JayUtah
Penultimate Amazing
The inverted paraboloid luminance map is 100% responsible for both the aliasing he observes and the "halo."Yes, that last bit. From what I can tell, Nt1 has created anomalies is images that I suppose could be due to manipulation by shadowing forces or could just as easily be created by nt1's only manipulations.
Imagine a luminance (brightness) channel with values from 0 to 100. His curve would render brightness Y=45 and Y=55 as exactly the same brightness in the adjusted image, even though in the original image data those would differ by 10% of the brightness gamut. Further, since the first derivative of the curve is smallest at the apex, there will be very little difference in adjusted luminous intensity between all the values 45 ≤ Y ≤ 55. This is where these bright bands are coming from that he wants to attribute to "alpha channel halo."
Toy image manipulation programs generally don't handle alpha channels well. In an RGBA color space, a few will simply ignore the A (transparency) channel and apply full RGB to the composition. Thus rather than a smooth blending between foreground and background pixels as indicated by the alpha (A, brightness) channel, you would get a blocky, pixelated composition. Now in 2001, all the Adobe products obeyed alpha channels. So most of the handwaving about alpha channels is nonsense. But the real nail in the coffin is that in such compositions the alpha channel is simply not preserved. It's used in the operation of compositing and then discarded when the compositional layers are mixed down. None of the images @nt1 is using actually has an alpha channel. The notion that some fiddling with sliders can recover some "hidden" alpha-obscured data after composition is categorically absurd.