Origin of the paint that was found as red-gray chips - any ideas?

Thanks a lot, Almond:cool:

MM, be so kind and compare these simulated XEDS spectra of Laclede primer paint (according to elemental composition calculated by Oystein) with XEDS spectra of chips (a) to (d) in Bentham paper (Fig. 7). I think that no other comments are necessary at the moment...
picture.php


A quick down and dirty paint job. Pun intended. Bottom is The Almond's Monte Carlo simulation scaled along the x-axis to fit the Harrit et al Fig 7. I then "squished" the simulated graph for height to get an idea of peak heights. Look at the green line.

I think that's pretty good match don't you? :D

Thanks The Almond - great work and to Ivan for reading the NIST report to find Laclade Joist Primer paint.

That simulation now puts the last nail in the coffin. /end thread.
 
@ The Almond:

Thanks a lot!

I'm always glad to be of service.

Only taking a quick glance, I notice a few things:
a) Your first graph goes only up to 10keV. Good for comparison with the Bentham paper, but we also have one graph from Harrit's letter that goes beyond that and has labels for Sr near, iirc, 14keV

I did see the Sr peak at 14.16 keV, but only just barely. You can still see the Sr effect on the Si peak as a widening on the right (higher energy) side of the peak.

b) N is tiny, but recognizable.

That's me being very generous. I gave the sample a dose of about 300 nA*s, which is about 10 times more than the ones in the Harrit paper. With increasing dose, the statistics get better, and the small peaks resolve themselves readily. At the doses in the Harrit paper, the N peak will disappear below the noise. I would also note that in the sample with topographic changes (the green line), the N peak is not visible. Any small (~200 nm) changes in topography will have enormous effects on the N peak.

c) You only have a Cr peak near 6keV; Harrit in his letter also has one near 5.6keV, and that's larger than the one at 6keV.

The Cr Ka peak is at about 5.4 keV, and that's the peak I'm showing. The way the energy labels are created is not ideal for reading these spectra. Look at about the third "0" in each of the numbers and you'll find the actual marker. For reference, Fe is at 6.36 keV, Si is at 1.74 keV and O is at 522 eV.

Nonetheless, these graphs are a pretty close match. Not perfect, but we knew from the beginning that we could not provide total proof without actually putting Harrit specimen next to LaClede specimen from WTC debris and did the exact same test with the exact same equipment on all of them. Our case is simply a lot better than Harrit's. And that is obvious.

I would agree with that. With sufficient tinkering, I could probably model their detector correctly, and get a better match, but I think we've got a pretty good case here.
 
You continue to ignore the necessity of meeting the above basic criteria.

Why should anyone pursue your otherwise "wild goose chase" of an argument when you cannot meet a fundamental requirement of your hypothesis?

At least you acknowledge that your use of the Muramaki paper was irrelevant and a poor example. One can only wonder about the integrity of everything you have written, when you resort to padding your theory by citing papers which you know are unrepresentative.

Possibly you are assuming that no one is sufficiently knowledgeable to catch you in such deception?

It is certainly not my desire to get dragged into examining the quagmire of irrelevant papers you so happily Google.



MM

I agree with you. I think it's time for you to convince Harret/Jones to agree to an independent investigation (with subpoena powers if they resist). The FACT they REFUSE to submit their work for peer-review and the FACT they REFUSE to allow independent access to their sample CAN ONLY mean they are HIDING SOMETHING.

My only question of you. Why are you NOT suspicious of their activities?

:confused:
 
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Ivan Kminek said:
"...red chips in Bentham paper stayed basically red after heating. Why? One hint for you: since red iron oxide was not transformed to dark elemental iron by thermitic reaction."
Oystein said:
"I'd like for MM to focus on this in his next reply."

Show me where the red chip "stayed basically red after heating"?

wtccipignitioncomp2ar1.jpg


MM
 
Show me where the red chip "stayed basically red after heating"?

Try the 'post combustion chip' in figure 23 from the Bentham report. I'd call it more pinkish, but some would call it red.

eta: here we are

chippostcomb.jpg
 
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Ergh... since my last post was mysteriously damaged or so, I will write this post once again...
 
