wardenclyffe
Master Poster
- Joined
- Dec 9, 2008
- Messages
- 2,333
>snip some interesting material<
Ward. I am not sure what the point is here. With hundreds of thousands of relics around in the Middle Ages (see my book Holy Bones,Holy Dust) every known permutation happened somewhere. My reading is that Jeanne de Vergy had the Shroud ( so far as we know her husband Geoffrey de Charny was away fighting and on diplomatic missions until his death in 1356) and was claiming it was authentic. It was this claim that was declared fraudulent as there was evidence that it was actually a painted linen (which does NOT mean that it was originally created to deceive). However, there seems to have been some reason why, perhaps a miracle, Clement VII was prepared to allow its exposition by Jeanne's son, also Geoffrey. From 1390. However, bearing in mind the shenanigans of Jeanne, Clement insisted that it was publicly announced at each exposition that it was not authentic. This is one possible reading.
Here's my point. I think that a painting would be recognized by everyone as a painting, especially if they were common props in Quem Queritis ceremonies. It seems like there would be no question or claim that this was anything but a painting.
The shroud as it appears today, however, might be claimed to be something other than a painting. Clearly that has happened and many people (mistakenly) believe that it is something other than a painting. This suggests to me that the shroud did not look like a Quem Queritis prop in 1390.
This is what I think needs to be worked out.
I think your hypothesis is still worth exploring. I'm just not completely convinced.
Ward