I stand by my claims regarding my work experience as a professional audio/video editor and recording engineer.
The person you cite apparently bamboozled you with his text book recitations.
Gee, text book information, nah you couldn't trust that.
I stand by my claims regarding my 30+ years as an electronic tech, the last 20 being in television.
In 2001, audio digital recordings of News events were not commonly made in the field. Digital recordings made with too high an input level are totally contentless and produce a distinctive screeching sound.
Yes, and no. In digital recording we will hear such distinctive audio if sound level is too high. There were no sounds digitally recorded that would indicate a very loud sound, that distinctive noise. Were there? Examples? Pro digital recordings generally try to keepsound to -12, -18, or -20 dbfs, depending on the standard for the company. There is a movement to make -20 dbfs the N.American standard accross the board. This gives one a headroom in audio of a max of 20 db. Action movies will use an even lower reference in order to allow for greater dynamic range for explosions and gunfire. What we can hear is street noise and we do expect an explosion to be much greater than street noise and therefore if there is no indication of sounds that drive the digital level to 0dbfs there were no sounds greatly louder than this street noise. No explosives. At least not on any digitally recorded media, unless you have an example. ( your claim back it up)If you do manage to locate such 0dbfs recording and it is an explosion then I'm sure we will see people reacting to it or other indication , for eg. a pressure wave distorting light passing through it( check a myriad of examples in the Myth busters videos of things that they make go boom).
Analog recordings made with too high an input level, become over-modulated and their content is degraded proportionally to the amount of signal received
yes and no. Analog sound circuits in say, tape machines, would clip. Clipped signals produce a lot of high frequency harmonics. Those high frequency harmonics result in the distinctive loud "hashy" audio. A lot of high level signal will also result in bleeding between the audio track on tape and the video track which will result in video artifacts that change in step with the sound. For instance a steady bass drum doing this would be seen in the video as lines corresponding to the sound of the drum along with , if clipping occurs, that hash sound.
Because of the high sound levels at the WTC on 9/11, over modulation was common in many of the recordings which resulted in audio that was either useless or lacking in conclusive detail.
You've been asked to supply examples yet........
However, this would be significant if and only if every audio track displayed this clipping and they don't do they.
In addition it is very easy, at least with pro equipment, to adjust for high ambient sound by lowering the gain on the camera. You, as a videographer know this full well. Assuming you are a videographer and not a video editor who has never shouldered an ENG camera.
Consumer cameras such as DVD recorders, us a very heavy sound compression circuitry with a slope that will lower loud sound. It does have a rise and release time though that won't combat a fast rising sound of a gunshot or explosion very well. Street noise, no problem.
There were a number of witnesses to explosions at the WTC.
There were a number of witnesses who characterized sounds as explosions. In the video of Hess at the window we hear many sounds that could be characterized as explosions and indeed many probably are car tires on fire and exploding, gas tanks popping off, others may well be the sound of large chunks falling off severely damaged structures of WTC 3, 4, 5 , 6, and indeed,7.