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Although the flamewar with MM is over for me, this devoted truther still can serve for me as a source of info what should be again pointed out for other people, who are basically able to admit that Harrit et al. could be wrong with their conclusions. Now, I will concentrate solely on the color of heated red chips. I will suppose that red chips (a) to (d) in Bentham paper were particles of Laclede primer paint, e.g. since their XEDS spectra are in almost perfect match with the simulated spectra of the paint.

Laclede paint contained over 70 % of basically colorless/transparent epoxy binder (this epoxy was cured by some amine). The rest was formed by red (or reddish-brown) iron oxide (55 %), white (or whitish, yellowish) aluminosilicate (41 %) and brightly yellow strontium chromate (4 %). Whereas epoxy is degraded/oxidized/evaporated at high temperatures over ca 350 degrees C, inorganic pigments remain in the paint layer during heating up to very high temperatures and they color do not substantially change (at least in the case of iron oxide and aluminosilicate; strontium chromate – as a strong oxidizing agent – can be consumed by some oxidation reactions with organics).

The basics of the thermal degradation of amine-cured epoxy resins can be found in this fine paper, p. 209-231. The epoxy degradation is followed mostly by thermogravimetric analysis (TGA), which measures the mass decrease during slow heating.
Very typical examples of such TGA curves can be seen in these two figures of measurements on my Laclede paint imitation (composition very similar to the real paint):

http://bobule100.rajce.idnes.cz/epoxides/#TGA-N2.jpg
http://bobule100.rajce.idnes.cz/epoxides/#TGA-air2.jpg

The first Fig shows TGA under nitrogen. We can see that the most of epoxy binder is degraded/evaporated in the temperature range ca 350 – 430 degrees C. (21 % of inorganic pigments always remain in the samples even after heating.)
The second Fig shows TGA under air (i.e. at conditions of DSC in Bentham paper). We can see that the degradation proceeds basically in two steps here. In the first stage, the similar mass decrease is observed as under nitrogen, but roughly 20 % of organic matter remains in the sample up to ca 430 degrees C. This organic matter is described in the paper linked above (p. 223) as a „carbon char“. In other papers, the same kind of matter is described as „polyaromatics“ or „graphitized“. Regardless of naming, this matter is always dark/black, since it consists of system of highly conjugated polyaromatic moieties.

This carbon char can be further oxidized/evaporated at even higher temperatures. In my Laclede paint imitation, almost no char was present at ca 600 degrees C (see second Fig.). This is again a typical TGA behavior of epoxies, as can be seen in the linked paper (eg. Fig. 10).

Now, finally for colors of paint heated under air.
The fate of the dark char at high temperatures is strongly dependent on the heating conditions.

If the heating is slow and/or high temperatures last for a long time and/or very high temperature is achieved, dark char is eventually (almost) completely burned/vaporized and resulting matter is red because of the color of iron oxide.

If the high temperatures do not last for a long time and/or the access of oxygen to the sample is limited, the char is not completely burned/vaporized and the residue after heating is dark.

The first scenario can be valid for heating in DSC or TGA apparatus. Therefore, chips (a) to (d) in Bentham paper (Fig. 20) or my chip of Laclede imitation (http://bobule100.rajce.idnes.cz/epoxides/#LI1_16epi_magn.jpg) remain red.

The second scenario could be valid for the red chip heated on the heating element by Marc Basile. Therefore, this chip was dark after heating/burning (because of char color). Simply spoken: the combustion of organic matter was not perfect in this case.
 
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Show me where the red chip "stayed basically red after heating"?

Take your eyes off the chip for a monent, and go through those stills, one frame at a time, and look at the background in the upper right corner.

Dude, somebody manipulated color density or hue, so there is no proof here that the chip did not stay its proper color.

But there is something else to notice here. The chip almost immediately begins to puff up and open pores that will release volitile gases. Once the chip becomes so spongey and rugous , it stops changing shape. It has achieved something close enough to its final shape long before any visible flame appears. It still has basicly the same shape after the volitile gases are consumed. Thus, clearly, it is only the expelled gases that are consumed. It quite clearly cannot be thermite.
 
Take your eyes off the chip for a monent, and go through those stills, one frame at a time, and look at the background in the upper right corner.

Dude, somebody manipulated color density or hue, so there is no proof here that the chip did not stay its proper color.

But there is something else to notice here. The chip almost immediately begins to puff up and open pores that will release volitile gases. Once the chip becomes so spongey and rugous , it stops changing shape. It has achieved something close enough to its final shape long before any visible flame appears. It still has basicly the same shape after the volitile gases are consumed. Thus, clearly, it is only the expelled gases that are consumed. It quite clearly cannot be thermite.

