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The PG Film - Bob Heironimus and Patty

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.....without the flexibility and complex movements of Patty's leg.

Quantify "Flexibility and complex movements" so we can all determine what you are stating is accurate. If not, it is just another subjective determination by yourself. Are you a doctor? Have you studied anatomy of humans or bigfoot? What makes you qualified to determine they are too flexible and complex for a suit?
 
There is a very distinct detail, on the back of Patty's left leg, which doesn't seem like it could co-exist on a suit-leg that also has "material folds" on it, due to a loosely fitting suit.


Check out the calf muscle area on Patty's left leg....and notice how, while the calf area bulges by a significant amount....there is an area directly to the right of the bulge which doesn't move, or bulge, in the least...


PattyLLEGgif33.gif



I highlighted the area I'm talking about (that area that doesn't move) in yellow...


PattyLLegAG22.gif




Here are just two frames of that gif, showing the degree to which the bulge changes...


PattyLeftlegAG11.gif




The main point being, if the 'suit' is loose-fitting enough (at the leg) to have distinguishable folds in it, then how could that same general area of 'suit' also exhibit the ability to stay tight against the back of the actor's leg?....especially as the 'suit' all around it is bulging??

SweatyYeti, I'd like to say "thank you", without a trace of irony, for posting a reasonably intelligent, rational analysis of the images on the film, free from insult and derogation, and assembled in an easy-to-read format that lends itself to close scrutiny. If we can continue in this vein, and if you prove willing to address my forthcoming objections, I foresee a fruitful discussion emerging from this exchange.

Sweaty, the half-moon bulge you're noting in yellow does appear to be consistent with the lower semimembranosus muscle of the posterior leg in human beings. However, this verisimilitude ("real-seeming") does not mean it is an actual muscle comprised of real living tissue. The bulging and the change in shape from step to step can be accounted for by a number of possibilities, including:

  1. It is a man-made element of a latex/rubber muscle suit akin to the 1966 "Gorn" suit, which had realistic (but fake) muscles formed onto its legs.
  2. It is a material fold or "bag" that bulges with the dynamic action of the leg.
  3. It is the actor's own muscle, bulging beneath the fabric of the tight-fitting suit.
  4. It is a film artifact, a consequence of the extreme expansion of the figure to facilitate study.
  5. It is an effect of the optical illusion called apophenia.

Personally, I'm willing to discard #4 and #5 because, as you rightly note, the shape recurs over multiple frames (discounting the "film artifact" scenario) and is clearly visible as an actual, distinct unit of chiaroscuro rather than an illusion dreamed up by the viewer. However, #5 ("apophenia") is closely related to #2 ("material bag"), which cannot be discounted without some careful explanation as to why we should accept "real muscle" over "material bag". In my subjective opinion, though, we're looking at #1 ("muscle suit") as the most reasonable explanation, since the shape appears to occur in the precise location of the lower semimembranosus muscle, and has a lifelike semblance that would seem to challenge the accidental formation of a material bag.

As to #3 ("actor's muscle under tight suit"), and to your objection that "if the 'suit' is loose-fitting enough... to have distinguishable folds in it, then how could that same general area of 'suit' also exhibit the ability to stay tight against the back of the actor's leg?", allow me to explain. Imagine if you will a spandex suit, akin to gymnastics or "superhero" tights. This material is made to cling tightly to the underlying form. However, even that skintight synthetic fabric wrinkles at the joint where the form beneath it bends. I'm not suggesting that the PG suit is spandex; I'm using that material as an extreme example. The Patty suit is considerably less skintight than spandex, given the material folds that I can plainly see in certain areas of the leg. Whatever fabric the probable Patty suit is comprised of, it's tight enough to conform to the underlying musculature or padding, but loose enough to allow wrinkles and folds. The two concepts are not mutually exclusive.

Whatever the shape is, its change in shape from frame to frame can be accounted for by shifts in light and shadow that occur from one position to the next (IOW as the figure moves from left to right, while the light source remains stationary), and by the dynamic and flexible nature of any relatively soft, pliant material, of which suit fabric certainly would be composed.

SweatyYeti said:
Here's another un-suitlike thing, happening on Patty's right leg...


Pattywalk59.gif



The 'pop-up bulge' appears as Patty's leg is in the air, and bending at the knee joint......but, then....only a second or two later, as her foot hits the ground hard, something ripples in the thigh area, in the very same area as the pop-up bulge.....yet there is no sign of that bulge re-appearing.


This is...clearly, and unambiguously, complex behavior of that small area on Patty's thigh.....and so, the question which needs to be addressed is.......which scenario better explains such complex behavior.....simple padding inside of a pant-leg, or a complex arrangement of muscle tissue and flesh??

