Miracle of the Shroud II: The Second Coming

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The logic goes like this:

The cloth is the original burial shroud of Jesus, therefore:

1. The image on the shroud is an imprint of a dead body.
--- The shroud is not a painting.
--- The stains are real blood.
2. The details are consistent with scourging and crucifixion.
3. The stains on the shroud depict the injuries that the Gospels report.
4. Even today, no scientist or artist can fully replicate the shroud.
5. There is nothing like it in all of ancient art.
6. The carbon dating (of the 14th century) is suspect.
7. The documented history of the shroud can be traced back with certainty only to the mid-14th century. However, several important clues show that the shroud probably existed long before that time.
--- The Sudarium of Oviedo is a perfect match (except involving whole blood rather than blood exudate) with the face portion of the Shroud, and the Sudarium has a documented history going back to at least700 AD.
8. If it was done by an artist, the artist would have been a genius beyond Da Vinci.

And no, Renaissance artists like Da Vinici had an understanding/ care for perspective and anatomy that would put not result in the absurd "shroud" image.
 
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1. The image on the shroud is an imprint of a dead body.
This is one that has always intrigued me. If it's an "imprint", then why doesn't it show some wraparound effects? Think of it if you wrap a piece of cloth around a three-dimensional object, then you get the front side in the middle and both lateral sides on either side of the front. The picture on the shroud looks more like a projection, or, more plausibly, a two-dimensional representation of a three dimensional object. Sort of like an image painted on a piece of cloth.

Can you explain how the "imprint" shows the front and some of the side figures that stick out, but no features of the sides of the body or the face?
 
Jabba wrote:



Nonsense. There is no image on the Sudarium that matches the shroud of Turn, and 700 AD is not 1st century AD. This is another example of your disingenuous desperation.

According to prominent sindonologists, the sudarium of Oviedo show bloodstains that are exactly the same (or exactly match) as the bloodstains on the head shown on the shroud of Turin.

I will not further comment this as I have the feeling I am entering in the kingdom of Rorschach.
 
According to prominent sindonologists, the sudarium of Oviedo show bloodstains that are exactly the same (or exactly match) as the bloodstains on the head shown on the shroud of Turin.

I will not further comment this as I have the feeling I am entering in the kingdom of Rorschach.

I am not dogpiling you, but think about this sidonist claim...

1. If the SoO had, in fact, been "wrapped" around a dead head, its "stains" could not be "exactly the same" as the "stains on the COQ, which shows no sins of being "wrapped" around anything.

2. The SoO is also ~700 years old, which obviates it being an indication taht the CIQ is not of an age...
 
- I should try again to explain my logic re my current conclusion about the shroud -- my conclusion being that the shroud is probably authentic (and therefore, about 2000 years old).
This is exactly backwards. You're starting with the conclusion that the shroud is 2000 years old (i.e. "authentic" = 2000 years old) and then using that as evidence of the shroud's age. That is woefully poor thinking. Actual logic would be to present evidence that the shroud is 2000 years old, and then use that as a reason to believe its authenticity.

1. The image on the shroud is an imprint of a dead body.
--- The shroud is not a painting.
--- The stains are real blood.
The image is most likely not an imprint of a body due to the poor proportions, the lack of space at the top of the head, and the lack of wrapping distortion.
There has been no test that has proven positive for blood. At best, some tests have been consistent with blood and other potential sources. There has been a test that is positive for pigment.
Regardless, none of this says anything about the age of the shroud.

2. The details are consistent with scourging and crucifixion.
There are a plethora of works of art that are consistent with scourging and crucifixion.
Regardless, it doesn't say anything about the age of the shroud.

3. The stains on the shroud depict the injuries that the Gospels report.
There are a plethora of works of art that depict the injuries that the Gospels report. Also, the injuries on the shroud are not entirely consistent with the Gospels (hand vs. wrist).
Regardless, it doesn't say anything about the age of the shroud.

