Is it a book you will want to throw against the wall?
Yes. I threw it against a wall when I realized I'd paid full price from Amazon for it, with the expediated delivery rate!
This is Follain's book in a nutshell. It is totally from the point of view of the police, prosecutors and friends and family of Meredith. Where he has verbatim dialog from the Knox side of things, particularly those times when one assumes it is a private visit with Knox and family in prison.... one can only guess where Follain gets that dialog from!
There are three sections, really, to the book.
1) The Perugians were right to suspect Amanda Knox of murder
2) Why the case fell apart at trial, even though the Massei court convicted
3) the reactions of Meredith's family and the British friends.
In the edition I have, there is the most sparse recounting of the second trial, the Hellmann trial. My edition has the update which includes the most bare bones recounting of the Hellmann motivations report.
As I've said before, Follain seems particularly interested in women's underwear - and seemingly has access to private prison conversations where Amanda asks her mother to bring more panties; what that has to do with Perugia's crime of the century is something only Follain can tell you. (I think he intends it as a subtle slutty remark about Knox, but it makes him look creepy.)
One exception is that Follain casts Edda Mellas as a curious character in his narrative - if there is some point which comes up which later becomes decisive for one of the courts, he puts it into Edda's mouth as dialogue, making her seem like the Oracle at Delphi in predicting what's what.
But he is slimey in the way he puts things.
He has that comment from Battistelli who looks into Filomena's room: "This is no burglary". The very next sentence is: Raffaele and Amanda say nothing.
What Follain is implying is that they know damn well why it doesn't look like a burglary!!! He is a complete weasel as an author.
He's also the sole source for Marco Chiacchiera's alleged comment that after Knox's confession and as they were considering going to round up Lumumba, that Knox, Sollecito and Lumumba be released and observed. Follain says that Chiacchiera is not convinced they have enough evidence - and Follain repeats this alleged comment a few pages later.
One gets the feeling that Follain tried - he really did try - to paint Knox and Sollecito as guilty; but that in the end even his narrative of guilt breaks down.