LondonJohn
Penultimate Amazing
- Joined
- May 12, 2010
- Messages
- 21,455
The truly saddest thing is he could get away with that because of the conditions created by the police leaks and tabloid smears. I came across another one recently that I had missed the first time around or had forgotten about. It was a piece by Nick Pisa that relied on leaks of conversations between Amanda and her mother, at the jail I presume. It was based on the fact that Amanda had said that her cellmate and a 'warder,' which I figure is probably some kind of guard, had propositioned her for sex because 'she was so pretty.' Yet it was spun as Amanda being narcissistic for daring to be frightened that she might be sexually abused in the prison.
There was something going on there in Perugia I think, a zeitgeist of sorts where they created a monster in their minds and Amanda wasn't even human and thus everything they came across had to be more 'evidence' of 'Foxy Knoxy' if they 'read between the lines.' I notice Pisa's more recent pieces are more insightful, I wonder if he feels anything like Shirer did when he looked back at his reporting of Hitler's receiving the 'blank check' from the homeless Reichstadt?
I think Pisa is a common-or-garden hack, who will write anything he thinks has a chance of publication. He's therefore always looking for the prevailing zeitgeist, and tailors his copy accordingly. When it was expedient for him to be writing pieces critical of Knox and Sollecito, that's what he wrote. Now it looks like the "fightback" is the story people are interested in, that's the tone he's taken.
Never forget that Pisa is a freelance stringer, who gets paid per article. So is Vogt. So is Nadeau. I think they all write what they think will get them the biggest paycheck. I don't necessarily blame them for that - they are just trying to earn a decent living. But I wouldn't trust a word that any of them write in a freelance capacity - the remuneration system is heavily biased against objective, balanced, sober reportage.