Bigfoot: The Patterson Gimlin Film - Part 3

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WP was so right. Bigfoot tracks are folk art. How anyone could ever think a real foot made those Wallace tracks makes the palm want to find the face.
 
No. The photo is too shadowy to tell.

I disagree. The Wallace foot is clearly identified by the following.

wallaceq.jpg
 
Forget about the toes, just look at where the ball pushes out horizontally. It definitely came from Wallace.

No one other than Wallace made stompers with that feature?

Plus the ball on the cast in Drew's photo sticks out quite a bit, but not nearly so much in the photo of the impression.

Is a horizontally-splayed ball something that never appears in human footprints? Neither of the casts in Kit's post show this feature. In fact, their shape is quite similar to the living human foot cast I'm looking at on my bookshelf right now.
 
Edited to make clear: I want to be able to look at a cast (and help others do the same) and quickly recognize it as an obvious fake. The Holmesian timeline stuff Kit's reconstructed is cool, but it's a pretty big investment to piece it altogether in your head to come to the inevitable conclusion - and the inevitable part is subjective of course.

Check DesertYeti posts regarding a test he made to probe how good people are (actually think) they are in detecting fake footprints. There were some nice hints on what to look for.

It was fun to see how certain people were fooled.
 
I disagree. The Wallace foot is clearly identified by the following.

[qimg]http://img17.imageshack.us/img17/8408/wallaceq.jpg[/qimg]

Actually, it's decidedly less clear than you think. The form in this photo is quite different than the image you posted in #3994.
 
Actually, it's decidedly less clear than you think. The form in this photo is quite different than the image you posted in #3994.

You are correct, the one I diagrammed has the double ball, the one I am comparing as an exact match is the cast on the desk, with the left print on the photo.

The diagrammed cast does not match.
 
You are correct, the one I diagrammed has the double ball, the one I am comparing as an exact match is the cast on the desk, with the left print on the photo.

The diagrammed cast does not match.

So why use it in post #4003, to intentionally muddy the waters?

What I'm hearing/seeing is that there were at least two types of stompers crafted by Ray Wallace. You think the one you posted earlier (#3994) is a match for the photo in Kit's post. I don't think it's an obvious match. To me, the ball doesn't stick out that much in the photo, and the deep shadow precludes any meaningful comparison of the shape, size, and arrangement of the toe impressions. I'm not saying it's not a match, just that I'm not convinced it is merely by comparing these photos.
 

More of the same if you ask me. The only way to make sense of this is to construct some kind of a timeline/organizational chart of who found what impression when and where. From what I read there are fakes of Wallace's footprint forms? There's a "real" Titmus cast and a "fake" one? Green compared "fake" versions of Wallace's forms to the casts of the footprints found in 1958 and declared they didn't match?
 
yes, Wallace stompers come in two flavors. To John Napier, this was certain evidence of hoaxing. The prints could not have come from the same species. He classified them as the non-human and the human-like.
Here are more examples of the human-like, along with some Bigfoot toys.
WallaceFakes.jpg

It appears that both types were present after the Labor Day weekend, and Green says they were only a few hundred yards from the film site.
 
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When, i first grabbed it, I didn't realize the first print didn't have the double ball.
It was a mistake obviously. I thought the first cast on the desk would have the double ball. It simply matches the photo though.
 
Right, it's completely bewildering to the uninitiated - and mostly bewildering to me who's been trying to follow this stuff more closely than the vast majority of people.

Newbies who really aren't sure if there's a bigfoot or not have probably heard about "that guy who faked bigfoot prints." They probably make the assumption that there are "hoaxed" prints and "real" prints out there, and right now it's guys like Meldrum who are instructing them how to do that. He does that with very simple messages like "See the mid-tarsal break?" and "See how the toes move from one impression to another?"

Skeptics need equally simple counters to Meldrum's BS to demonstrate to newbies our confidence that there are no "real" bigfoot prints. It can't be as complex as Wallace, Patterson, Green, Crew, Titmus, Laverty, Krantz, etc., and the timeline that each of them found what where.

We need barefoot Shaq on a sandbar . . .

PS: No worries Drewbot; I was just muy confused.
 
Munns will try to tell you that you can't use the foot as a ruler to determine the height of the subject because the foot is moving fast/you can't tell the length/it's moving too fast. What ever.
 
"Munns will try to tell you that you can't use the foot as a ruler to determine the height of the subject because the foot is moving fast/you can't tell the length/it's moving too fast. What ever."

Munns will not tell you any such thing.

Munns will tell you that the foot is one of the fastest moving parts of the body in a walk cycle, and so there should be an analysis of motion blur as a factor before the foot-as-ruler concept is accepted as a determination. Where is that analysis of how much of a variable the motion blur issue might afect the apparent foot size as seen in the image?

Munns will say that there is a variable apparently not yet considered, but should be, before a conclusion is reached.

Please beware of other people telling you what Munns is trying to tell you, because they clearly don't know what Munns is actually saying.

Bill Munns
 
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