Olowkow
Philosopher
- Joined
- Oct 29, 2007
- Messages
- 8,230
The entire narrative of this matter has unfortunately gotten to be little more than an analogue of a pointless argument over the existence of god. In my opinion those who steadfastly cling to their belief that the Shroud is 2,000 years old do so only because of religious beliefs, not as a result of any informed reasonable doubts about the science of carbon dating or a conviction that the material was hoaxed from a mended portion.
It seems that the potential for research by expert art historians who could stand a chance of making informed claims about the techniques or the type of artist capable of producing this type of medieval artwork is consistently supplanted by uninformed zealots who simply assert that no one could possibly duplicate the Shroud. Forgers have fooled experts with copies of Rembrandts, for Pete's sake.
I suspect that qualified art experts are uninterested in researching the thing, simply because the image on the shroud is just too volatile a subject for them to bother with, and there is little to be gained. Instead we have religiously like minded people holding conferences to feign expertise and stroke each other's egos with reassurances of how holy and genuine the Turin Shroud is.
I still maintain that a much more interesting question than debating its age, now that it is known to a reasonable certainty, is who made it and why? Is it even an interesting piece of art, or merely a religious icon?
It seems that the potential for research by expert art historians who could stand a chance of making informed claims about the techniques or the type of artist capable of producing this type of medieval artwork is consistently supplanted by uninformed zealots who simply assert that no one could possibly duplicate the Shroud. Forgers have fooled experts with copies of Rembrandts, for Pete's sake.
I suspect that qualified art experts are uninterested in researching the thing, simply because the image on the shroud is just too volatile a subject for them to bother with, and there is little to be gained. Instead we have religiously like minded people holding conferences to feign expertise and stroke each other's egos with reassurances of how holy and genuine the Turin Shroud is.
I still maintain that a much more interesting question than debating its age, now that it is known to a reasonable certainty, is who made it and why? Is it even an interesting piece of art, or merely a religious icon?