Are Jackson Pollock's Paintings Art?

The intellectual standards of crap "art"? Good for you. Have fun with that.

Ah, now the old "I'm rubber and you're glue"! Excellent! Can "Your mama wears combat boots" be far behind?

(I know this is unfair due to your compulsion to post instead of walking away with some dignity left, but frankly we've got a pool going to see how many pages you'll go defending this nonsense.)
 
I'd just like to point out that many of the arguments here used to justify the status of Pollock's works as "art" can also have been used to defend the work of Thomas Kinkade, although most on this forum pointedly declined to do so, citing the work as various synonyms of "bad". What's good for the goose, and all that.
 
I'd just like to point out that many of the arguments here used to justify the status of Pollock's works as "art" can also have been used to defend the work of Thomas Kinkade, although most on this forum pointedly declined to do so, citing the work as various synonyms of "bad". What's good for the goose, and all that.

Hey! I may not know what I like, but I know art!
 
Ah, now the old "I'm rubber and you're glue"! Excellent! Can "Your mama wears combat boots" be far behind?

(I know this is unfair due to your compulsion to post instead of walking away with some dignity left, but frankly we've got a pool going to see how many pages you'll go defending this nonsense.)

You keep responding to my posts. (Free clue.)
 
I'd just like to point out that many of the arguments here used to justify the status of Pollock's works as "art" can also have been used to defend the work of Thomas Kinkade, although most on this forum pointedly declined to do so, citing the work as various synonyms of "bad". What's good for the goose, and all that.

You have to figure in the "snoot factor". Only the elite may see "true art". Lowbrows need not apply.
 
Ah, now the old "I'm rubber and you're glue"! Excellent! Can "Your mama wears combat boots" be far behind?

(I know this is unfair due to your compulsion to post instead of walking away with some dignity left, but frankly we've got a pool going to see how many pages you'll go defending this nonsense.)

You keep responding to my posts. (Free clue.)

Nope. I've hilited the free clue for you. Since it preceded your snappy-witty rejoinder, you might've thought to come up with something else. Have you tried "I know it when I see it", yet? That's always good to appeal to the town council meeting.
 
I'd just like to point out that many of the arguments here used to justify the status of Pollock's works as "art" can also have been used to defend the work of Thomas Kinkade, although most on this forum pointedly declined to do so, citing the work as various synonyms of "bad". What's good for the goose, and all that.

For me, kinkade's work is judged along the same standard as pollock's. Do I like their work? In both cases, I think not much, but I think both are art.
 
Only if the farter calls it that.

That's right. Maybe you are familiar with Mr Methane? But what, pray tell, is your standard for judging what is or is not music? I already have a thread on this topic by the way so you could probably move your rumination a on the theme thataway!
 
For me, kinkade's work is judged along the same standard as pollock's. Do I like their work? In both cases, I think not much, but I think both are art.



Pretty much my own opinion as well. I personally can't suffer country music but it never for a moment occurred to me to declare that it's not music.
 
Pretty much my own opinion as well. I personally can't suffer country music but it never for a moment occurred to me to declare that it's not music.

And that's it. The OP asked a specific question. It was immediately answered. The rest of the thread has been a stupid pissing contest.

Pollock's paintings are art. Thread closed. Move on.
 

Yep. I see you're at 99 posts and the thread is not yet at 11 pages.

I've got the overs at 125 and 13 respectively. I bundled them so I'm getting 18:1, because back at your earliest posts, no one believed me when I said, "Big Lizard? Hell, he can keep this up for weeks!"
 
I don't see how that follows.

I was pointing out that your reasoning fails, how 'believable' the fake is doesn't impact the disjointed reasoning.

The corollary is that if every forger who attempted a Pollock forgery was caught, you're saying it would prove Pollock was a good painter. But no, that doesn't follow. It just tells us that forensics had enough information to make a distinction between an authentic Pollock and forgeries.

That's why I mentioned Shakespeare: there are works that may be his, but we're not sure. This tells us about the limits of forensics, but not about his talent.

I think there are some grounds for saying that Pollock would be harder to fake than other painters, in a way, and that experts - yes, experts! - may be better placed to know what is and is not fake, if something like this is considered.

Bonus points for those who can tell me what makes this hard to fake:

 

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