4. Even today, no scientist or artist can fully replicate the shroud.
Not true. There have been several people that have been able to make similar images.
Regardless, it doesn't say anything about the age of the shroud.

5. There is nothing like it in all of ancient art.
Maybe true.
Regardless, it doesn't say anything about the age of the shroud.

6. The carbon dating (of the 14th century) is suspect.
Not at all. There were three independent tests that all came to the same conclusion. Even if we can assume all three were wrong, an error in the concluded age cannot give a positive result for another age. It also doesn't mean that the shroud cannot be ~700 years old.
Regardless, it doesn't say anything about the age of the shroud.

7. The documented history of the shroud can be traced back with certainty only to the mid-14th century. However, several important clues show that the shroud probably existed long before that time.
--- The Sudarium of Oviedo is a perfect match (except involving whole blood rather than blood exudate) with the face portion of the Shroud, and the Sudarium has a documented history going back to at least700 AD.
Doesn't the fact that the carbon dating concludes the same age as the known provenance tell you something? The SoO is hardly a "perfect match". And it hasn't been around "at least" since 700 AD; it was radiocarbon dated to 700 AD.
Regardless, it doesn't say anything about the age of the shroud.

8. If it was done by an artist, the artist would have been a genius beyond Da Vinci.
That's debatable. Though even if true, geniuses are not confined to a specific time in history.
Regardless, it doesn't say anything about the age of the shroud.

- Anyway, my contention is that if my intermediate conclusions listed so far are correct, the shroud probably IS 2000 years old -- and, surely I'll remember more supportive intermediate conclusions as I scour my head and previous writings.
None, absolutely none, of the points you raised address the age of the shroud. If all of the above were true, we are not one step closer to knowing the age of the shroud. The only item above that peripherally relates to age actually is counter to your argument. You reference another artifact that also didn't exist in the first century. This "intermediate conclusion" goes against your preconceived conclusion.

- Whatever, the actual "evidence" is at the bottom of the pyramid, and I'm trying to work my way down to it -- and report it. That's what I've been doing re the links I've provided so far -- and, you'll see that I've provided lots of links over the past three years. You guys just think that you've refuted them all. But, I disagree -- you have refuted some of them, but mostly you've presented arguments against them, and I just haven't had time to present what would be my retorts.
You don't start with a conclusion and then work your way down to the evidence. The evidence should lead you to a conclusion. Evidence is where you are supposed to start, not finish.
Before mentioning your history of posting links, you should go back and review some of them. The one you provided earlier today actually stated the exact opposite of what you were arguing. And it isn't the first time.

To conclude, forget all this and just please present evidence that the shroud is 2000 years old.
 
According to prominent sindonologists, the sudarium of Oviedo show bloodstains that are exactly the same (or exactly match) as the bloodstains on the head shown on the shroud of Turin.

I will not further comment this as I have the feeling I am entering in the kingdom of Rorschach.


Evidence or it never happened. I've seen these "exact bloodstains' reports. They only convince the pathologically credulous.
 
I am not dogpiling you, but think about this sidonist claim...

1. If the SoO had, in fact, been "wrapped" around a dead head, its "stains" could not be "exactly the same" as the "stains on the COQ, which shows no sins of being "wrapped" around anything.

2. The SoO is also ~700 years old, which obviates it being an indication that the CIQ is not of an age...

I apologize for the mental error.

the highlighted bit should have read,

"2.The SoO is also dated to about 700 CE, which obviates it serving as an indication that the CIQ is 2000 year old."
 
Jabba -

Casting doubt on the idea that the shroud is a painting from about 1400 does not make it more likely to be 2000 year old burial shroud of Jesus.

The one new piece you offer (in your otherwise circular argument) is that the shroud is like the Sudarium of Oviedo in some ways and that cloth definitely dates to 600 or so.