:) I have just put here a quite elaborate post why Basile's chip can be dark after burning (and I stand on this), now you write that it is not really clear that the chip was dark after burning:D The video can be manipulated somehow, but probably not intentionally in some attempt to "hide" red color of the burned chip.
I think that neither Harrit nor Basile was aware that the red color of the chips after burning is in fact a proof that material under study is not a th..e...
I think that you already mentioned and Oystein wrote here that thermitic reaction does not produce any gas. Therefore, the visible smoke is very probably flammable gas formed from the degraded polymer binder. But even th....e can contain some minor amount of polymer binder, so that this is not probably a good proof of a paint.

Anyway, things remain the same: without red chips from the dust (or without Laclede paint samples) we cannot go much further... (In this point, MM was right)
 
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Miragememories said:
"Show me where the red chip "stayed basically red after heating"?"
leftysergeant said:
"Take your eyes off the chip for a monent, and go through those stills, one frame at a time, and look at the background in the upper right corner.

Dude, somebody manipulated color density or hue, so there is no proof here that the chip did not stay its proper color..."

Denial is not a river in Egypt.

Take a good look amigo. If anything changed in the 3rd image, it was brightness which if anything, would tend to favor the 'not-dark, still red' argument.

The color balance has not been doctored from one frame to the next, and if you lower the brightness to match the upper right hand corner
of the 3rd image with the 2nd image, you will only make the former "red" chip blacker than it already appears.

Ivan Kminek said:
"...red chips in Bentham paper stayed basically red after heating. Why? One hint for you: since red iron oxide was not transformed to dark elemental iron by thermitic reaction."

redchiptoblack1.png


The caption that was provided with the 4th image stated; "This is the same chip bottom view after that ignition from the outside."

All Ivan's hand waving about how his homemade paint behaved, is nothing more than a wild goose chase.

The ignited red chips do not behave like any paint, and particularly not in the manner of Ivan's concoctions.

He has no basis for continuing to claim that they are fundamentally the same!

THE RED CHIPS ARE NOT PRIMER PAINT.

MM
 
A minor technical detail, MM, but why do you (apparently) edit out the post number you are replying to when you quote posts? This removes the link-arrow thing, making it difficult to navigate a series of your posts.

And would you not agree that Bentham fig. (23) of a combusted chip looks remarkably red?

The difference, quite possibly, is that the charred chip in your post #850 was on a smooth surface with restricted airflow to the underside.
 
"Although the flamewar with MM is over for me, this devoted truther still can serve for me as a source of info what should be again pointed out for other people, who are basically able to admit that Harrit et al. could be wrong with their conclusions. Now, I will concentrate solely on the color of heated red chips. I will suppose that red chips (a) to (d) in Bentham paper were particles of Laclede primer paint, e.g. since their XEDS spectra are in almost perfect match with the simulated spectra of the paint.

Laclede paint contained over 70 % of basically colorless/transparent epoxy binder (this epoxy was cured by some amine). The rest was formed by red (or reddish-brown) iron oxide (55 %), white (or whitish, yellowish) aluminosilicate (41 %) and brightly yellow strontium chromate (4 %). Whereas epoxy is degraded/oxidized/evaporated at high temperatures over ca 350 degrees C, inorganic pigments remain in the paint layer during heating up to very high temperatures and they color do not substantially change (at least in the case of iron oxide and aluminosilicate; strontium chromate – as a strong oxidizing agent – can be consumed by some oxidation reactions with organics).

The basics of the thermal degradation of amine-cured epoxy resins can be found in this fine paper, p. 209-231. The epoxy degradation is followed mostly by thermogravimetric analysis (TGA), which measures the mass decrease during slow heating.
Very typical examples of such TGA curves can be seen in these two figures of measurements on my Laclede paint imitation (composition very similar to the real paint):

http://bobule100.rajce.idnes.cz/epoxides/#TGA-N2.jpg
http://bobule100.rajce.idnes.cz/epoxides/#TGA-air2.jpg

The first Fig shows TGA under nitrogen. We can see that the most of epoxy binder is degraded/evaporated in the temperature range ca 350 – 430 degrees C.

