catsmate
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A lie.The forger had 18th century knowledge in the 13th century, that's a big pill to swallow.
A lie.The forger had 18th century knowledge in the 13th century, that's a big pill to swallow.
Untrue.There is dirt from Jerusalem on the shroud,
As I mentioned earlier in the list of reasons why we (or at least the rational amongst us) know the shroud is a fake is that it doesn't match Jewish burial customs.
No. You lying again.Full stop, the image on the shroud is distorted.
Start over.
The Pray Codex is evidence that it predates its appearance in Lirey, France.
You appear to have been beset by the Rouge Angles of Satin...Trivia time.
Back in the 90's on USENET there was one religious nutter named John Boatwright who had a particular fixation on the shroud. In one of the threads he had going on the issue several people well versed in it brought up the points about image distortion etc. to him, and he eventually convinced himself that four angles came down into the tomb and held the shroud taut between them, so that the 'resurrection energy' or whatever coming off of Jesus' body made the image look the way it does. IIRC he even tried to dig up some Biblical passages as support.
He had some similar whacked out notions regarding Noah's Ark, but for the moment I can't remember those. Reading the above refreshed my memory about his shroud ideas.
I would think it's more likely that is a genuinely old Jerusulum area cloth. I mean, if you were a relic forger in Italy, and the relic you were forging was supposed to be, even at that time, over a thousand years old, and pilgrims and traders might recognize authenticity, wouldn't you ask one of the crusaders or Templars or whoever to score you some old Jerusulem area cloth? It makes more sense than making a relic out of brand new Italian cloth.Evidence for this assertion?
And we're still waiting for you support your claims regarding the herringbone weave....
I don't think they went to that much trouble. The forger used European cloth (the herringbone weave shows that) and clearly knew little of Jewish customs.I would think it's more likely that is a genuinely old Jerusulum area cloth. I mean, if you were a relic forger in Italy, and the relic you were forging was supposed to be, even at that time, over a thousand years old, and pilgrims and traders might recognize authenticity, wouldn't you ask one of the crusaders or Templars or whoever to score you some old Jerusulem area cloth? It makes more sense than making a relic out of brand new Italian cloth.
Thanks, I didn't follow the last one. There is a lot of conflicting information out there about this thing. Regarding the blood, there are sources that say it was found and identified as human and type AB. Others say it has traits of blood, but belongs to an "unidentified species".I don't think they went to that much trouble. The forger used European cloth (the herringbone weave shows that) and clearly knew little of Jewish customs.
The idea that there is evidence for Limestone fro the MidEast on the shroud is one of serial fraudster Max Frei's lies. W dealt with that one in the last shroud thread.
Science, however, says there is no proof of blood......Thanks, I didn't follow the last one. There is a lot of conflicting information out there about this thing. Regarding the blood, there are sources that say it was found and identified as human and type AB. Others say it has traits of blood, but belongs to an "unidentified species".
This is why I asked why our OP has referenced the Qur'an a number of times. Islam teaches that Jesus did not die by crucifixion. The OP has also tried to implicate this teaching in a supposed motivation for why the Archbishop of Turin would switch the samples, but I'm unclear on where that argument is supposed to end up. For the sake of argument, if the shroud is authentic and it authentically depicts someone who wasn't dead at the time it was applied, and the Qur'an teaches that Jesus wasn't dead when he was shrouded and entombed, then the shroud...proves that Islam is correct? I don't know if that's the line of reasoning, but if so, it's certainly a novel one.Aside from the fact that all four Gospel accounts state emphatically that Jesus died on the cross...
If I remember correctly wasn't Frei likely also responsible for the almost certainly fake Palestine pollen results?I don't think they went to that much trouble. The forger used European cloth (the herringbone weave shows that) and clearly knew little of Jewish customs.
The idea that there is evidence for Limestone fro the MidEast on the shroud is one of serial fraudster Max Frei's lies. W dealt with that one in the last shroud thread.