My money is on the complex flesh and muscle of a Sasquatch leg. :)

Sweaty, the rectus femoris muscle of the primate leg does not move in that way, no matter how "complex" the action appears to be on the PG film. As before, the bulging and the change in shape from step to step can be accounted for by a number of possibilities, including:

  1. It is a film artifact, a consequence of the extreme expansion of the figure to facilitate study.
  2. It is a patch of fur flipping up as the leg comes down, then smoothly re-joining the surrounding fur as the foot meets the ground.

My "money", as you put it, is on a combination of the two above scenarios. #1 is plausible in this instance because the extreme bulge or expansion of form is seen for only one or two frames. #2 is especially probable if one considers that this area of the upper thigh represents the point where the fur of the upper "torso" portion of the suit hangs over the lower "pants" portion of the suit.

Either way, and I want to stress this once more, there is no way the action of a real rectus femoris muscle could account for the sudden vertical expansion of fur seen in the film. That muscle of the anterior thigh is long, extending from the iliac (pelvic) crest all the way down to the knee; it does not bulge suddenly and vertically at a focused area of the mid-thigh. This is not a natural or "complex" dynamic phenomenon of any known muscle group of any known animal species.

If Patty is a real non-human animal, she either has a bewilderingly unique muscular patch that expands upward for no apparent reason, or she has multiple hernias concentrated in an area of her upper thigh, which would logically undermine her efforts at locomotion, but which do not appear to hinder her in the film.

SweatyYeti said:
If anyone thinks that it is most likely simple padding movement....I'd love to see that person attempt to re-create it.

It should be a simple task. ;)


Oh, lucky us....here comes Dfoot now, with his version of Patty....aptly named Stiffy...


stiffpadding2.gif



One would be hard pressed to find any ripples, pop-up bulges, or calf muscle bulges in that very fine piece of construction! :)

Dfoot's suit doesn't have fur that could fly up while the leg comes down, and there are no film artifacts attendant to his video which was shot in medium close-up.
 
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Images attendant to my above post:

Semimembranosus muscle:

semimembranosus_muscle.jpg


Gorn suit (musculature of the thigh seen from the front only):

gorn.jpg


Spandex suit with visible material folds (stop gawking, nerd boys!):

2482674480_2dfa2d4b11.jpg


Rectus femoris muscle:

rectus_femoris_rupture.jpg
 
Images of visible material folds on the PG figure:
 

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Images of visible material folds on the PG figure:

Vort.... I'm finding your observations curious. It escapes me how you were able to publish your first article claiming "expert observations" only to discount your own "expert observations" after only a brief wade in the skeptic pool. While your photo set may or may not show material folds how was it that you missed these details during the preperation of your "expert observations" as you were preparing your first article?
 
Vort.... I'm finding your observations curious. It escapes me how you were able to publish your first article claiming "expert observations" only to discount your own "expert observations" after only a brief wade in the skeptic pool. While your photo set may or may not show material folds how was it that you missed these details during the preperation of your "expert observations" as you were preparing your first article?

Try to keep up, log. You seem to have forgotten that Vort explained exactly that in his very first post here.
 
Crowlogic, I'm not immune to error. As I've explained here and in the PGF3 thread, my initial observations were flawed because a) I was focusing my attention on the back, shoulders and arms, which appear to show lifelike musculature but no visible material folds, and b) I was as yet unaware of the existence of muscle suits prior to Rick Baker's groundbreaking work on the 1976 King Kong suit. Once I saw the 1966 "Gorn" muscle suit, and once I began to investigate the PG figure's legs, I realized my AnomalyMagazine article was flawed, and I immediately sought to rectify my errors.

My "brief wade in the skeptic pool" consisted of several days of intensive study of every single page, post and 90% of the links offered in the PGF3 thread up to that time, which period of research availed me a wealth of information previously unknown to me.

I hope that answers your questions to your satisfaction. If not, I'll be glad to elucidate further at your request.
 
Vort.... I'm finding your observations curious. It escapes me how you were able to publish your first article claiming "expert observations" only to discount your own "expert observations" after only a brief wade in the skeptic pool. While your photo set may or may not show material folds how was it that you missed these details during the preperation of your "expert observations" as you were preparing your first article?

Darth Vort was also blessed with the knowledge of the "Q". It only takes a snap.

Seriously, ( and few were more suspicious than I) regardless of his prior article, the errors seem to have been corrected. Thats a lesson many in the BF world ( and many outside it too) should learn
 
My "brief wade in the skeptic pool" consisted of several days of intensive study of every single page, post and 90% of the links offered in the PGF3 thread up to that time, which period of research availed me a wealth of information previously unknown to me.

