Bill Williams
Penultimate Amazing
- Joined
- Nov 10, 2011
- Messages
- 15,713
The theorizing of a staged break-in is only a diversion from the facts once Rudy enters the scene. Before that, it belongs to the fog of war.It still seems that the staging is a diversion from the basic facts that no evidence of the kids was found tying them to the murder and there is plenty tying the Rudy. Rudy could have broken in, he could have thrown the rock and then gone in with Meredith or he could have staged it because he thought Meredith had talked about their date. We will never know unless somebody talks.
I have read both Dempsey and Burleigh, and when one stretches out what was known and when it was knowable on to a timeline - up until Guede enters the scene, the police would have been incompetent NOT to at least afford a staged break-in as one of the possibilities.
The first "official" surmise that the break-in might have been staged (acc. to Dempsey's book) was when the Flying Squad chief, Profazio, arrives on the scene a bit before 1:45 pm on Nov 2nd. He concludes that the break-in might have been staged, because to his eye-ball no one could have done it "without injury", which I take to mean that it was unlikely that whoever it was could have skinnied through the window without leavig some blood trace on a shard somewhere.
Note what Profazio implies - he implies that the break-in was otherwise very doable. Very doable! It's just the the absence of blood makes him cautious about that. Profazio implies neither the "impossibility" that the present group of PGP do (ie. Kermit's ridiculous powerpoint on the subject) or the "too much effort" Massei concluded, requiring Guede to have scaled the wall multiple times.
None of those things seem particularly problematic to Profazio, on the scene within 2 hours of the discovery of the horrible crime. He seems to make no mention of the significance of no marks on the outside wall.
As an aside, I just found out that since the horrible day, the cottage was broken into twice more through upper windows, even as it was behind police tape. I have a picture of one of those windows!
The investigative line Profazio draws from this assumed staging, though, is that those with keys to the front door should be watched - namely, Romanelli and Knox. Knox, particularly, because she had admitted to having been in the cottage before the murder was discovered. How was Profazio to know, truly, that Knox found the front door open when she had got there at 10:30 am?
As suspicion focused on Knox and Raffaele because they were always seen together, neither had the actual capacity or background to actually break-in, so the theory of the staging did not need amending. Yes, yes, yes, I know WHY Knox and Sollecito were always together, so please do not argue about that. It's just that to the police, it made Sollecito look like a confederate.
Most certainly, whatever you think of the method by which Lumumba gets unjustly dragged into this - police misconduct during interrogation - that does nothing to challenge the status of the staging theory.
It is when Guede enters the picture that the light bulb SHOULD have come on. There is actually NO reason now to hold Knox (or Sollecito) any further - as a keeper of one of the two keys Profazio was originally suspicious about on the 2nd, someone should have reminded Mignini about keeping his eyes focused on the basic simplicity of this horrible crime.
He should have reasoned that since there had, in fact, been no reason to suspect EITHER Romanelli OR Knox apart from them being key holders, that there might also be something wrong with holding two people where NO OTHER forensics pointed to them!
The rest is tragic history for two more innocents, the first innocent being Kercher herself.
As an aside, acc. to Dempsey, Filomena goes into her room and "tromps around" on two occasions on the 2nd of Nov, after the police had declared the place a crime scene - as had Knox each into their own rooms.
For Filomena to declare that the broken glass was located only on top of her strewn clothes, assumes she was in the room actually lifting the clothes to look(!). Talk about disturbing a crime scene.
Incredibly, she manages to slip in AGAIN past police to get her laptop from her room(!!!!!!!). When she brings it to her questioning that night down at headquarters, the investigators almost have apoplexy. They chide her for interfering with a crime scene, but leave it at that. No one is fired for missing that a suspect was allowed to tamper with evidence - a laptop for Jesus, Mary, and Joseph's sake!
As one of the two key holders, I believe that Filomena herself was in investigative peril at that time, and very well it could have been her at the infamous Nov 5-6 interrogation fingering some random name in the list of her text messages. I'm not kidding about that.
When her laptop was eventually returned, acc. to Dempsey, the harddrive had been messed with, but I am unclear how badly. Enough, though, for Filomena to notice and complain.
I do not begrudge the police in the early "fog of war" from focussing on the key holders, as long as this did not blind them to other possibilities which may have been unknown (ie. copied keys to boyfriends, etc.). One of those "other unknown possibilities" was precisely Guede!
Where the police REALLY screwed up was not dropping suspicion of the original two key holders once Guede was know. The rest is a tragic disrespect to none other than Kercher herself, as the investigation went completely off the rails.
