Slowvehicle
Membership Drive , Co-Ordinator,, Russell's Antin
Slowvehicle,
- You apparently discount Piczek's explanation of the anomalies of the figure. If I'm correct in my assumption, why do you discount her explanation?,
Mr. Savage:
I do wish you would stop making unwarranted assumptions, particularly when you hole by them to put words in my mouth.
You, yourself, have obviated a major component of Piczek's "it can't be a painting" screed. The CaCO3 on the CIQ is ubiquitous (nor is it a "special" CaCO3 "only found in the Middle East").
Which, specifically, of Piczek's otherrationalizations do you, personally find compelling?
1. The figure's head comes to a chisel point. There is no space between the representation of the front of the head (the face), and the representation of the back of the head (the occiput) for the top of the head (the crown). How, in your opinion, does Piczek account for this anatomical abnormality,and why do you find her account convincing? Further, what has her rationalization to do with the age of the CIQ?
2. The figure's arms are abnormally long, and asymmetrical. Notice that it does not do to specially plead that the arms must have been dislocated during crucifiction; the representation of the very bones of the arms themselves are impossibly long, and mismatched. How, in your opinion, does Piczek account for this anatomical absurdity, and why do you find her account convincing? Further, what has her rationalization to do with the age of the CIQ?
3. The image's hands are represented as reaching to cover the (missing) representation of the figure's genitalia. Notice that #2, above, makes a mockery of the specially-pled "Shroud SlouchTM"; the representation's arms reach the representation's crotch not because the figure's spine is represented as being drawn up into a contortion not seen in corpses on flat surfaces, but because the figure's arms are represented as ridiculously long. How, in your opinion, does Piczek account for this anatomical and postural absurdity, and why do you find her account convincing? Further, what has her rationalization to do with the age of the CIQ?
4. The representation of the front of the image does not orthographically map with the representation of the back of the image. How, in your opinion, does Piczek account for this anatomical impossibility, and why do you find her account convincing? Further, what has her rationalization to do with the age of the CIQ?
5. I have explained the problem with the representations of blood in the hair and on the arms of the representation on the CIQ. You have yet to address those problems. How, in your opinion, does Piczek account for this anomalous fluid behavior, including (but certainly not limited to) the problem of either ritual uncleanness or scriptural inaccuracy, and why do you find her account convincing? Further, what has her rationalization to do with the age of the CIQ?
6. The CIQ cannot be rationalized as either being δέω ("wound, bound, tied"--G1210) or ὀθόνιον (" 'strips' as used for binding the dead"--G3608) as found in the 'god'spiel of "John". How, in your opinion, does Piczek account for this historical and scriptural incaccuracy, and why do you find her account convincing? Further, what has her rationalization to do with the age of the CIQ?
I eagerly await your responses, especially regarding the age of the CIQ.
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