(21 % of inorganic pigments always remain in the samples even after heating.)
The second Fig shows TGA under air (i.e. at conditions of DSC in Bentham paper). We can see that the degradation proceeds basically in two steps here. In the first stage, the similar mass decrease is observed as under nitrogen, but roughly 20 % of organic matter remains in the sample up to ca 430 degrees C. This organic matter is described in the paper linked above (p. 223) as a „carbon char“. In other papers, the same kind of matter is described as „polyaromatics“ or „graphitized“. Regardless of naming, this matter is always dark/black, since it consists of system of highly conjugated polyaromatic moieties.

This carbon char can be further oxidized/evaporated at even higher temperatures. In my Laclede paint imitation, almost no char was present at ca 600 degrees C (see second Fig.). This is again a typical TGA behavior of epoxies, as can be seen in the linked paper (eg. Fig. 10).

Now, finally for colors of paint heated under air.
The fate of the dark char at high temperatures is strongly dependent on the heating conditions.

If the heating is slow and/or high temperatures last for a long time and/or very high temperature is achieved, dark char is eventually (almost) completely burned/vaporized and resulting matter is red because of the color of iron oxide.

If the high temperatures do not last for a long time and/or the access of oxygen to the sample is limited, the char is not completely burned/vaporized and the residue after heating is dark.

The first scenario can be valid for heating in DSC or TGA apparatus. Therefore, chips (a) to (d) in Bentham paper (Fig. 20) or my chip of Laclede imitation (http://bobule100.rajce.idnes.cz/epox...16epi_magn.jpg) remain red.

The second scenario could be valid for the red chip heated on the heating element by Marc Basile. Therefore, this chip was dark after heating/burning (because of char color). Simply spoken: the combustion of organic matter was not perfect in this case."

A few preliminary observations.

It is important to note the time scale applied for those TGA curve.
http://bobule100.rajce.idnes.cz/epoxides/#TGA-air2.jpg
This represents the application of heat from 40C to 800C at a rate of 10C per minute.

Your statement that; "We can see that the most of epoxy binder is degraded/evaporated in the temperature range ca 350 – 430 degrees C.", translates to a time period of 1 hour and 20 minutes.

You base your char conclusions on your reference papers, and a strong dependency on heating conditions.

For the purposes of this reply, I will address your reference to the Mark Basile tests which I have already used as visual evidence.

For Mark Basile's observations, you use the criteria; "If the high temperatures do not last for a long time and/or the access of oxygen to the sample is limited, the char is not completely burned/vaporized and the residue after heating is dark.".

You claim that Mark Basile's red chip test fits this criteria without attempting to justify your conclusion.

Actually, if I interpret your scenario 1 correctly, you believe that had he exposed his red chips to a very long period of high heat, that his red chip would have gone black and then back to red because the final residue would be the reddish iron oxide.

Well Mark Basile's test was certainly not of long duration. What would be expected from an energetic thermitic ignition.

He setup a power supply to deliver 6.8 amps electrical current to a .002 inch thick stainless steel strip .1 inch wide x .25 inch long. The power supply was preset to give this current, the chip was placed onto the strip, video record was activated, and then after approximately 5 seconds, power was applied to the strip.

There is no reason to believe that the test was in an oxygen-restricted environment.

You were notably silent on what constituted a high temperature, and what is too short a time span.

Anyway.

Based on a video reference frame of 75099 (approximately 00:41:40 into his video presentation 911 Dust Analysis Raises Questions); and a final reference frame marked when ignition was extinguished at 75170, some timing information could be determined. Note, each video frame should represent the NTSC standard of 1/30th of a second.

It took 49 frames for the gas to be released (~1 2/3 seconds).
4 frames later the flash of ignition occurred and its total duration was 18 frames or 3/5 of a second.

So compared to those times described by your TGA tests, we are talking damn fast.

Here is how Mark Basile characterizes what was observed in the video of his test;

Chemist said:
"Basically what happened is that the red chip ignited and what you see is that on the left hand side of the chip, you see a sudden bright white-hot flash and you are then going to see a wave front move through the inside of the chip because it is so bright inside that it is actually radiating through the material that is still surrounding it. You basically see a bright flash progressively move through that chip and then extinguish. The chip pretty much puffed up and you can see gas escaping from it. It has basically become porous on the outside with actually some holes that burst through allowing the gas to escape out."

redchiptoblack1.png


"Inside we find the reaction product of solidified iron metal droplets and thin films of metal on the void walls within the residue."

irondropletsthermite1.png


"From the reaction, they have basically fallen to the bottom of the chip. And then when they cooled, they have solidified. So they are not perfect spheres. Microspheres form when a material is liquid and it falls through air and the only real force acting on it is its own surface tension. And so it tries to minimize that surface area, and hence the surface energy, and goes into a sphere because that is the minimum surface area for a given volume of material.

