Bill Williams said:
Both John Follain in his book as well as Sollecito in his report that Napoleoni thought that Raffaele was too insistent that she notice the pooh. For some reason that made Napoleoni suspect that the two, AK and RS, were trying too hard to direct police, and possibly misdirect them.
Because Amanda thought it had been flushed, she was very concerned that someone had been in the house that morning when she was there to shower, change, and dry her hair in her Italian housemates' bathroom (the shared a hair dryer there) and that the person was still there in the house after Amanda left to go to Raffaele's. And, having discovered the break in on her second visit home, she thought the person who had been in the house was a burglar (rather than other house occupant). She took it as something very important to point out to the police and wanted them to see where the person had been and had flushed down what she had earlier seen. Raffaele was following her level of concern.
For me, John Follain's account of the pooh is part and parcel of the theme Follain is trying to maintain, that Monica Napoleoni was right in suspecting that Amanda wasn't telling her everything. This thing about, "Amanda knows something that she isn't telling us," is a meme to this day among a select group of guilters.
So, From "A Death in Italy," pp. 76-77... "With Raffaee occasionally acting as an intepretor.... Amanda's story (of what she had done in the cottage before the arrival of the postal police) didn't make much sense to Napoleoni."
John Follain p. 77 said:
As she quizzed Amanda, Napoleoni couldn't help thinking that she was hiding something from her - but she had no idea what.
Napoleoni had just checked out Amanda's story about thinking the door was open because the trash was being taken out, but had found the bins. But here's the pooh stuff...
Follain p. 77 said:
Later, after sheltering from the cold with Amanda in Luca's car, Raffaele got out to speak to Napoleoni. 'My girlfriend has just remembered that when she went into the big bathroom on her own this morning there was excrement. When she went back to the flat it wasn't there anymore,' Raffaele said. The toilet had been flushed in their absence, he added.
Napoleoni went back into the cottage and to the big bathroom that Filomena and Laura shared, and saw that contrary to what Raffaele had told her, the excrement was still there. She was puzzled and guessed that for some reason or another, Amanda and Raffaele wanted to make sure that she would notice it.
So to merge Crini's latest motive to this case against John Follain's agenda os sowing the seeds of doubt against Amanda, that Amanda was hiding something and is perhaps to this day hiding those things.... except the one thing that Amanda and Raffaele are drawing attention to is Crini's own stresser as the cause of this crime!
This is the way that Raffaele describes the same incident in Honor Bound:
Sollecito p. 35 said:
Amanda was still troubled about the toilet that was unflushed one minute and flushed the next, so I mentioned it. Paola and Luca said it could be important and we needed to tell the police right away. So I got out of the car and discussed it with Monica Napoleoni. It was another ill-fated move because Amanda was mistaken - for what reason I do not know. The excrement in the toilet was still there, as the forensics team soon discovered. Maybe it had sunk a little in the bowl as the paper absorbed the water and grew heavier. Or maybe Amanda was just disturbed by the scene and hadn't been thinking clearly when she made that observation - who knows.
Still what we have here, if Crini is to be believed, is that after managing a world class forensic clean-up leaving no trace that a clean-up had ever taken place, except for the lack of forensics which support guilt, here we have Raffaele "giving away the game" as to the cause of the murder, as per Crini.
Despite Follain's agenda of sowing the seeds of doubt in his book that the police were right to, early on, suspect Raffaele and Amanda... what really does the pooh incident have to do with anything re: "multiple attackers"?
For my money it is well after the fact, at the time of writing of Follain's book, and not at the time of the real-time discovery of the pooh, that this myth that the pointing out of the pooh, "Amanda was hiding something from us, but we just don't know what....?" developed.
To me, it just demonstrates how Napoleoni, on her first case as lead detective, botched this horribly by assigning meaning to the most bizarre of things.
And here we are, six years later after the horrible murder - except that just like the ISC resurrected "sex game gone wrong" last March, now Crini has resurrected the pooh; ignoring, it seems, the directive of the ISC to look into the sex-game as motive.
When do they throw in the towel on this mockery?