Right -- so not pedantic, nor supercilious, nor arrogant at all, are we ?
1. How much modern contamination would be necessary to alter the result of dating a first century cloth to the thirteenth century? Show your work.
Carbon-14 occurs in trace amounts, i.e., making up about 1 part per trillion (0.0000000001%) of the carbon in the atmosphere.
Quantitatively, the amounts of C14 that would induce a false dating would be infinitesimal.
I have NO IDEA what such a source of C14 might be, though the two obvious ones would be a spike in atmospheric C14, whether local or global, in the year that the linen was grown and harvested, or C14 being a by-product of whatever created the image in the first place.
You seem to be (falsely) assuming that I have theories about this, whereas in fact I only have questions, nor do I **assume** that the carbon dating is necessarily wrong, as you seem to have (falsely) inferred.
Nevertheless, some researchers have claimed that cotton is found in the samples that were taken in 1988, whereas cotton is not found in the main body of the fabric.
(oh, and please don't try the "infinite recursion" trick with me, of simply sitting behind your computer and asking me to substantiate every single word that I use
ad infinitum -- it is a destructive rhetorical trick, that is dishonest, leads exactly nowhere, and I will not put up with it.
There's always the possibility that YOU could do your homework)
2. What is the mechanism for the introduction of this contamination?
See above -- as concerns patching, reweaving, or biological contamination, I am keeping an open mind on all three questions, but I am a proponent of none of them, contrary to your beliefs otherwise.
Mould. Rot.
3. How did this contamination survive the decontamination pretreatment used by the three labs? In detail please.
I would personally assume that any C14 contamination -- IF it existed -- would have to be a contamination of the linen & cotton weave itself.
Though I do have to add that there is an arguable possibility, given that truly competent fabric analysts exist in very small numbers (it is an extremely difficult and extremely poorly paid field of research), and it is a discipline that is in its infancy -- so that it cannot be ruled out that the scientific team in the 1980s made mistakes in their analyses of the fabric.
4. What are the sources for your claim that: " a parallel dating was made using vegetable fragments that are present on the Shroud". Include the provenance of the material, chain of custody (at least to the same standard as the radiocarbon dating), nature of the testing (including by whom performed, where and how), detailed results. I assume this dating was properly peer reviewed and published in a reputable and relevant journal such as Radiocarbon? Ray Rogers garbage isn't sufficient.
"
Ray Rogers garbage"
I am fully aware of the nature of the politicised rejection of his research -- he himself IIRC has mitigated his findings as requiring further research and peer review.
5. With regard to your claim that "a separate group of fabric experts has proposed that a completely different restoration technique than the "french reweaving" existed in the Middle Ages" please supply details as to these alleged experts and their supposed technique. Include how this technique can't be detected even with high magnification microscopy under non-visible spectrum illumination.
Also supply examples of the technique for comparison. You may also speculate as to why there are no records of the repairs, unlike the more visible ones.
See here for a treatment of this question :
www.ohioshroudconference.com/papers/p11.pdf
(or I suppose that you could just dismiss it instead,
a priori, as not being coherent with your personal views on the question -- up to you, but if you decide to simply dismiss any and all evidence contrary to the radiocarbon dating out of hand, then please don't bother asking for any more of it, as this would simply constitute an unproductive waste of my time, and you cannot expect me to waste my time just for your own entertainment)
Can you please provide evidence that "
high magnification microscopy under non-visible spectrum illumination" has been used for the purposes of fabric analysis, and that this work has been properly peer-reviewed and correctly supervised by multiple experts in fabric analysis, and furthermore that this microscopy has been performed at multiple points of the Shroud fabric, in the same lab conditions, and that a full comparative microscopic study of all of these points of fabric study of the artefact have been collated, reviewed, and published in a peer-reviewed scientific journal or similar serious publication ?
Can you please provide a detailed summary of the conclusions of such a study ?
6. With regard to your claim that "there is a test supporting this claim -- because the specific structures of the imprints on the Shroud, forming the image, have been found to be reproducible using ultraviolet lasers" please supply details, including who carried out the tests, the methodology, results and where it was published. Also provide a reasonable chain of events that could have caused the shroud image to be produced in this way in the first century BC. No magic god radiation please.
Already provided upthread -- NO I will
not translate it into English for your personal convenience.
I was asked to provide the paper --- I did, it's in Italian.
Not my problem if you can't read it.
7. With regard to your claim that "there are some literary and iconographic early mediaeval sources EARLIER than the terminus ante quem of the radiocarbon dating" provide these sources and justify why they are evidence for the shroud's existence prior to ~1355CE.
I have already provided my answer to the question "why ?" -- did you neglect to read it ?
An examination of the early Shroud references is found HERE :
http://www.shroud.com/pdfs/scavone.pdf
It is IMO a fairly objective examination, though you may be unfamiliar with the methodology that is habitual in this sort of research, and so might wrongfully conclude otherwise.
It is clear that the most solid pre-14th century testimonial, the 1203 one, cannot be considered as being "confirmed", as I pointed out myself concerning all of these earlier sources (though you seem to think, for some strange reason, that I have positively claimed their 100% reliability --- whatever)
Desperation. There is no genuine evidence that the shroud is anything other than another medieval fake relic but that doesn't suit the beliefs of some god botherers, hence the denial and lying.
The blanket refusal of some people to outright reject anything and everything that casts any kind of doubt on the dating provided by the radiocarbon tests is just as irrational, notwithstanding the FACT that radiocarbon dating is less than 100% reliable, and has been proven to have provided bad datings for more than one artefact in the past.
Rubbish. As has already been dealt with in this thread the shroud image is the result of painting
No, it is not.
If you know even HALF as much about the Shroud as you are pretending, then you'd be fully aware of the FACT that the image on the Shroud is NOT the product of an artist's pigment.
Anyway -- this is YOUR claim, so not my burden of proof nor anyone else's -- please can you point me to a peer-reviewed scientific paper, published in a scientific journal or similar publication proving that the composition of the image on the Shroud is the product of the application of artist's pigments.
and has been duplicated using medieval techniques. Several times.
Nope.
You REALLY should read the research papers provided up-thread, you know ...
You are entitled to your personal opinions, of course, but I would not accept half of what you have written there as being factually accurate.