Thanks!!Since we're heading into Fringe Eset time I think it's time to recapitulate the evidence against the authenticity of the shroud:
1. Historical:
a) the lack of evidence for the shroud's existence prior to the mid fourteenth century
b) it's emergence during the 'holy relic' craze (along with about forty other such burial shrouds)
c) lack of mention of a miraculously imaged Shroud in any early Christian writings
d) the distinct changes in the shroud, fading of colour, since its first exposure
2. Physiological:
e) the lack of resemblance of the shroud image to an actual human body;
f) likewise the position of the body with hands folded across the genitals which simply isn't possible for a body lying flat (the arms aren't long enough)
3. Textile:
g) the weave pattern of the shroud does not match anything known from first century Mid East
h) the weave pattern matches medieval Europe well;
i) no example of the complex herringbone twill weave has even been shown to come from the first century Mid East
4. Testimony:
j) the d'Arcis Memo indicates the shroud was created around 1354 and was a known fake
5. Artistic:
k) the face of the image resembles medieval Byzantine style, with Gothic elements;
l) the unnaturally elongated body shape and extremities are typical of the elongated style the Late Medieval/High Gothic period
6. Reproducibility:
m) contrary to the claims of shroudies the image can and has been reproduced using medieval methods
7. Analytic:
n) microscopic examination, (including non-visible, polarised light and electron microscopy) shows the shroud is composed of common artistic pigments of the period of its origin
o) chemical testing shows the same
p) radiocarbon testing, carried out under highly controlled conditions by three laboratories. showed the cloth to originate between 1260 and 1390AD (>95 per cent confidence) and between 1000 and 1500AD (>99.9 per cent confidence)
8. Cultural:
q) the shroud does not match with what is documented and known of first century Jewish burial practices
r) nor does the shroud match the only extant sample of such burial cloths;
s) neither does the shroud match the biblical accounts of the burial cloths;
t) there are no demonstrated artefacts of the putative Jesus extant today
u) the supposed historical background does not suggest that such a cloth would have been preserved, certainly without publicity prior, to ~1355
9. Serological:
v) a minor point (as blood probably wouldn't survive this long anyway) but despite the best attempts of (and much lying and pseudoscience by) shroudies, there is no evidence for blood residue
Radiocarbon dating.
And a quick summary of the radiocarbon dating.
1. under heavy supervision a sample of the shroud were removed on 21APR1988 by Riggi; the strip came from a single site on the main body of the shroud away from any patches or charred areas and was split into three pieces and sealed into containers by Ballestrero and Tite.
2. the samples were subjected to a dating technique called accelerator mass spectroscopy, selected because it required less sample material than earlier techniques; three labs, Oxford, Arizona and Zürich were selected to carry out the testing
3. cleaning was done with expert input (including Proctor & Gamble), this removed ~30% of the sample mass. Each laboratory used slightly different methods; hot ether, ultrasonic bath, vacuum pipette, repeated acid and alkali baths with intermediate washing, detergents, ethanol, bleach
4. the three laboratories analysed shroud samples in conjunction with three other supplied sample of known provenance
5. all three analyses agreed, the shroud dates from 1260 and 1390AD (>95 per cent confidence) and between 1000 and 1500AD (>99.9 per cent confidence)
6. the results were formally published in Nature in February 1989:
“These results therefore provide conclusive evidence that the linen of the shroud of Turin is medieval”
7. accusations from believers began almost immediately accusing scientists of faking the tests or substituting samples.
8. later various claims of mysterious contaminants or patching were invoked to justify non-acceptance of the dating results
And finally more than any shroudie ever wanted to know about decontamination of the shroud samples.
Each laboratory (Zürich, Oxford and Arizona) carried out a comprehensive, multi-stage, cleaning of their sample. Firstly by microscopic examination and removal of gross contaminants, followed by preliminary cleaning using a mix of ultrasonic bathing, vacuum pipetting and/or hot ether soaking.
After this the samples were split and more stringent methods were used.
Zürich.