These don't form into perfect spheres. They are trying to but then they hit something and they flatten out and so you basically wind up with all these metallic iron-based droplets that formed inside the chip. And the other thing. They don't all form into droplets. As these are actually burning down through the chip, or melting their way down through, they actually along the walls leave this very thin film of solidified iron.

Where as if you take these chips, before you ignite them, and I have done it, just like I did where I said I exposed a fresh section. I've cut into these chips, dozens, if not hundreds of times and I have never found an iron microsphere inside. I have never found a film of iron inside. It is not there until the chip reacts. When the chip reacts, it produces molten iron. There is no free iron. There is iron oxide before you ignite it but there is no free iron inside these chips."

Now Ivan, if I understand you correctly, you believe that by further subjecting this residue to high extended heat, we will end up with red residue representing the iron oxide remains of your Laclede paint?

Sorry but I think you fail.

THE RED CHIPS ARE NOT PRIMER PAINT.

MM
 
ivan-
did you create your paint chips via the electro-deposition route?

do you have any articles/research papers that deal with these ingredients/pigments of iron oxide, aluminum silicates and strontium chromate with epoxy amines using the electro-deposition technique? or anything close?
 
ivan-
did you create your paint chips via the electro-deposition route?

do you have any articles/research papers that deal with these ingredients/pigments of iron oxide, aluminum silicates and strontium chromate with epoxy amines using the electro-deposition technique? or anything close?

No, I did not create my "chips" via electrodeposition. I wrote in my post No 478 that I used common epoxide (Henkel brand) for this imitation and it was cured as cast film.

I also have not found any paper studying just such composite (iron oxide, aluminosilicate and some chromate in epoxy binder). This is why I "concocted" such mixture by myself. It would be difficult to prepare epoxy suitable for electrocoating, I think, this is quite "hi-tec matter". I wrote also an e-mail to PPG Industries (probable manufacturer of "Laclede paint") but they have not answered.

On the other hand, I have found a lot of papers dealing with epoxy/aluminosilicate and similar composites. Such kind of inert fillers/pigments does not change the thermal behavior of epoxy very much.
Looking to several tens of papers dealing with epoxy degradation and two Czech text-books on epoxies, I can only say that regardless of fillers, epoxy binder is (almost) always massively degraded in the temperature range ca 350-450 degrees C (rarely, the greatest deal of degradation is shifted to somewhat lower or higher temperatures). This is why I am sure that the thermal behavior (TGA curves) of my Laclede paint imitation is just typical one.

I think there is no reason to prepare some closer imitation of Laclede paint at the moment. Almond's new simulation of XEDS of the Laclede primer paint and its comparison with XEDS of the red chips (a) to (d) can serve as a good proof that we are dealing with this paint (or some very, very similar paint). The probability that this is not true is similar to the probability that I will be killed with some meteorite today. I think:cool:
 
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ivan-
did you create your paint chips via the electro-deposition route?

do you have any articles/research papers that deal with these ingredients/pigments of iron oxide, aluminum silicates and strontium chromate with epoxy amines using the electro-deposition technique? or anything close?
How would the application technique effect the make up of the chip? All they did is positively charge the paint and negatively charge the work piece. It speeds application and helps maintain a more uniform film.
 
How would the application technique effect the make up of the chip?
how would the iron oxide, aluminum silicate and the strontium chromate be deposited via the electrodeposition technique onto the steel? what about the epoxy amine.....how would that build up? would it look like fig 9 in the thermitic paper? thats why i asked ivan for some articles or research papers that deal with those types of pigments and the electrodepositon of those pigments.
All they did is positively charge the paint and negatively charge the work piece. It speeds application and helps maintain a more uniform film.
well the technique does create a uniform film but can you find any articles that go into using those particular pigments and the epoxy amine? i cant....but maybe im just looking in the wrong place?
 

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