Michael Winterbottom's new film The Face of an Angel, loosely based on Barbie Latza Nadeau's book on the Amanda Knox case, Angel Face, is drawing fire from Candace Dempsey, whose competing book Murder in Italy is far more sympathetic to Knox. Reacting to the movie's trailer, unveiled this week at Berlin's European Film Market, Dempsey calls the film "an invasion of Amanda's life."
snip
and,
Winterbottom told THR, "We are certainly not going to be saying ’This person is innocent, or that person is guilty.' But we will be asking, ‘Is this system of justice fair?'" The trailer begins with the
words, "A Journey Beyond the Truth.""I'm shocked that BBC Films would help fund a movie so prejudicial," Dempsey tells THR."“So much for fairness and neutrality. They are running a salacious trailer, complete with sex on the train -- which, if it happened, was before the murder.
"Winterbottom wants to have it both ways," says Dempsey. "The film's not about Amanda, but it is about Amanda. It's not about guilt or innocence, but it makes Amanda look at guilty as possible."In the trailer, one character says, "She had sex with some random guy she met on a train," and Bruhl's character replies, "None of that makes her a killer."
But Dempsey notes that 22 seconds into the trailer, after a gory murder scene, the Knox-inspired character flashes a lurid, deranged look as a character (apparently the prosecutor) calls her "sexual, dominant." Says Dempsey, "Tell me this actress isn't trying to look crazy, or that Winterbottom isn't doing a Fatal Attraction on Amanda. He couldn't have picked a nastier pic. The trailer is like a bad Saturday Night Live skit. Clueless Yanks, exceptional Brits, phony Italian accents, slut shaming, pervy shots of young girls, whore/Madonna framing and salacious gossip dressed up as fact. The Lolita-faced 'Amanda' looks guilty in every frame. At 20, she 'dominates' in bed. The British victim, who was also sexually active, is shown as 'quiet,' nun-like. Amanda was actually a U.S. honor student but she dared to like sex. And we all know that sex is a gateway crime to murder.""I'm a fan of Winterbottom's films, especially A Mighty Heart," Dempsey says, "but if he didn't think Amanda was guilty, then what was his fascination with Angel Face: The True Story of a Student Killer?" After the 2011 reversal of Knox's conviction, Nadeau's book got a new subtitle, Sex, Murder and the Inside Story of Amanda Knox.
"Why would Winterbottom dress two young actors in Amanda and [her also-convicted then-boyfriend) Raffaele Sollecito's exact clothes," asks Dempsey, "and have them lurk around the murder house, looking grim and suspicious?"
Winterbottom told The Independent, "The closest any of the main characters in the film are to the real case is the journalist covering the story."