Robert Oz
Graduate Poster
- Joined
- Dec 3, 2007
- Messages
- 1,455
I was just re-reading Richard Dawkins' "The God Delusion" and reached the section on the "argument from beauty". Although I find most of "The God Delusion" to be well argued, I find the aforementioned section too short and ultimately unsatisfying.
Dawkins presents the argument from beauty as a "how" question rather than a "why" question - which, I think, is a little more difficult to answer.
Dawkins argues that Mozart's symphonies and Michelangelo's paintings, for example, would be beautiful with or without a god, which attempts to answer the question "How do you explain beauty?" I find the question Dawkins should have tried to answer is "Why do we appreciate beauty?"
Of course, I wouldn't invoke a god to explain beauty, because it's yet another example of filling a gap in knowledge with a supernatural being, but why do we appreciate beauty?
So, why do we find a string of musical notes beautiful? Why do we find certain arrangements of paint beautiful? Why do we find the design of a building beautiful?
Dawkins presents the argument from beauty as a "how" question rather than a "why" question - which, I think, is a little more difficult to answer.
Dawkins argues that Mozart's symphonies and Michelangelo's paintings, for example, would be beautiful with or without a god, which attempts to answer the question "How do you explain beauty?" I find the question Dawkins should have tried to answer is "Why do we appreciate beauty?"
Of course, I wouldn't invoke a god to explain beauty, because it's yet another example of filling a gap in knowledge with a supernatural being, but why do we appreciate beauty?
So, why do we find a string of musical notes beautiful? Why do we find certain arrangements of paint beautiful? Why do we find the design of a building beautiful?