Antony
Graduate Poster
Actually it's quite the contrary; the perception that the break in was staged preceeded all narrative about the crime. Actually it even preceeded the discovery of the body. Battistelli and Marzi suspected it was staged even before they discovered the murder.
Of course this is key, and was their method of "investigation": make up your mind before seeing any real evidence, and then cling to your conclusion regardless of facts and reason.
I won't discuss the evidence of staging, because that would the opening of a further chapter of discussion and would take too long, so that in the end I won't be able to answer to anybody.
Very synthetically, I say the staging is evident because of a set of elements which occur all at the same time 1. the window is an illogical point of entry (you can deny this, but you won't change this); simply statistically, thieves chose the easiest or safest way in; 2. there is no soil in Filomena's room; 3. there is no grass in Filomena's room; 4. drawers were not searched; 5. the tossing of clothes from the wardrobe is nonsensical for a thief, that's no thief activity, first place is always drawers of all rooms; 6. no valuable item was taken; 7. money in Knox's room was not taken; 8. other rooms were not searched; 9. the window shutters were left closed by Filomena, albeit not locked; that further complicates the illogical entry, requires to climb twice, and then, subsequently, the shutters were found half open (they would be open if the thief entrerd thought there; they would be closed if the thief wanted to shut them: it makes no sense for a thief to leave one shutter half open, only a forgetful stager could do that); 10. the rock bowled on a paper bag ripping it, and the ripped paper below the rock has fallen on top of a cloth that allegedly would have been tossed there by the burglar; 11. the glass shards on the sill were not touched; any thief balancing there or holding there would tend to remove them or disturb them; 12. no DNA from epithelial cell found on the sill or on the window frame; 13. large crumble of white paint from the window inner shutter fallen on clothes strewn on the floor; 14. the rest of evidence pointing in the same direction (mixed DNA vitcim + Knox in Filomena's room on luminol stains), no glass outside, no footprints on soil/grass beneath, testimonies of police, lack of relation between burglary and the kind of murder (rape and extreme violence) etc.
All this is pure babble. You can enumerate your points all you wish, but they are all either false or meaningless. No effort was ever made by the investigators to record or photograph this so-called "evidence" of staging. On the contrary, they trampled the space under the window when they used it as an outside smoking area. Testimonies of police when photographs were needed? That's feeble - and it would still be feeble even without their numerous other lies over the course of the case.
Actually all evidence found shows multiple perpetrators.
Your brazenness is breathtaking. Even Massei does not assert this.
There are no DNA traces and no prints in the murder room other than from the actual, single perpetrator. The fact that you and the other Mignini supporters continue to point to a single, discredited trace of Raff's alleged DNA on the bra-clasp (destroyed by Stefanoni's mishandling before it could be independently tested) doesn't change the conclusion; it is shown on film being handled with dirty gloves and any case the trace is in a place where it would not have been deposited in the course of the murder.
Their denial is an outright lie. The window was simply the worse possible choice for a burglar. This is also obvious by the way in that all real break ins occurred through the back windows on the balcony (extremely easy way in).
Again, delusional babble. You are discussing with people who have seen the orientation of the house, with the break-in window screened by trees and the balcony, fitted with modern double-glazing, in full view of the road and the facing apartments. The break-in window is inconspicuous, unprotected and easy for an athletic young man like Guede.
