Bill Williams said:
I really do not know if Barbie Latza Nadeau is now in favour of innocence. All I know is that Wonterbottom's company bought the rights to Barbie's book, as a template for looking into the student-culture of Perguia....
.... but Barbie herself (played as Simone, Kate Beckinsale) plays her as a bit of a slut, and simply one of the tabloid mob out to monetize this tragedy.
Someone should ask Frank Sfarzo where Nadeau stands now. Probably on a pile of money right now!
I would doubt that. The book rights would not have been bought for all that much of a flat fee - I suspect the deal would have been structured very much towards the back end (i.e. share of gross), in which case the fragrant Ms Nadeau would not have got much since the movie totally tanked and (I strongly suspect) was a large loss-maker. In addition, Nadeau didn't actually write the adapted screenplay.
So it probably ranks up there alongside her pieces for the moribund Newsweek and dying-on-its feet Daily Beast, plus her hastily cobbled-together book itself (which, don't forget, was published through the DB's own somewhat-vanity publishing department rather than an established imprint), which will have sold only a fraction of (for example) Knox's book.
It's still shocking, by the way, to read some of the choicer excepts of Nadeau's yellow, biassed "journalism" repeated recently in this thread. I guess when some people sup with the devil, they don't even bother to use a long spoon.........
I dunno. It is set for release in June 2015. How big a release, who knows?
What's telling is the way the screenplay played out. A fresh pair of eyes on the whole mess, and Winterbottom and Paul Viragh decide early on a couple of subplots:
1) The tabloid hacks (including Nadeau) completely booted the reporting, in favour of the tabloid headline
2) Frank Sfarzo is the only one of the early reporters/bloggers who had any clue what was going on with the investigation
3) Knox (and Sollecito) are portrayed as cold fish, but at the end of the day are probably innocent.
4) fictional filmmaker Thomas (Daniel Brühl) finds that the Nadeau's of the world are just slutty and drug infested as the claims they make about the Perugian students
5) The ONLY way to discover the student-backdrop of Perugia was for Thomas to be led through it by an actual exchange student (Melanie, played by Cara Delevingne), who like Meredith and Amanda, came to the university town for foreigners ready to sow a few wild oats.
Winterbottom and Viragh would have had a very good laugh at Machiavelli's posturing in the past few threads; Machiavelli manufacturing evidence, and playing around with concepts of "strongly suspected" to prove.... well, to prove nothing, really, but to demonstrate a compatibility with a looney theory.
Enter Winterbottom's Frank Sfarzo character.
Paraphrase: "You think that Knox and Sollecito are guilty because you are stupid and do not read my blog!" Also, when Thomas asks (Frank) to explain how the police/prosecution could have got this prosecution so wrong, (Frank) rolls his eyes as says:
"That's because they are stupid." Viragh as a screenwriter doesn't try to clutter the concept with anything other that that observation.
So whether or not Nadeau made a truckload of money, she DID get to eat overpriced salads in Rome with Kate Beckinsale.
As to whether or not
The Face of an Angel is a bomb, if it had not been for Beckinsale and/or Delevingne's dress, it would have got no attention at all in Toronto in September-last at TIFF.
Still, there were 900 Winterbottomophiles in the theatre who gave it warm applause, and during the Q&A two-thirds of the questions were erudite about how certain scenes of this film compared with his over all filmography.
And Delevingne had that dress on!