Links, please.One emanates from Foster Zygote who claims to be outraged by my laughing at the rescue guys squirting disinfectant at them. Another emanates from JayUtah desperate to make out I believe the Moon has a real hill 66K high. Plus some spiel about how great Ektachrome is because it is 'iconic'.
The proper response is, "Thank you for the information; I didn't know that."Oh please.
No.Utter rubbish.
As for the radioactivity issue, I merely remarked that instead of spraying the returning capsule with antiseptic for 'Moon Germs' they might have been better employed partaking in standard decontamination procedures...
I said no such thing.Another emanates from JayUtah desperate to make out I believe the Moon has a real hill 66K high.
Asked and answered.Plus some spiel about how great Ektachrome is because it is 'iconic'.
Checklist: 1 Turn on TV camera. 2 Check high gain antenna is still pointing at Earth. 3 There is no 3.We were talking about Armstrong, Aldrin and Collins logistics in having to arrange a live TV broadcast from a specific location at a specific time from 250,000 miles away, as well as all the other stuff they had to coordinate via a crib sheet.
Explains it? Explains what exactly? Pointing an NTSC broadcast camera at a slow scan video monitor was a conventional method of doing a video standards conversion back in those days. None of that is puzzling or needs explaining. Nor does it use a satellite. Have you worked out what it is you imagine they needed a satellite for yet? Can you explain it yet?So NASA 'explains' it as their having to point the actual TV cameras at a monitor that only NASA had access to. Those images could have come from anywhere.
No, I can't find the answer to my question online at my library, because the question is what do YOU mean by "geopositioned"?I understood the issue immediately. If you do not understand it you can find stuff at your library or online that explains it all.
I used FP4 as my standard Black and white film with HP5 for lower light work.I use Ilford as well. I'm familiar with several film manufacturers. However the problem is that because you don't know anything about film photography, you thought Ektachrome and Kodak were two different companies, two different brands, with two different groups of people working for them. That's why you were trying to talk about employees of Ektachrome having a special role in Apollo. The people who make Ektachrome film are employees of Kodak, because it's their product line.
The larger issue is that you have variously appointed yourself either the arbiter of the Apollo authenticity question or the proponent of the case against the "debunkers," and we're pointing out that you fail at both tasks because you neither know enough about the Apollo program and its relevant sciences nor know enough about your sources and their flaws to speak intelligently about either one.
How many of them chose Ilford colour film for their trips to the moon?Just because something's a best seller with the public, doesn't= quality. All the photographers I knew used Ilford.
Well, my Pentax MX could be used with a 250 frame bulk film back. With the full motor drive (as opposed to the cheaper auto-winder) you couldThen why aren't they carefully bracketing their shots, as Marcus Allen tells us is the rule?
Yes, I used to photograph for a ballet academy and in those all-day sessions I would take around 10,000 frames. I can do this because digital photography allows it. Film photography takes bulky magazines. In the film days when my mentor and I shot graduations, we would need entire satchels of film. Weight and space were at such a premium on Apollo missions that the cameras themselves were deemed expendable.
The Apollo 11 mission had one roll of color film.
Percy says that he would accept the use of color reversal film if the astronauts had exposed a standard color chart for use in color calibration.
That's literally what NASA did!

As was explained the Moon is so close to Earth, if its 'hill' were to be achieved theoretically it would be sucked into Earth's gravitational force.
It's called the Hill sphere not because it, or any part of it, is a "hill," but after its discoverer, astronomer George Hill. Your rendition of it was so garbled that it took pages to figure out what you were trying to say.
Yes, that's a calibration frame.Is that what this image is? I came across it when browsing the Apollo 11 images, it's at the end/start of the Apollo 11 magazine 40.
Correct. Slow-phosphor television screens were manufactured for this purpose until delay-line technology became more robust.Pointing an NTSC broadcast camera at a slow scan video monitor was a conventional method of doing a video standards conversion back in those days.
She's just sticking to the story that we should consult our local library if we're confused.None of that is puzzling or needs explaining. Nor does it use a satellite. Have you worked out what it is you imagine they needed a satellite for yet? Can you explain it yet?
Circular nonsense argument. You thought it suspicious Ektachrome 160 wasn't sold to the public if it was so good. But it was sold and was very popular. Now you're decrying NASA for choosing it just because it was popular. Which is some nonsense you just invented in your head. And you appear to be implying it couldn't be any good really because your photographer pals all used Ilford. But Ilford were famous for their black and white negative films and not their colour films. I never knew anyone who preferred to use Ilford colour film.I don't need to hear how wonderful Kodak Ektachrome is. I know how business works. You are talking about product differentiation; that's what all brands strive for. Being popular with the public means diddly squat when it comes to assessing quality.
Ilford color film is not actually made by Ilford. No one uses Ilford color film who knows better.I never knew anyone who preferred to use Ilford colour film.
Circular nonsense argument. You thought it suspicious Ektachrome 160 wasn't sold to the public if it was so good. But it was sold and was very popular. Now you're decrying NASA for choosing it just because it was popular. Which is some nonsense you just invented in your head. And you appear to be implying it couldn't be any good really because your photographer pals all used Ilford. But Ilford were famous for their black and white negative films and not their colour films. I never knew anyone who preferred to use Ilford colour film.
Those aren't any debunker arguments.It's become a pretty pass when the best debunker arguments are:
that persons who come into contact with radioactivity will glow green in the dark that there exists a hill on the Moon that is 66K kilometres high Armstrong simply walked into Jessops and bought some Ektachrome 160 ISO for his trip.
The non sequitur logical fallacy.Then he's wrong.
Ektachrome was a popular film from It's introduction in 1959
If you don't understand the reasons for health & safety checks it's not for me to explain it further.Then why did you bring up "people [you] know who worked with radioactive substances [and] went through decontamination procedures after every shift"? What point were you trying to make by bringing them up?
The radiation environment
The first thing to get right is that 'radiation level' is not a single number. Beyond Earth orbit, astronauts face three overlapping hazards: trapped particles in the Van Allen belts, solar particle events from the Sun, and galactic cosmic rays from outside the solar system. The belts are intense but brief—the spacecraft crosses them quickly. Solar particle events are intermittent and operationally urgent; they can raise dose rates sharply over hours. Galactic cosmic rays are the chronic background: a low-dose-rate field of very high-energy particles, mostly protons but also heavy ions, present all the time and notoriously difficult to shield against. ANSTO