asydhouse
Master Poster
This of yours, in response to:
I appreciate the fine, lyrical style in which you answered my question. Your attention to the crafting of the backstory, particularly, brought a tear to my eye. A frisson thrilled my being.
Be that as it may, if you have, in fact, performed any kind of art under the instruction of a truly good director (or choreographer, or conductor, or any other kind of coach/teacher), you have had the opportunity to notice a fact of life:
When one has just been informed by one's choreographer that one's unisson fails of the ensemble by a step-and-a-half, one does not respond, "Please comment in details about the gestrual perfection of my expressive linkage of the classical and soft-shoe breakdancing," instead, one addresses the fact that one's fundamentals need remediation.
When one has just been told that one's assay of the Tuba Mirum is more suited to a death-metal thrash mob than to anything Mozart ever wrote, requiem or no, one does not respond, "Please comment in details about the quality of my liturgical Latin/rhyming slang dialectical synthesis; which I claim all true singers employ; for without such synthesis, it is not music," instead, one studies the fundamental techniques needed to deliver Mozart intelligibly.
When one has just been told that one's Lear appears to caper about the stage in a manner more suited to blackface minstrelry than the Bard, one does nor respond, "Please comment in details about my unique and personal take on the repersonalization of Lear as a Richard III clone, particularly with respect to the integration of the physical deformities and sweeping post-modern swishilly butch homosexuality," one addresses the fundamental mistaking (literally, mis-taking) of one's personification of the blasted King.
When the ship is sinking, one does not demand of the captain that she address, "in details", the unsuitable fabrics, infelicitous colors, inauspicious groupings, and general shoddiness of the deck chairs one has provided.
Unless and until you repair the basic errors of your construction: from your insistence that levers work by the "stable and the unstable edge"; through your intransigent insistence that Pythagoras' Theorem is "about" levers; on past your claim that science can only proceed through a supposed "linkage" "among[sic]" the "variant and the invariant"; right up to your infacility with the actual techniques of laboratory studies; there is no "in details" to which to respond.
Fix the fundamentals. Then and only then would it make any sense at all to address any of your other errors "in details"
See? You need to get over yourself, adopt a more humble approach, and knuckle down to doing some personal growth work to learn how to communicate: it's a two way process, but all you do is insist that your bad analogies must be accepted without alteration or clarification… you are not learning anything, and also you are not teaching anything… you are effectively dwelling in delusion and insisting it be pronounced TruthTM.
I'm not wasting my time arguing your bogus "details"! I don't know why you spend your time and energy in this tedious and unproductive way. Your argumentative and downright rude attitude is a poor advertisement for your supposed technique of meditation.
