learn about the deficiencies in the report, one by one, was very poignant and effective. Especially the executive producer Josh Howard as he realizes with each new admission of misfeasance by Mapes that his career at CBS was over.
Another enjoyable part was when Mapes' researcher Matt Smith is told that he's no longer allowed on CBS property. Smith gives some hokey convoluted speech which insinuates that Viacom, CBS's parent, is punishing those involved in the report in order to placate the Bush administration, whom it has successfully lobbied to scale back pending media regulation. Everybody on the floor (literally dozens of people) stop what they're doing and just stare at him silently in disbelief, and then at the end of his rant, the executive ordering him out just says something like "That's right. We're all evil, and we're all just part of this vast conspiracy to shut down heroes like you." It was a great moment, but I find it hard to believe the director designed it to be one for Matt Smith (or for Mapes or Rather).
There were only a handful of moments of dishonesty in the film, that I can remember. One was in not somehow explaining to the audience that former Lieutenant Governor Ben Barnes, who claimed that he made a call to get Bush into the Texas Air National Guard, was a Democratic partisan, and, in fact, Vice-Chairman of John Kerry's Presidential campaign. The film also elided over Bill Burkett's long history of making unsubstantiated claims about George Bush, thus leaving out some important context that made Mapes and Rather look even worse (and the Thornburg-Boccardi investigative panel look even more reasonable). Finally, there was a moment where the investigative panel points to the use of the acronym "OETR" in one of the memos as evidence that the author did not use standard Air National Guard lingo. Mapes wins a small Pyrrhic victory in pointing out another official ANG document which appears to corroborate its use. However, in the official Thornburg-Boccardi report, there is testimony by Major General Hodges that it was still a non-standard usage, and there were many other non-standard abbreviations and words (e.g. the use of the word "billet," the abbreviation for Fighter Intercept Squadron, and the reference to a flight review board).
Overall the acting was very good. Cate Blanchett was fantastic, and I think she probably did nail Mapes' persona pretty well. I really wonder what she thinks of Mapes. She certainly made her look human, but not the kind of human I would want anywhere near a position of authority in a newsroom.
In short, I give the movie two thumbs up. It's hard for me to judge how well it would work for a viewer who doesn't know a considerable amount of the story, however. The plot is perhaps too complex for a complete novice to grasp.