In all honesty, M., the problem I have with your rhetorical style, is that it is (in my opinion) fundamentally dishonest. You insist on the tightest level of precision from your opponents, or else they are malicious liars. Yet you allow the greatest flexibility of meaning for your confederates, and at that make conclusions of fact based on mere compatibilities.... etc. Where's the precision then?
Then again, this is only my opinion and I'm sure you disagree.
Case in point. I said, "Raffaele said Amanda was 100% innocent." Your complaint about that, where you accused me of a falsehood, was in the use of the term "100%." There is no meaningful difference if the "100%" was there or not, but dialoging with you drags to a halt while you argue trivialities.
No matter. I post the section from Massei upthread where Stefanoni chose on her own to not test the putative semen stain, and Massei defends that choice of hers. It is completely irrelevant if she was ordered to or not, she chose not to do it, and Massei gives a nonsensical rationale for that choice. Regardless of the internal permission giving, it still boggles the mind a judge would defend Stefanoni for that decision.
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No Bill, it is relevant. It is of the utmost relevance, and in fact this difference, this disobeying an ordnance of the judge, is exactly what the Cassazione points out when they call Vecchiotti "intellectually dishonest" (they say no honest
perito would do that).
The complaint about "over-precision" is a bogus game on your part: you are not imprecise, you are, in a way, extremely precise, but you are precise in act of drawing the border line in the wrong place. You are like a neighbour that complains about over precision, but always mistakes setting the fence two meters into the other property, and never th other way around. Your "mistakes" are designed precisely, and they are always in one direction. Always placing the red line slightly into the neighbours' garden, never in yours.
Raffaele says "Amanda is 100% innocent" is an overstatement, if one wants to be generous. In fact, he is careful not to get to that point.
It is also obviously retracting from what he told in his book, since in his book he recalls details about the whole evening and all things they have done together, and he is sure she never left his apartment.
He is absolutely not sure of that in his interview. He also only talking about himself at home in the evening, never says "we were at home" like he says in his book.
Now back to the point of border lines. That Stefanoni was not ordered to do something, and did not violate an ordnance, while Vecchiotti was ordered instead and did violate an ordnance, is exactly the relevant thing. Because
the principles of law says that this is the relevant thing (and the Cassazione confirms).
This is exactly where the border line crosses. Your respnse to that is to try push the red line a bit forward, shift it some meters into the neighbour's garden, in a place that you chose in a
precise fashion, and you chose it in order to sketch a category so that the actions of Stefanoni and Vecchiotti would fall both on the same side of the fence inside that category.
You are not acting imprecisely: you are looking for very precise places where to shift your borders, you intend to be 'imprecise' only as long as you shift the borders in order to shape a pattern of categories that fits your narrative.
But the red line will remain still there, your categories don't exist, real categories have a different shape.