Within days of my going public last September with the speculation that terrorist emeritus Bill Ayers helped Barack Obama write his acclaimed memoir, Dreams From My Father, I learned that I was not alone in that intuition.
Since then, I have received helpful contributions from serious people in at least five countries and any number of states and have integrated many of their observations into my ongoing narrative, summarized here (
http://www.americanthinker.com/2009/05/who_wrote_dreams_and_why_it_ma_1.html ). If you are unfamiliar with this research, please read this before going forward.
Going forward, I will be referring to five books. These include Ayers' 1993 To Teach, his 1997 A Kind and Just Parent (shorthand: Parent), his 2001 memoir Fugitive Days, and Obama's 1995 Dreams From My Father (Dreams). … snip …
What Mr. Midwest noticed recently is that both Ayers in Parent and Obama in Dreams make reference to the poet Carl Sandburg. In itself, this is not a grand revelation. Let us call it a C-level match. Obama and Ayers seem to have shared the same library in any case. Both talk of reading the books of Malcolm X, James Baldwin, Langston Hughes, W.E.B. Dubois and Frantz Fanon among others. In fact, each misspells "Frantz" as "Franz."
Ayers and Obama, however, go beyond citing Sandburg. Each quotes the opening line of his poem "Chicago." From Dreams:
He poured himself more hot water. "What do you know about Chicago anyway?"
I thought a moment. "Hog butcher to the world," I said finally.
From Parent:
"At the turn of the century, Chicago had a population of a million people and was a young and muscular city - hub of commerce and industry, the first skyscraper city, home of the famous world exposition, "hog butcher to the world" - bursting with energy."
This I would call a B-level match. What raises it up a notch to an A-level match is the fact that both misquote "Chicago," and they do so in exactly the same way. The poem actually opens, "Hog butcher for the world."
Last week, the first email I received from Mr. West had in the message box "759 striking similarities between Dreams and Ayers' works."
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Mr. West's analysis was systematic, comprehensive, and utterly, totally, damning. Of the 759 matches, none were frivolous. All were C-level or above, and I had no doubt of their authenticity.
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I read through all 759 matches and culled out those that I would consider B-Level or above. There were 180 of these. As a control, I tested them against my own 2006 book Sucker Punch, like Dreams and Fugitive Days a memoir that deals extensively with race. In that I am closer to Ayers in age, race, education, family and cultural background than Obama is, our styles should have had more chance of matching. They don't. Of the 180 examples, I matched, strictly speaking, on six. Even by the most generous standard, we matched on only sixteen.
Let me just cite a few matches between Ayers' work and Dreams that I found intriguing.
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Mr. West independently came to the same conclusion that I did, namely that Ayers was not meaningfully involved in Audacity. These two Obama books almost assuredly had different primary authors. What should be transparent to any literary critic is that the author of Audacity lacked the style and skill of the author of Dreams.
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Bill Ayers was no one's ghostwriter. The now overwhelming evidence strongly suggests that he used the frame of Obama's life and finished it off with his own ideas, his own biases, his own experiences, his own passions, his own friends, even his own romances, all of this toned down just enough to keep Obama viable as a potential candidate.