No I was talking about the difference between them. What does a condenser mic amplify?
condenser mics require power to operate. The FET or tube is used to power the transducer capacitor. This creates a sensitive mic, meaning lots of output. The power system for the capacitor is know as the mic pre or mic preamp.
Yeah and I own a bunch of cars but it doesn't make me a mechanic. I do know that there are big differences between all of them though.
Guess I have to repeat myself. There are differences between cars. They all have the same function. None of your cars teleport.
I didn't say anything about directionality setting.
arguing directionality would be the only thing that could potentially make sense for you to argue. Arguing magic as the function of microphones is even stupider.
Another genius huh? Good educate me. Why don't you explain proximity effect and try to keep in in context to Gravy's piece of crap video that proves nothing? And no blowhard revisionism please.
Good news! I already explained proximity effect. Please check my long microphone basics post. Keep in mind that proximity effect only takes place within inches of directional mics. It does not take place at all beyond inches or with omnidirectional mics at any distance.
I did not bring up all mic's being the same I was responding to it. If people don't know what was used in the video that is the topic of this thread then how do they assert to know or even start to bring up every single type of microphone? I was at least trying to keep it general but like always here at JREF people try to sway the conversation to their specific experiences or claimed expertise. When I ask about the topic? I get "I didn't see it"
IIRC, Gravy's video is most of an hour long. Maybe you could refer me to the relevant moment and I could weigh in. I'm not planning to watch the whole thing if it is as long as I think.
The reason I can weigh in is because what you're describing would be impossible for any mic. It would be like a claim that a car teleported, or a camera records pictures with the lens cap on or detergent dyes clothes into a variety of colors.
Good. Explain proximity effect. After you watch Gravy's comparison. You know.? What I'm talking about? You came in the middle of a thread where you have admitted to not even seeing the topic and you're telling me about dodging context?
This shows that you don't know what proximity effect is. There is no way that proximity effect could be relevant to any WTC video. Proximity effect is most commonly heard with hand held vocal mics and sometimes with drums, though it tends to be subtle on drums.
Really? So why did you try a bunch of different brands?
Price. I found out I didn't need to pay more for expensive detergent to get the results I wanted.
Really? In any kind of light?
In any kind of light, cameras will pick up the light that gets into their lens. In any sound conditions, mics will pick up the sound that reaches their transducer.
Yes. All kinds of techniques to capture the right sound you are looking for and nothing is really wrong. It depends on what you want. But why so many different ways? Why not just stick the instruments in the room with one mic?
Sound design. I might want a rock band to have a different sound than a classical ensemble. Since stereo exists, I would never use one mic, but I often use 2-5 distance mics to capture classical ensembles. Look up near-coincident pair technique. That's my favorite for picking up small to medium classical or acoustic folk ensembles. It uses two mics for everyone. I could do the same for a well balanced rock band, but I've yet to hear a well balanced rock band. I also want to avoid any room reverberation on bass sounds in a rock band, so I have to close mic them to get the sound I want. These techniques are all because mics all operate the same way. If mics were as magical as you imply, I would just put up one and get whatever I wanted.
Yes but there is a topic here. Remember what you said about context?
I don't need to see the example to tell magic from reality.
I don't know what you mean by that in context to Gravy's video.
Demolition charges must precede buildings falling. Therefore there is no way for building falling to cover demolition charges. Cause and effect. Time. Both exist.
http://www.epanorama.net/circuits/microphone_powering.html
Many types of microphones require power to operate, as a
general rule these types are described as condenser microphones. The power is used for internal
pre-amplifiers and polarizing microphone capsules.
all condenser mics require power. I mentioned that in my long post.
http://www.freepatentsonline.com/4757545.html
A microphone comprising a double membrane condenser unit and an
amplifier circuit is connected to a power supply.
included for completeness, mostly since I covered this above. A double membrane allows selectable directionality in condenser mics, by the way.
Don't forget the tube. What's the tube for in a condenser mic? What's flat frequency response?
Most condenser mics do not have a tube. Tubes can be used instead of an FET to power the capacitor. For people with more money than sense, really. Flat frequency response is the claim that a microphone hears all frequencies (pitches) equally. An ideal microphone would hear all those frequencies exactly the same. In reality, none do perfectly. Generally condenser mics come much, much closer to that ideal. This is what I was referring to by "fidelity" in my long post.
How do you know how near it was? What it was?
as myriad said, video mics are generally attached to the camera. What type is was is not relevant, since as we've said over and over, all microphones would be capable of picking up demolition charges. They do not operate by magic.