Nina Burleigh is tops, IUAM
You have confused Prato with Diaz. The issue Tesla discussed with Nina had to do with Diaz and the cat killing fire.
The quote from Prato is from an interview/statement made to the PLE during the first trial. Prato’s transcript from Nina has never been discussed here, but I would deduce she has one. To my knowledge none of her transcripts of interviews have seen the light of day.
Since you had this confusion, I’m guessing that you would want to revise the Nara comparison. Whereas Nara only emerged late, made claims of hearing things she probably couldn’t have, notwithstanding Briars’ dogs, had the days confused and neglected to mention to the police she had heard a terrifying scream in a timely manner, Prato called the police on Rudi and later when interviewed by LE said that the Milan police woman told her they had released him because “they let him go because they didn’t know what to do with him” I see no reason to think she is lying or mistaken.
As for Nina and her reporting, there is an interesting article about her coverage of the case from the NY Times. The focus is whether she became too much of an advocate and lost her credibility as a neutral reporter. The article states that Nina went in this direction:
Mr. Guede was a Dickensian character, a poor immigrant from Ivory Coast adopted, then rejected, by one of Perugia’s richest families. His bloodied footprints had been found around Ms. Kercher’s body, and he had been convicted before the Knox trial began. Prosecutors argued that Ms. Knox and Mr. Sollecito had acted with him.
But Burleigh focused on Mr. Guede’s crimes in the weeks before Ms. Kercher’s murder. He had broken into a nursery school, a law office and another apartment, in each case, making himself at home: turning up the heat, preparing a meal, taking a few things — and if confronted, defending himself with a chair or a quick excuse.
The article is available so you can draw your own conclusions but it reads that Nina told the writer the above. She clearly had a POV and agenda and wrote her novel to back her own theory or view.
Read the section on Tramontano . She tells the story out of sequence making it appear Napoleoni knew of this home invasion before the murder. She has the event and a call to the police (done by CT's girlfriend), a conversation with Napoleoni and then seeing Rudi at Domus and Merlin a few days later.
1. Yes, I agree I confused Prato for Diaz in tesla's post of his email exchange with Nina. I also agree with you that Nina undoubtedly has her own original interview notes with Del Prato as well, since that's what she does: actual journalism.
I disagree with you that she has an obligation to fully publish her work product. It's hers and her employers, their work, their effort, it belongs to them. Although I do agree it could have great value to the public and people interested in trying to follow the best available research, if they chose to share it. (I believe this is a current defect in copyright law, but that's a different thread topic, so lets not go there).
2. I believe you mistake Del Prato's being told by a police woman, with what actually occurred in regard to the matter the police woman was relating. The police woman could have gotten an inaccurate or incomplete story, relayed it to Del Prato, and Del Prato could have repeated that story in complete honesty, yet still have been factually incorrect as to events that she herself did not directly witness.
I believe this issue is called "HEAR-SAY"? Del Prato does not appear to have directly witnessed the events culminating in Rudy's release from police, but she did apparently get told a version by the police lady. The issue would seem to be how to confirm the police lady's version. I think Nina also quoted a police officer from Milan (a man, and by name IIRC) saying Rudy got released after a call with Perugian authorities, and that "these things happen". I think that's a different nuance in the story. I don't feel obligated to accept your conclusions on this point, thanks.
The comparison to Nara is correct, imo. You're using bare testimony itself, as justification for a claim of an unwitnessed fact, without any supporting cooboration, and the presence of conflicting accounts.
3. I remember reading this article from the NY Times, but I don't recall the interpretation you wish to impose. You seem to have some issue with Nina unrelated to her actual writing. I think every writer takes a position on something where the facts lead them to a conclusion. It's a whole other motivation to say someone is fabricating stories (as Michael B suggested with Nina's 'pounds of pasta' account from the nursery school), or altering time lines to provide an intentionally (or unintentionally) misleading understanding of the pattern of fact.
Look, I think you're projecting your own inclinations onto Nina, and everyone else. That's not a knock, I think its common. It takes real care to discount our own prejudices in any situation, Not at all a clear assessment, IUAM. Ok, now go ahead and express your outrage at the mere suggestion.
I don't know which account you're referring to regarding Tremantano, but I'll try to take a look at both. I agree this is relevant, and revealing regarding Rudy, and the police. (IIRC, Napoleone was only recently promoted to head of homicide at the time of the Kercher case, and IIRC it was her first case? - but I may be wrong on this).