The Shrike
Philosopher
Indeed, Longtabber's post were quite good when he stuck to logic and standards of inquiry. . .
Re: prints.
The most obvious way to hoax bigfoot prints is to don some kind of Ray Wallace stompers and walk around in the mud. To make the prints deeper to convey a sense of "heavier than a human", all you have to do is jump. This has the added benefit of lengthening the apparent stride. I'm stunned sometimes by how often these sophomoric methods to make prints are dismissed by proponents. It would be a little easier to take Meldrum seriously if he actually conducted some rigorous tests of simple wooden stompers in different substrates under controlled conditions. He could even publish that stuff. The fact that he's uninterested in doing that speaks volumes to me.
Of course another way to hoax prints (and one I hadn't considered) is to scoop substrate out to make an impression (as opposed to pressing it down). Those ridiculous Freeman prints seem to have been made this way. Once we get a bit more creative about how a print can be made, it opens up interpretations that might otherwise have seemed untenable.
My choice for the dumbest interpretation of footprint evidence? The old canard about the print being found someplace "no one would go." My first thought when I read those is that the finder = the maker.
Re: prints.
The most obvious way to hoax bigfoot prints is to don some kind of Ray Wallace stompers and walk around in the mud. To make the prints deeper to convey a sense of "heavier than a human", all you have to do is jump. This has the added benefit of lengthening the apparent stride. I'm stunned sometimes by how often these sophomoric methods to make prints are dismissed by proponents. It would be a little easier to take Meldrum seriously if he actually conducted some rigorous tests of simple wooden stompers in different substrates under controlled conditions. He could even publish that stuff. The fact that he's uninterested in doing that speaks volumes to me.
Of course another way to hoax prints (and one I hadn't considered) is to scoop substrate out to make an impression (as opposed to pressing it down). Those ridiculous Freeman prints seem to have been made this way. Once we get a bit more creative about how a print can be made, it opens up interpretations that might otherwise have seemed untenable.
My choice for the dumbest interpretation of footprint evidence? The old canard about the print being found someplace "no one would go." My first thought when I read those is that the finder = the maker.