The problem is that it appears that the caretakers of that cloth have been as stingy with access as the caretakers of the shroud. And, of course, speculating that one and the other might be related is just as good as any other speculation.

In fact, a face cloth at least appears to be mentioned in the gospels. A shroud never was. Evidence for one does not bolster the evidence for the other.
 
I am reasonably confident that when scientists dig it out of a landfill ~700 years from now, they will say that there is nothing else like it in all of late 20th century art. But hopefully they won't assume its uniqueness means it was actually produced some time in the 1700s.
I am reasonably confident that when scientists dig YOU out of that same landfill ~700 years from now, they will say that there is nothing else like it in all of late 20th century dumpology. :) :) :)
 
Isn't it funny that Jabba disputes the dating of the Shroud of Turin, which was done by three separate laboratories, yet he unquestioningly accepts the dating of the Sudarium of Oviedo, which was done by only one laboratory? It also seems to be the case that the laboratory that carried out the carbon dating believes the Sudarium was contaminated and that their own results cannot be trusted, which cannot be said for the Shroud.
 
Isn't it funny that Jabba disputes the dating of the Shroud of Turin, which was done by three separate laboratories, yet he unquestioningly accepts the dating of the Sudarium of Oviedo, which was done by only one laboratory? It also seems to be the case that the laboratory that carried out the carbon dating believes the Sudarium was contaminated and that their own results cannot be trusted, which cannot be said for the Shroud.

And even accepting the 14C date, the Sudarium isn't old enough to be authentic either.

Arguments rarely get any flimsier than Jabba's
 
Me: I'm thinking of a number.

Person using Jabba's logic: Eight.

Me: No, it can't be eight.

Person using Jabba's logic: Then it absolutely must be 3,645.18.
 
Me: I'm thinking of a number.

Person using Jabba's logic: Eight.

Me: No, it can't be eight.

Person using Jabba's logic: Then it absolutely must be 3,645.18.

Me: I'm thinking of a number.

Person using Jabba's logic: I believe it's 3,645.18.

Me: You believe wrong.

Person using Jabba's logic: Is it A?

Me: A isn't even a valid number. No, it's not A.

Person using Jabba's logic: If it's not A, that just means it's more likely to be 3,645.18. My belief remains unshaken.
 
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I'm guessing Jabba is about to move-on like he finally did with the Proof of Immortality thread.

If so, best wishes to you Mr Savage. You have done nothing to support the authenticity of the CIQ .

I can't wait to see what you come-up with next.
 
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Me: I'm thinking of a number.

Person using Jabba's logic: I believe it's 3,645.18.

Me: You believe wrong.

Person using Jabba's logic: Is it A?

Me: A isn't even a valid number. No, it's not A.

Person using Jabba's logic: If it's not A, that just means it's more likely to be 3,645.18. My belief remains unshaken.

I'll just leave this here:

"The problem with the world is that the intelligent people are full of doubts while the stupid ones are full of confidence." Charles Bukowski
 
From the BBC: In a carefully worded announcement, the Archbishop of Turin says that the Pope "confirms the devotion to the shroud that millions of pilgrims recognise as a sign of the mystery of the passion and death of the Lord".

So he won't say it's authentic, and he won't say the Church recognises it, but he encourages "millions of pilgrims" to come to Turin to venerate it and donate a few € no doubt while they're in the Cathedral.
 
So he won't say it's authentic, and he won't say the Church recognises it, but he encourages "millions of pilgrims" to come to Turin to venerate it and donate a few € no doubt while they're in the Cathedral.

Funny that isn't it?

Just apalling that they know there is no good evidence that it is authentic, in fact the tests done thus far have pointed the other way...but apparently for most not conclusively, and therefore it remains a mystery and it is suitable for encouraging another tax on the gullable...meh.
 
2000 Yrs?

Hugh and Ward,
- Do you guys agree with the rest -- that my logic is illogical?
 
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