Log is obviously making the not-so-subtle implication that the revision of your position was due to some form of peer pressure or brow beating rather than the concerted critical thinking and intellectual honesty you applied. Not only is she conveniently ignoring the facts as you explained them from your very first post but she is also ignoring that you have taken time explaining in explicit detail all your observations and opinions.

Basically she is seeking to undermine what was a very legitimate examination and revision. People like Sweaty and her don't like the outcome so they try to cast it in a negative light.
 
Vortigern wrote:
SweatyYeti, I'd like to say "thank you", without a trace of irony, for posting a reasonably intelligent, rational analysis of the images on the film, free from insult and derogation, and assembled in an easy-to-read format that lends itself to close scrutiny.
If we can continue in this vein, and if you prove willing to address my forthcoming objections, I foresee a fruitful discussion emerging from this exchange.


You're welcome, Vort...:). Thank you for your analysis, in return.

I'd be more than happy to carry on a rational discussion of the evidence with you...or (most) anybody, for that matter. Sometimes it's difficult to do that with some of the skeptics here, who misrepresent what I say in my posts, and/or misrepresent what's in the graphics I post....along with the false accusations, and personal attacks, to boot.


It'll probably take me a day, or two, to respond to your analysis, though....I'm extremely busy at the moment, moving to a new residence.


Also, thanks for the compliments on the post, itself. I always try to arrange the contents of my posts so that the points I'm attempting to make are as clear as possible.
 
Astro wrote:
What makes you qualified to determine they are too flexible and complex for a suit?



Here we have misrepresentation #757. :)


I didn't determine that the movements are definitely too complex to be a suit, Astro.

This is what I said...

This is...clearly, and unambiguously, complex behavior of that small area on Patty's thigh.....and so, the question which needs to be addressed is.......which scenario better explains such complex behavior.....simple padding inside of a pant-leg, or a complex arrangement of muscle tissue and flesh??

My money is on the complex flesh and muscle of a Sasquatch leg.


I think that the 'flesh and muscle' scenario is most likely the correct explanation for that movement....but I don't know, with 100% certainty, that it is.

I would 'bet money' on it, simply going by the 'odds', or 'probability' of that explanation being the correct one.
 
Astro wrote:

What makes you qualified to determine they are too flexible and complex for a suit?


Here we have misrepresentation #757. :)

Here we have evasion #757. :)

Let's bold the part that Sweaty disregarded to quibble semantics:

Quantify "Flexibility and complex movements" so we can all determine what you are stating is accurate. If not, it is just another subjective determination by yourself. Are you a doctor? Have you studied anatomy of humans or bigfoot? What makes you qualified to determine they are too flexible and complex for a suit?

Intellectually dishonest people ignore the real issues to dither insignificant details. Sweaty has no interest in a sincere, constructive debate. He's much more interested in obfuscating and distracting from his garbage flawed arguments.

Try arguing that as a misrepresentation. I dare you.
 
I would 'bet money' on it, simply going by the 'odds', or 'probability' of that explanation being the correct one.

If you want to change your stance, that is fine with me. What makes you qualified to determine it is likely that "the 'flesh and muscle' scenario is most likely"? What evidence that is NOT subjective (where you see muscle, others see evidence of a suit if you haven't been paying attention) indicates it is NOT a suit? What evidence do we have that such a creature actually exists to increase the probability that this is not a guy in a suit? Feel free to bet on the lottery. I think your odds are about the same in buying the winning ticket for the jackpot.
 
Astro wrote:
What makes you qualified to determine it is likely that "the 'flesh and muscle' scenario is most likely"?



THIS is what qualifies me, Astro....a few months ago I bought this excellent dvd, all about padding...from this well-known guy...




VideoProf6.jpg
 
THIS is what qualifies me, Astro....a few months ago I bought this excellent dvd, all about padding...from this well-known guy...




[qimg]http://i172.photobucket.com/albums/w28/SweatyYeti/VideoProf6.jpg[/qimg]

Here we have evasion #758. This is yet another fine example of how Sweaty has no interest in sincere debate or pursuing the truth or answering highly relevant questions. It is exactly the same as pointed out in post #1117 where when Sweaty was asked what sample base of humans he had before pronouncing Patty's arms inhumanly long he replied "enough humans, for my liking :)". Also when asked about Bob Heironimus' presence on Patterson's film he gave his astronaut washout reply.

I substantiate what I say and I do not misrepresent Sweaty. He is intellectually dishonest and cowardly and the proof is right there.
 
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