The Zürich group split each ultrasonically cleansed sample in half; the first half of the original sample was again split into three parts and these [one sixth portions] were subjected to different tratments:
1. soaking in room temperature baths of 0.5% hydrochloric acid, 0.25% sodium hydroxide and then acid again; samples were rinsed with purified water between each course.
2. no further treatment
3. soaking in hot (80°C) 5% hydrochloric acid, 2.5% sodium hydroxide and then acid again; samples were rinsed with purified water between each course.
The second batch of samples were retained until after the first radiocarbon dating run was completed. As this showed no evidence of contamination, the second set was split into two portions, to which the weak and strong chemical treatments were applied.
Arizona.
The Arizona group split the shroud sample into four subsamples.
1. one pair of subsamples was treated by soaking in dilute hydrochloric acid, dilute sodium hydroxide and again acid, with purified water rinsing in between baths.
2. the second pair of subsamples was treated with two commercial detergents (with advice supplied by Proctor & Gamble), distilled water and 0.1% hydrochloric acid; after this the samples were then submitted to a Soxhlet extraction with ethanol for an hour, followed by further washing with distilled water at 70°C in an ultrasonic bath.
Oxford.
The Oxford group divided their pre-cleaned sample into three parts.
1. all three parts were bathed in 1 molar hydrochloric acid at 80°C for two hours followed by 1 molar sodium hydroxide at 80°C for two hours and again in acid, with rinsing in between.
2. two of the three samples were then bleached in 2.5% sodium oxychloride [bleach] for thirty minutes.
Each laboratory used the same techniques on the four cloth samples provided, the shroud and the three controls with one exception; one of the control samples used at Zürich disintegrated while being cleaned and so it was additionally centrifuged to retain the material.
As a result of this overwhelming evidence it is reasonable to assume that:
The "Shroud" is a medieval fake.
I don't get this two of the results over lap within one standard deviation, (68% likely hood of being accurate), and all three results over lapping with two standard deviations, (95% chance of being right). So the problem?Not Fanti's nonsense again.
Next it'll be the magic god energy.
That's not even the worst of that nonsense. First, the publishing organization is focused on acheiropoietos. To save you from Googling, that's the pseudoscience that tries to pretend there is a scientific explanation for Christian icons that are purported to have been created by supernatural means. The organization no longer exists.Looked at the paper, https://www.researchgate.net/public..._1988_Turin_Shroud_radiocarbon_dating_results, it is bad. Do they not understand standard deviations?
I am not the OP, you are confused.This is why I asked why our OP has referenced the Qur'an a number of times. Islam teaches that Jesus did not die by crucifixion. The OP has also tried to implicate this teaching in a supposed motivation for why the Archbishop of Turin would switch the samples, but I'm unclear on where that argument is supposed to end up. For the sake of argument, if the shroud is authentic and it authentically depicts someone who wasn't dead at the time it was applied, and the Qur'an teaches that Jesus wasn't dead when he was shrouded and entombed, then the shroud...proves that Islam is correct? I don't know if that's the line of reasoning, but if so, it's certainly a novel one.
Standard deviation is not a test for accuracy.I don't get this two of the results over lap within one standard deviation, (68% likely hood of being accurate), and all three results over lapping with two standard deviations, (95% chance of being right). So the problem?
Looked at the paper, https://www.researchgate.net/public..._1988_Turin_Shroud_radiocarbon_dating_results, it is bad. Do they not understand standard deviations?
But the assumption is correct, that you are arguing that this was the burial cloth of Jesus, just that he hadn't died?I am not the OP, you are confused.
Not Frei's.Untrue.
Stop repeating Frei's debunked lies.
I try to refrain from calling it the shroud of Christ, may have mistaken done that. I try to say the man in the shroud, who is definitely not Christ or God.But the assumption is correct, that you are arguing that this was the burial cloth of Jesus, just that he hadn't died?
I confess that you seem to be arguing simultaneously that it is both genuine yet not the Christ, which is confusing.