angrysoba
Philosophile
I would add elitism, or the desire of one to be part of the clique who "gets" it.
I think that is, ironically, a supercilious opinion.
I would add elitism, or the desire of one to be part of the clique who "gets" it.
You and others here forget the more prosaic possibility that people actually like the type of art you hate. The idea that it must be about marketing or elitism is really a displaced argument from incredulity: you can't believe people like it so it must come down to some deficiency in that person that you have invented for them.
Yeah, there's no examples IRL to go on, so you must be right.![]()
Good, now I can talk about you without you responding. Brilliant tactic.It's difficult to have a proper conversation with someone who insists on posting in this whiny bitch manner so I am going to stick you on ignore now.
Ja ne!
The fact that pretty much anyone with a few pints of paint and a canvas can create something in about an hour that is indistinguishable, even by so-called experts, from a genuine Jackson Pollock without fingerprint analysis pretty much says it all for me.
As for balance, there's nothing there to balance. They're effectively random. Just layers of splattered paint. There are no forms, no interplay of light and shade, nothing but just splatters of paint. They look like random plaint splatter, because they are random paint splatter.
I think to a great extent the popularity of his splatter work is the epitome of pretension. Critics and aficionados displaying how much more knowledgeable, sensitive, or whatever than the hoi polloi. Only those with superior taste and discernment can appreciate the true genius... etc. etc. Spent too much time around people like that, and art like that, when I was still active in the scene. Too many hours spent in galleries reading artists' "vision statements" that were clearly the work of far more though and effort and imagination than anything they stuck up on the wall.
You and others here forget the more prosaic possibility that people actually like the type of art you hate. The idea that it must be about marketing or elitism is really a displaced argument from incredulity: you can't believe people like it so it must come down to some deficiency in that person that you have invented for them.
I suppose you're right. I can't believe that anyone would actually pay for a Pollock drip painting when they could easily make their own. If we were talking mass market low dollar art then I could maybe understand it, not worth the hassle of creating your own. Since we are talking about high dollar paintings I say skip the middleman and the cost and do it yourself. Hell, maybe I will open my own studio in my garage and sign my masterpieces Jackin' Polack. I could probably generate some cash from the less literate art lovers.
I've already made some when I've been painting house walls. They are on tarps that usually get tossed eventually but maybe a couple are hanging in museums and I haven't been compensated because they're unsigned. I like being boorish and part of the unwashed masses, it smells like victory!
The thing is, you didn't. Picasso did. You either didn't think of it, or don't have the technical skills necessary (eg, I've never welded anything before and I don' t know how to create welded steel sculpture) to create such artwork. Picasso did both come up with the idea, and have the technical wherewithal to put such a thing together.I'm pretty sure that's not true. Among other things, Pollock described his technique. Secondly, as a person who has tried (and failed) to paint, I can recognize how difficult his pieces are to replicate.
You say above that anyone anyone can replicate these... I'm pretty sure that's not special to Pollock, and probably not a good way to interpret 'good' art from bad. Particularly with an eye to invention.
As an example, I can assemble bicycle parts into a bull's head the same way Picasso did. I can't imagine why this would be put forward as evidence Picasso was a fraud.
I think that is, ironically, a supercilious opinion.
Pollock had a technique that manifested in his work in a way that would make your drop sheets readily distinguishable to someone who knows his work. Smells like wallowing in ignorance.
Any opinion where you think others are wrong could be called that, Soba. The question is: am I wrong ? Perhaps some psychologist could chime in, but in _my experience_, it's a factor: people who pretend to 'get' an artwork in order to be part of the clique.
I suppose you're right. I can't believe that anyone would actually pay for a Pollock drip painting when they could easily make their own. If we were talking mass market low dollar art then I could maybe understand it, not worth the hassle of creating your own. Since we are talking about high dollar paintings I say skip the middleman and the cost and do it yourself. Hell, maybe I will open my own studio in my garage and sign my masterpieces Jackin' Polack. I could probably generate some cash from the less literate art lovers.
So it was totally impossible to replicate his style?
Art collectors paid $1.9 million for fake Jackson Pollock paintings — including some splattered works that were audaciously sold on eBay.
Any opinion where you think others are wrong could be called that, Soba. The question is: am I wrong ? Perhaps some psychologist could chime in, but in _my experience_, it's a factor: people who pretend to 'get' an artwork in order to be part of the clique.
No, what makes it supercilious is that you claim to know people's preferences better than they do.
You assert that people are conned into saying they like art because they want to be in the in-crowd.
That is to say you reach for motivations which diminish the people you are talking about.
I like Pollock's work, and can categorically state that I have no desire to be in a clique.