Again, that time period believed that punishment should be as public as possible--dead guys were hard to NOT come by, by design. If they wanted to make the shroud look accurate, they could have easiliy found one to use.rakovsky said:Very good, and if I were in the 14th century, I might try something like this. But I would use a cadaver too.
Name three archaeological sites that include victims of curcifixion. I know of one. I haven't looked in too much depth, but the blog Bone Girl is run by an archaeologist (she started it during her PhD studies) and she knows of one. What that means is that this "argument" is merely more wishful thinking. It makes sense, but there's no data to support it.Good point! Crucifixions often resulted in dislocations. ~Poster 3
It takes about ten, if you have any background in science. I came into this knowing nothing about the shroud, and now feel comfortable that I at least know the basics.Now maybe if I am lucky I could spent thousands of man hours too going through all these proofs/disproofs, reading books on the subject, and finally coming to a strong conclusion one way or the other, which would be nice.
There's a very serious difference in the quality of evidence you demand of the folks arguing against authenticity and those arguing for it. Anti-authenticists like myself have a smoking gun: the C14 dating. Unless you allow the laws of physics to change, the C14 dating proves it cannot be from the 1st century. But that's not good enough--you want "indisputable disproof". Here's the thing: Jabba and his ilk will always, ALWAYS dispute the disproof; it's inherent in the nature of their arguments.From the anti-shroudies, I suppose what I am looking for is some almost indisputable disproof like the corpse's penis being uncircumcised or else someone being able to make a reproduction of the cloth so successfully that I could not tell the difference.
What all this means is that, functionally, you are saying you will never believe any disproofs offered.
We have several. We just need to wate 600+ years for them to fade. Sorry, but there's no technology that mimicks the passage of time--and if we DID use such technology, it would be dismissed because it would have obviously not been done to the shroud itself.I mean, there are excellent art forgeries of Rembrandt, so why couldn't someone make an exact copy of the shroud if the technology exists?
That's a very, VERY serious flaw in your argument: You ignore the well-documented fading of the image through time. Thus you are asking us to produce, right now, an image that is not the original on the shroud.
